作曲理論研究履修大学院生作曲専攻修了生派遣経費支援[中村研] 交流校交換留学生(RCM)納谷デリス舞弥 Delyth Field [担当:酒井研,2022年度] 大学院研究留学生(ニューヨーク州立大学卒業[作曲,哲学]) Ben Bisgno [2018年9月-2019年9月] [担当:酒井研→中村研,2019年9月-2020年9月] → 本学大学院美術研究科構想設計専攻2021年4月入学2023年3月修了 *石川康平2022年度休学中ー高等音楽院パリ高等音楽舞踊学校入学
2022 Conservatore National Supérieur de Musique 入学
2021 CRR de Blogne -Billiancourt入学 2020青少年のための現代音楽作曲講座成果発表会 人一人一人 2019 FORME UNIQUE CONTINUITÀ SPATIO 2019 優勝 Bruno Maderna Award[Chamber Music division]
Special Award [String Quartet] [Budapest] Published Grand Prix Work@Musica Budapest 2020 第37回現音作曲新人賞 入選 [東京] 2019 FORME UNICHE CONTINUITÀ SPAZIO 2019 Giaccomo Leopardi Special Award [Solo Instrument] [FERMO,ITALY-KYOTO] 2015 21st Century Japanese Music Project : New Music Composition Contest Encouragement Prize [TOKYO-YOKOHAMA]
70+Anniversary Faculty of Music,Kyoto City University of Arts Still Ongoing Summer-Autumn Presentation Relay Recording Session Project !!!!!! 2012- Present Time 2023 Spring Summer Recording Session 2/3 Vocal Ensemble &Orchestral Texture Miniature&Piano Song Recording Session ORCHESTRAL TEXTURE MINIATURE RESEARCH STUDIO TRADITION & CREATION Orchestra Harp Concerto Violin Concerto Piano Concerto Vocal & Orchestra
网上节日《生命的器官》京都市立艺术大学音乐学院70+周年纪念 온라인 페스티벌 《생명의 존재》 음악학부 70주년 플러스 Online Festival 生命の在り処 Organ for Life 音楽学部70周年プラス 2023年8/26-10/7毎週土曜21:30-23:00研究室WEB公開 第1回8/26 第2回9/2 第3回9/9 第4回9/16
◎二重奏 Duo Sergei Rachmaninov - Vocalise Euphonium - 友澤実咲토모자와 미사키 Tuba -松本将輝마츠모토 마사키松本将
◎管弦楽曲 Orchestral Bartok Bela : Musik für Seiteninstrumente,Schlagzeug und Celeste I II III IV 巴托克·贝拉 발톡 벨라 巴托克·貝拉 バルトーク・ベラ - 弦楽と打楽器、チェレスタの音楽 Conducting -丰福隼人토요 후쿠 하야토 豊福隼人
◎交響曲Sinfonie Ludwig vanBeethoven - 6.Sinfonie 路德维希·范·贝多芬 - 第六交响曲 루트비히판베토벤 - 교향곡 6번 ルートヴィヒ・ヴァン・ベートーヴェン-交響曲第6番 I II III IV V Conducting - Imura Yu 井村佑羽 이무라유 井村佑羽 ensembleclumusica
◎ヒルデガルド・フォン・ビンゲン 聖歌集 Hildegard von Bingen 希尔德加德·冯·宾根 힐데가르트폰빙엔希爾德加德·馮·賓根 - Spiritus Sanctus 聖靈 Trumpet -Furukawa Miho 古川美歩후루카와미호古川美歩
◎独奏 Solo Yun,Isang -Etude III尹伊桑윤이산尹伊桑-练习曲III에뛰드III練習曲III Piccolo -Ito Akiko 伊藤亜希子이토우아키코伊藤亜希
Gao Ping -Daydream II 高平-白日梦 II 백일몽 II 白昼夢 II Piano -Yang Kevin 杨开雯 양카이웬 楊開雯
Ito Keisuke- internodes 伊藤庆佑이토우게이스케伊藤慶佑-节间인터노드インターノードス Flute -Hashimoto Takehito 桥本岳人 하시모토타케히토橋本岳人
◎室内楽テクスチュアミニアチュール Texture-Minature,Musique de Chambre YukiyoOkada - 夢現Entre le rêve et la réalité 冈田幸世 오카다유키요 岡田幸世 - 夢現 Entre le rêve et la réalité Takubo YukiShimizuEriMuzuno Mayuri TsukamotoHiraki 田久保友妃 清水絵理 水野万裕里 冢本开 타쿠보유키시미즈에리미즈노마유리츠카모토히라키 田久保友妃 清水絵理 水野万裕里 塚本ひらき
내 날개는 어디에 있어야 할까요 何処翼之平安 どこで羽を安めよう Oe Runa Kumaki Yuma Takada Mizuki 大江留菜 오에 루나 大江留菜 熊木夕茉 쿠마키 유마 熊木夕茉 高田瑞希 타카다 미즈키 高田瑞希◎交響曲Sinfonie Ludwig van Beethoven - 1.Sinfonie I II III IV 路德维希·范·贝多芬 - 第一交响曲 루트비히 판 베토벤 - 교향곡 1번 ルートヴィヒ・ヴァン・ベートーヴェン-交響曲第1番 Conducting - Higashio Tamon 东尾多闻 히가시오 다문 東尾多聞 ensemble clumusica
◎ウクライナへの祈り vocal ensemble 子守唄 Колискова [ Lullaby of Ukraine ] 내 날개는 어디에 있어야 할까요 何処翼之平安 どこで羽を安めよう Oe Runa Habu Natsumi Kumaki Yuma Conducting - Higashio Tamon ensemble clumusica 大江留菜 오에 루나 大江留菜 土生夏未 하부 나츠미 土生夏未 熊木夕茉 쿠마키 유이 熊木夕茉 东尾多门 히가시오 다문 東尾多聞
◎歌曲 Klavierlied Piano Song Alma Mahler [Text : Rainer Maria Rilke ]:Leise weht erstes Blühn 静かに咲く初めの花 Baritone - Sanuki Haruto 佐贯遥斗 사누키 하루카 佐貫遥斗 Piano - Megata Yuka 目贺田侑伽 메가다 유가 目賀田侑伽 Nadia Boulanger :Elegie [ text : Albert Samain ] Soprano - Habu Natsumi 土生夏未 하부 나츠미 土生夏未 Piano - Koezuka Nanaka 肥冢菜々花 코에 즈카 나나카 肥冢菜々花
◎新作歌曲 Neues Klavierlied New Piano Song 新作歌曲管弦楽 Neues Orchesterlied Yukiyo Okada 岡田幸世 오카다 유키요 岡田幸世 - Il pleure dans mon coeur [ text : Paul Verlaine ] Soprano - Hamano Momoko 滨野萌萌子 하마노모모코 濱野萌々子 Vibraphone - Yanagino Kaya 柳野伽耶 야나기노 가야 柳野伽耶 Tsukada Masano 冢田优乃 츠카다 마사노 塚田優乃 - Tōryanse variation 通りゃんせ変奏曲 Vocal Ensemble - Tsuji Yuki Kimura Sakurako Ibuki Hinako Piano - Tsuruga Hinako 辻于希 츠지 유키 辻侑希 木村樱子 키무라 사쿠라코 木村桜子 伊吹日菜子 이부키 히나코 伊吹日向子 鹤我日菜子 쓰루가 히나코 鶴我日向子 Toyofuku Hayato 丰福隼人 토요후쿠 하야토 豊福隼人 -Komori-uta [ text : Toyofuku Hayato ] 子守唄 Soprano - Oe Runa 大江留菜 오에 루나 大江留菜 Conducting - Moriwaki Ryo 森胁凉 모리와키 료 森脇涼 ensemble clumusica
◎打楽器四重奏 Guest Composer's work KatōYumiko Kato Yumiko 加藤由美子 카토 유미코 加藤ユミコ - Pegasus Percussion - Hagihara Rin Muso Mayu Yanagino Kaya Kaminaka Asami 萩原凛 하기하라린 萩原凛 武曾海结 무소 미유 武曽海結 柳野伽耶 야나기노카야 柳野伽耶 上中朝美 카미나카 아사미 上中あさみ ◎交響曲 Sinfonie Ludwig van Beethoven - 7.Sinfonie 路德维希·范·贝多芬 - 第七交响曲 루트비히 판 베토벤 - 교향곡 7번ルートヴィヒ・ヴァン・ベートーヴェン-交響曲第7番 I II III IV Conducting - Imura Yu 井村佑羽 이무라 유 井村佑羽 ensemble clumusica Hildegard von Bingen - O Virtus Sapientie Cello - Tsukamoto Hiraki 冢本开 츠카모토 히라키 塚本ひらき
◎電子音楽 electronics Okayama Kasumi -Black Market in Ruin [ Electronics ] 冈山花纯 오카야마 카스미 岡本花純- 遗迹内部什么都可以 블랙 마켓 인 루인 - ブラック・マーケット・イン・ルイン
◎N-lab Ongoing Permanent Exhibition 琵琶聲 vox orandi [ Solo ] 5’ Flute Solo - Tian Chengyuan 田呈媛 티안 청위안 田呈媛 Колискова 子守唄 Lullaby of Ukraine [ Sop.Ms.Alt.+Orch. ] 3’ Vocal Ensemble - Kumaki Yuma 熊木夕茉 쿠마키 유이 熊木夕茉 Habu Natsumi 土生夏未 하부 나츠미 土生夏未 Oe Runa 大江留菜 오에 루나 大江留菜 Conducting - Higashio Tamon 东尾多门 히가시오 다문 東尾多聞 sinfonia in es [ Electro.] 35’ Electronics - Nakamura Noriko 中村典子 나카무라 노리코 中村典子 主催:N-lab.京都市立芸術大学音楽学部・大学院音楽研究科作曲専攻中村研究室
Organized by Nakamura-lab@Faculty&Graduate School of Music,Kyoto City University of Arts
sinfonia in es @N-lab,
Faculty &Graduate School of Music,KCUA
Колискова
源 生 堂
Still Ongoing ー 70 + Anniversary Music Faculty Kyoto City University of Arts Moving Presentation 70 Anniversay@Faculty of Music,Kyoto City University of Arts Relay Recording Session Project
2012- Present Time 2023 Spring Summer Recording Session 2/3 Vocal Ensemble &Orchestral Texture Miniature&Piano Song Recording Session ORCHESTRAL TEXTURE MINIATURE RESEARCH STUDIO TRADITION & CREATION Orchestra Harp Concerto Violin Concerto Piano Concerto Vocal & Orchestra 2023年度前期研究収録 [2022年度12月収録延期分+2023年度研究] DOCUMENTS: 2023年6月13日(火)講堂 6月14日(水)講堂 6月15日(木)大学会館ホール archive@N-lab ensemble clumusica@N-lab news&documents@N-lab 2023年度前期研究収録 [2022年度収録延期分+2023年度新規研究分] 2023年6月13日(火)14日(水)クラス合同共同研究収録 [於:講堂] Orchestration Studies & Orchestral Texture Miniature Collaborative Studies Orchestral,Instrumental &Vocal Studio Recording Session Oy kho-dyt' son kolo vikon-Lullaby of Ukraine (2023) [ Orchestra ] [Vocal Ensemble+Orchestra ] Orchestration Studies - Sergei Rachmaninov : Vocalise [I.R.][K.S.][Y.S.] [S.R.][N.N.] [Arranged Orchestral New Works ] Texture Miniature- Orchestra [I.Y.] Texture Miniature - Harp Concerto [ Orchestral New Works ] Kenneth Lim : Lumière Trois (2023) Imura Yu : Dla K.E.P(2022) Analysis class Interpretation Studies - Camille Saint-Seans : Morceau de Concert pour Harpe et Orchestre 2023年6月15日(木)クラス合同共同研究収録 [於 : 大学会館ホール]
Method of Composition Master Students
University Hall Recording Session Hildegard von Bingen : Spiritus Sanctus (12C)
[unaccompanied vocal ensemble] Oy kho-dyt' son kolo vikon-Lullaby of Ukraine (2022) [unaccompanied vocal ensemble] Alma Margaretha Maria Schindler Mahler-Gropius-Werfel : Leise weht ein erste Blühn [text : Rainer Maria Rilke] Nadia Boulanger : Elegie (1906) [text : Albert Samain] Lili Boulanger : Reflet (1911) [text : Maurice Materlink] Sergei Rachmaninov : 14 романсов [Romance] Op.34 6 Voskreshenie Lazarja [text:A.Chomyakov] 10 Сей день я помню [text : F.Tjutshev] 14 Вокализ Vocalse 2023年4月18日(火)4月19日(水)リハーサル[於:講堂] 2023年4月20日(木)4月21日(金)クラス合同研究収録 [於 : 講堂] Collaborative Studies Orchestral,Instrumental &Vocal Studio Recording Session Interpretation Studies -Paul Ducas : Fanfare pour précéder "La Peri" - Ludwig van Beehoven : 4.Sinfonie B-dur Op.60 I II III IV Orchestation Studies -Lullaby of Ukraine & Sergei Rachmaninov [Vocal Ensemble + Orchestra ] Henri Challan 299 - Shimada Sora [String Quartet] Tsuda Reito :Youth 18 Ticket [Ob2.Cl.B.Cl.] Nishikawa Mikuru :Kataribe no Koe(2022) [WoodwindQuintet] Hidamari ni Tatte (2023)[Tp.Hn.Tb.] Sora ni Nobiru Hako(2023)[Marimba Duo] Hashimoto Kazuya : Otsu-e-Bushi Ame no Yoru ni (2022/2023) [Pf.] Okada Yukiyo : Sensation(2023) [text : Arthur Rimbaud,Sop.Pf.] Guest Composer - Kato Yumiko : Pegasus [ 4 Percussionists ]
青色は収録のため新たに作曲・編曲された作品です。
Blue Marked Pieces were composed &arranged newly for Recordings.
Isabella Calmet [担当:岡田研,2022年度] 交流校交換留学生(RCM)納谷デリス舞弥 Delyth Field [担当:酒井研,2022年度] 大学院研究留学生(ニューヨーク州立大学卒業[作曲,哲学]) Ben Bisgno [2018年9月-2019年9月] [担当:酒井研→中村研,2019年9月-2020年9月] → 本学大学院美術研究科構想設計専攻2021年4月入学2023年3月修了 *石川康平
2022年度休学中ーフランス高等音楽院パリ高等音楽舞踊学校入学
2022 Conservatore National Supérieur de Musique 入学
2021 CRR de Blogne -Billiancourt入学 2020青少年のための現代音楽作曲講座成果発表会 人一人一人 2019 FORME UNIQUE CONTIMTÀ SPATIO 2019 優勝 Bruno Maderna Award[Chamber Music division][Fermo-Italy,Kyoto]
2022年度玉野市文化・スポーツ顕彰栄光賞 2021年度岡山芸術文化賞グランプリ[大賞] 2021 BARTOK WORLD COMPETITION 1st Prize(2020) string quartet work
semi final assigned piece
2020 BARTOK WORLD COMPETITION 1st Prize [Category Composition] Special Award [String Quartet] [Budapest]
Published Grand Prix Work@Musica Budapest 2020 第37回現音作曲新人賞 入選 [東京] 2019 FORME UNICHE CONTINUITÀ SPAZIO 2019 Giaccomo Leopardi Special Award [Solo Instrument] [FERMO,ITALY-KYOTO] 2015 21st Century Japanese Music Project : New Music Composition Contest Encouragement Prize [TOKYO-YOKOHAMA]
Tsuda Reito: Possibilities of Passacaglia Structure – from the Comparison of Orchestration of J.Brahms, A.Webern & H.Dutilleux, with Organ Registration for J.S.Bach
西川峰来 [作曲] L.v.ベートーヴェン《合唱幻想曲》の構造 -第九と比較して Nishikawa Mikuru: The Comparison of the Structure of Choral Fantasy & Symphony No.9 by L.v.Beethoven
70+Anniversary Faculty of Music,Kyoto City University of Arts Still Ongoing Summer-Autumn Presentation Relay Recording Session Project !!!!!! 2012- Present Time 2023 Spring Summer Recording Session 2/3 Vocal Ensemble &Orchestral Texture Miniature&Piano Song Recording Session ORCHESTRAL TEXTURE MINIATURE RESEARCH STUDIO TRADITION & CREATION Orchestra Harp Concerto Violin Concerto Piano Concerto Vocal & Orchestra
◎二重奏 Duo Sergei Rachmaninov - Vocalise Euphonium - 友澤実咲토모자와 미사키 Tuba -松本将輝마츠모토 마사키松本将
◎管弦楽曲 Orchestral Bartok Bela : Musik für Seiteninstrumente,Schlagzeug und Celeste I II III IV 巴托克·贝拉 발톡 벨라 巴托克·貝拉 バルトーク・ベラ - 弦楽と打楽器、チェレスタの音楽 Conducting -丰福隼人토요 후쿠 하야토 豊福隼人
◎交響曲Sinfonie Ludwig vanBeethoven - 6.Sinfonie 路德维希·范·贝多芬 - 第六交响曲 루트비히판베토벤 - 교향곡 6번 ルートヴィヒ・ヴァン・ベートーヴェン-交響曲第6番 I II III IV V Conducting - Imura Yu 井村佑羽 이무라유 井村佑羽 ensembleclumusica
◎ヒルデガルド・フォン・ビンゲン 聖歌集 Hildegard von Bingen 希尔德加德·冯·宾根 힐데가르트폰빙엔希爾德加德·馮·賓根 - Spiritus Sanctus 聖靈 Trumpet -Furukawa Miho 古川美歩후루카와미호古川美歩
◎独奏 Solo Yun,Isang -Etude III尹伊桑윤이산尹伊桑-练习曲III에뛰드III練習曲III Piccolo -Ito Akiko 伊藤亜希子이토우아키코伊藤亜希
Gao Ping -Daydream II 高平-白日梦 II 백일몽 II 白昼夢 II Piano -Yang Kevin 杨开雯 양카이웬 楊開雯
Ito Keisuke- internodes 伊藤庆佑이토우게이스케伊藤慶佑-节间인터노드インターノードス Flute -Hashimoto Takehito 桥本岳人 하시모토타케히토橋本岳人
◎室内楽テクスチュアミニアチュール Texture-Minature,Musique de Chambre YukiyoOkada - 夢現Entre le rêve et la réalité 冈田幸世 오카다유키요 岡田幸世 - 夢現 Entre le rêve et la réalité Takubo YukiShimizuEriMuzuno Mayuri TsukamotoHiraki 田久保友妃 清水絵理 水野万裕里 冢本开 타쿠보유키시미즈에리미즈노마유리츠카모토히라키 田久保友妃 清水絵理 水野万裕里 塚本ひらき
내 날개는 어디에 있어야 할까요 何処翼之平安 どこで羽を安めよう Oe Runa Kumaki Yuma Takada Mizuki 大江留菜 오에 루나 大江留菜 熊木夕茉 쿠마키 유마 熊木夕茉 高田瑞希 타카다 미즈키 高田瑞希◎交響曲Sinfonie Ludwig van Beethoven - 1.Sinfonie I II III IV 路德维希·范·贝多芬 - 第一交响曲 루트비히 판 베토벤 - 교향곡 1번 ルートヴィヒ・ヴァン・ベートーヴェン-交響曲第1番 Conducting - Higashio Tamon 东尾多闻 히가시오 다문 東尾多聞 ensemble clumusica
◎ウクライナへの祈り vocal ensemble 子守唄 Колискова [ Lullaby of Ukraine ] 내 날개는 어디에 있어야 할까요 何処翼之平安 どこで羽を安めよう Oe Runa Habu Natsumi Kumaki Yuma Conducting - Higashio Tamon ensemble clumusica 大江留菜 오에 루나 大江留菜 土生夏未 하부 나츠미 土生夏未 熊木夕茉 쿠마키 유이 熊木夕茉 东尾多门 히가시오 다문 東尾多聞
◎歌曲 Klavierlied Piano Song Alma Mahler [Text : Rainer Maria Rilke ]:Leise weht erstes Blühn 静かに咲く初めの花 Baritone - Sanuki Haruto 佐贯遥斗 사누키 하루카 佐貫遥斗 Piano - Megata Yuka 目贺田侑伽 메가다 유가 目賀田侑伽 Nadia Boulanger :Elegie [ text : Albert Samain ] Soprano - Habu Natsumi 土生夏未 하부 나츠미 土生夏未 Piano - Koezuka Nanaka 肥冢菜々花 코에 즈카 나나카 肥冢菜々花
◎新作歌曲 Neues Klavierlied New Piano Song 新作歌曲管弦楽 Neues Orchesterlied Yukiyo Okada 岡田幸世 오카다 유키요 岡田幸世 - Il pleure dans mon coeur [ text : Paul Verlaine ] Soprano - Hamano Momoko 滨野萌萌子 하마노모모코 濱野萌々子 Vibraphone - Yanagino Kaya 柳野伽耶 야나기노 가야 柳野伽耶 Tsukada Masano 冢田优乃 츠카다 마사노 塚田優乃 - Tōryanse variation 通りゃんせ変奏曲 Vocal Ensemble - Tsuji Yuki Kimura Sakurako Ibuki Hinako Piano - Tsuruga Hinako 辻于希 츠지 유키 辻侑希 木村樱子 키무라 사쿠라코 木村桜子 伊吹日菜子 이부키 히나코 伊吹日向子 鹤我日菜子 쓰루가 히나코 鶴我日向子 Toyofuku Hayato 丰福隼人 토요후쿠 하야토 豊福隼人 -Komori-uta [ text : Toyofuku Hayato ] 子守唄 Soprano - Oe Runa 大江留菜 오에 루나 大江留菜 Conducting - Moriwaki Ryo 森胁凉 모리와키 료 森脇涼 ensemble clumusica
◎打楽器四重奏 Guest Composer's work KatōYumiko Kato Yumiko 加藤由美子 카토 유미코 加藤ユミコ - Pegasus Percussion - Hagihara Rin Muso Mayu Yanagino Kaya Kaminaka Asami 萩原凛 하기하라린 萩原凛 武曾海结 무소 미유 武曽海結 柳野伽耶 야나기노카야 柳野伽耶 上中朝美 카미나카 아사미 上中あさみ ◎交響曲 Sinfonie Ludwig van Beethoven - 7.Sinfonie 路德维希·范·贝多芬 - 第七交响曲 루트비히 판 베토벤 - 교향곡 7번 ルートヴィヒ・ヴァン・ベートーヴェン - 交響曲第7番 I II III IV Conducting - Imura Yu 井村佑羽 이무라 유 井村佑羽 ensemble clumusica Hildegard von Bingen - O Virtus Sapientie Cello - Tsukamoto Hiraki 冢本开 츠카모토 히라키 塚本ひらき
◎N-lab.Permanent Exhibition 琵琶聲 vox orandi [ Solo ] 5’ Flute Solo - Tian Chengyuan 田呈媛 티안 청위안 田呈媛 Колискова 子守唄 Lullaby of Ukraine [ Sop.Ms.Alt.+Orch. ] 3’ Vocal Ensemble - Kumaki Yuma 熊木夕茉 쿠마키 유이 熊木夕茉 Habu Natsumi 土生夏未 하부 나츠미 土生夏未 Oe Runa 大江留菜 오에 루나 大江留菜 Conducting - Higashio Tamon 东尾多门 히가시오 다문 東尾多聞 sinfonia in es [ Electro.] 35’ Electronics - Nakamura Noriko 中村典子 나카무라 노리코 中村典子 主催:N-lab.京都市立芸術大学音楽学部・大学院音楽研究科作曲専攻中村研究室 Organized by Nakamura-lab@Faculty&Graduate School of Music,Kyoto City University of Arts
◎電子音楽 electronics Okayama Kasumi -Black Market in Ruin [ Electronics ] 冈山花纯 오카야마 카스미 岡本花純- 遗迹内部什么都可以 블랙 마켓 인 루인 - ブラック・マーケット・イン・ルイン
◎N-lab Ongoing Permanent Exhibition 琵琶聲 vox orandi [ Solo ] 5’ Flute Solo - Tian Chengyuan 田呈媛 티안 청위안 田呈媛 Колискова 子守唄 Lullaby of Ukraine [ Sop.Ms.Alt.+Orch. ] 3’ Vocal Ensemble - Kumaki Yuma 熊木夕茉 쿠마키 유이 熊木夕茉 Habu Natsumi 土生夏未 하부 나츠미 土生夏未 Oe Runa 大江留菜 오에 루나 大江留菜 Conducting - Higashio Tamon 东尾多门 히가시오 다문 東尾多聞 sinfonia in es [ Electro.] 35’ Electronics - Nakamura Noriko 中村典子 나카무라 노리코 中村典子 主催:N-lab.京都市立芸術大学音楽学部・大学院音楽研究科作曲専攻中村研究室
Organized by Nakamura-lab@Faculty&Graduate School of Music,Kyoto City University of Arts
sinfonia in es @N-lab,
Faculty &Graduate School of Music,KCUA
Колискова
源 生 堂
Still Ongoing ー 70 + Anniversary Music Faculty Kyoto City University of Arts Moving Presentation 70 Anniversay@Faculty of Music,Kyoto City University of Arts Relay Recording Session Project
2012- Present Time 2023 Spring Summer Recording Session 2/3 Vocal Ensemble &Orchestral Texture Miniature&Piano Song Recording Session ORCHESTRAL TEXTURE MINIATURE RESEARCH STUDIO TRADITION & CREATION Orchestra Harp Concerto Violin Concerto Piano Concerto Vocal & Orchestra 2023年度前期研究収録 [2022年度12月収録延期分+2023年度研究] DOCUMENTS: 2023年6月13日(火)講堂 6月14日(水)講堂 6月15日(木)大学会館ホール archive@N-lab ensemble clumusica@N-lab news&documents@N-lab 2023年度前期研究収録 [2022年度収録延期分+2023年度新規研究分] 2023年6月13日(火)14日(水)クラス合同共同研究収録 [於:講堂] Orchestration Studies & Orchestral Texture Miniature Collaborative Studies Orchestral,Instrumental &Vocal Studio Recording Session Oy kho-dyt' son kolo vikon-Lullaby of Ukraine (2023) [ Orchestra ] [Vocal Ensemble+Orchestra ] Orchestration Studies - Sergei Rachmaninov : Vocalise [I.R.][K.S.][Y.S.] [S.R.][N.N.] [Arranged Orchestral New Works ] Texture Miniature- Orchestra [I.Y.] Texture Miniature - Harp Concerto [ Orchestral New Works ] Kenneth Lim : Lumière Trois (2023) Imura Yu : Dla K.E.P(2022) Analysis class Interpretation Studies - Camille Saint-Seans : Morceau de Concert pour Harpe et Orchestre 2023年6月15日(木)クラス合同共同研究収録 [於 : 大学会館ホール]
Method of Composition Master Students
University Hall Recording Session Hildegard von Bingen : Spiritus Sanctus (12C)
[unaccompanied vocal ensemble] Oy kho-dyt' son kolo vikon-Lullaby of Ukraine (2022) [unaccompanied vocal ensemble] Alma Margaretha Maria Schindler Mahler-Gropius-Werfel : Leise weht ein erste Blühn [text : Rainer Maria Rilke] Nadia Boulanger : Elegie (1906) [text : Albert Samain] Lili Boulanger : Reflet (1911) [text : Maurice Materlink] Sergei Rachmaninov : 14 романсов [Romance] Op.34 6 Voskreshenie Lazarja [text:A.Chomyakov] 10 Сей день я помню [text : F.Tjutshev] 14 Вокализ Vocalse 2023年4月18日(火)4月19日(水)リハーサル[於:講堂] 2023年4月20日(木)4月21日(金)クラス合同研究収録 [於 : 講堂] Collaborative Studies Orchestral,Instrumental &Vocal Studio Recording Session Interpretation Studies -Paul Ducas : Fanfare pour précéder "La Peri" - Ludwig van Beehoven : 4.Sinfonie B-dur Op.60 I II III IV Orchestation Studies -Lullaby of Ukraine & Sergei Rachmaninov [Vocal Ensemble + Orchestra ] Henri Challan 299 - Shimada Sora [String Quartet] Tsuda Reito :Youth 18 Ticket [Ob2.Cl.B.Cl.] Nishikawa Mikuru :Kataribe no Koe(2022) [WoodwindQuintet] Hidamari ni Tatte (2023)[Tp.Hn.Tb.] Sora ni Nobiru Hako(2023)[Marimba Duo] Hashimoto Kazuya : Otsu-e-Bushi Ame no Yoru ni (2022/2023) [Pf.] Okada Yukiyo : Sensation(2023) [text : Arthur Rimbaud,Sop.Pf.] Guest Composer - Kato Yumiko : Pegasus [ 4 Percussionists ]
青色は収録のため新たに作曲・編曲された作品です。
Blue Marked Pieces were composed &arranged newly for Recordings.
Isabella Calmet [担当:岡田研,2022年度] 交流校交換留学生(RCM)納谷デリス舞弥 Delyth Field [担当:酒井研,2022年度] 大学院研究留学生(ニューヨーク州立大学卒業[作曲,哲学]) Ben Bisgno [2018年9月-2019年9月] [担当:酒井研→中村研,2019年9月-2020年9月] → 本学大学院美術研究科構想設計専攻2021年4月入学2023年3月修了 *石川康平
2022年度休学中ーフランス高等音楽院パリ高等音楽舞踊学校入学
2022 Conservatore National Supérieur de Musique 入学
2021 CRR de Blogne -Billiancourt入学 2020青少年のための現代音楽作曲講座成果発表会 人一人一人 2019 FORME UNIQUE CONTIMTÀ SPATIO 2019 優勝 Bruno Maderna Award[Chamber Music division][Fermo-Italy,Kyoto]
2022年度玉野市文化・スポーツ顕彰栄光賞 2021年度岡山芸術文化賞グランプリ[大賞] 2021 BARTOK WORLD COMPETITION 1st Prize(2020) string quartet work
semi final assigned piece
2020 BARTOK WORLD COMPETITION 1st Prize [Category Composition] Special Award [String Quartet] [Budapest]
Published Grand Prix Work@Musica Budapest 2020 第37回現音作曲新人賞 入選 [東京] 2019 FORME UNICHE CONTINUITÀ SPAZIO 2019 Giaccomo Leopardi Special Award [Solo Instrument] [FERMO,ITALY-KYOTO] 2015 21st Century Japanese Music Project : New Music Composition Contest Encouragement Prize [TOKYO-YOKOHAMA]
Tsuda Reito: Possibilities of Passacaglia Structure – from the Comparison of Orchestration of J.Brahms, A.Webern & H.Dutilleux, with Organ Registration for J.S.Bach
西川峰来 [作曲] L.v.ベートーヴェン《合唱幻想曲》の構造 -第九と比較して Nishikawa Mikuru: The Comparison of the Structure of Choral Fantasy & Symphony No.9 by L.v.Beethoven
student's portrait 2010-2014 佐々木望 作品集 Portrait of SASAKI Nozomi 《とどける》 "delivery" for electronics(2010) 《夜の遊園地》 "the Night Little Museum"(2010) pf:KATSUFUJI Moena 勝藤萌奈 《綿羽》 "the plumule"(2011) pf:FUJIMOTO Shiho 藤本志帆 《The Great Blue Yonder》 "The Great Blue Yonder"(2011) mezzo soprano:KITAZONO Saika 北薗彩佳 pf:SHIBUYA Aika 渋谷藍香 《茶庭にて》 "at Her Garden" for string quartet(2012) vn1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:OTA Kanae 太田かなえ vc:NISHIMOTO Keiko 西本慶子 《薊の花のすきな子に》 Ⅰ 憩らひ-薊のすきな子に− Ⅱ 虹の輪 "For Someone Who Likes The Thistle"(2012) Ⅰ The Restーfor someone who likes the thistle- Ⅱ The Rings of Rainbow soprano:TOMIIE Miseri 冨家美芹 pf:HASHIMOTO Aiko 橋本藍子 《まっくら森》 "the pitch-dark forest" for wind quintet(2012) fl:AIZAWA Shoko 相澤頌子 ob:UEHARA Sachiko 植原祥子 cl:OIWA Haruna 大岩春菜 hn:YANO Megumi 矢野めぐみ fg:SHIMOMURA Kazuha 下村かず葉 《うつろ》 UTSURO(2013) fl:KAMATA Kunihiro 鎌田邦裕 pf:OMURA Yume 大村夢 《ひとひらの鱗》 "A Piece of Scales" for orchestra( 2013) fl:AIZAWA Shoko 相澤頌子 ob:YAMADA Chinaru 山田千晴 cl:MORI Naoko 森奈穂子 fg:SHIMOMURA Kazuha 下村かず葉 hn:YANO Megumi 矢野めぐみ Glockenspiel & Vibraphone:SUYAMA Miki 陶山美輝 vn1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:NAKAYAMA Tomoko 中山智子 vc:TANIGUCHI Kouki 谷口晃基 cb::TANAKA Shoko 田中翔子 《弔歌》 the Dirge soprano:TOMIIE Miseri 冨家美芹 pf:KOJIMA Ryo 小嶋稜 《Vocalise》 vn solo:IZUMIYA Sarasa 泉谷更紗
澤本文恵 作品集 Portrait of SAWAMOTO Fumie 《震動》 "quake" for electronics(2010) 《星月夜》 "the Starry Night " for piano(2010) piano:SAKAGUCHI Eri 坂口絵梨 《流》 "ru" for piano(2011) piano:SAKAGUCHI Eri 坂口絵梨 《影》 "Silhouette" for string quartet(2012) vn1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:OTA Kanae 太田かなえ vc:NISHIMOTO Keiko 西本慶子 《幻蒼森話》 GENSOSHINWA for oboe and piano(2012) oboe:TODA Yuta 戸田雄太 piano:SAKAGUCHI Eri 坂口絵梨 《古からの風》 "Wind from Ancient Times" for marimba and strings(2013) marimba:SUYAMA Miki 陶山美輝 vn 1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:NAKAYAMA Tomoko 中山智子 vc:TANIGUCHI Kouki 谷口晃基 《Dear Birds》 "Dear Birds" for piccolo,flute,oboe,clarinet,fagotto and strings picc:AIZAWA Shoko 相澤頌子 flute:SAEGUSA Honami 三枝穂奈美 ob:TODA Yuta 戸田雄太 cl:OIWA Haruna 大岩春菜 fg:SHIMOMURA Kazuha 下村かず葉 vn1:TAKESHITA Yoshino 竹下芳乃 vn2:HARADA Shiho 原田詩穂 va:TAKAWA Miyabi 高和雅 vc:ICHIRAKU Hisashi 一樂恒 2013年卒業・修了生発表作品 graduated student's portrait 2013 池島理紗 作品集 Portrait of IKEJIMA Risa 《ディア》 "Dear" for violin and piano(2013) violin:野原 菜帆 piano:吉田 成美 《マリンバとピアノのための二重奏曲》 "Duo" for Marimba and Piano(2012) marimba:OKAMURA Ayami 岡村 彩実 piano:YOSHIDA Narumi 吉田 成美 《コッツウォルズの鐘》 “Bell of Cotswolds” for Flute and Piano (2011) flute:YAMAGISHI Chinatsu 山岸 千夏 piano:YAMASHITA Ryo 山下 諒 《トランスファー》 "Transefer" for String Quartet (2011) violin: KONISHI Karin TAKESHITA Yoshino 小西 果林 竹下 芳乃 viola:YAGI Noriko 八木 紀子 cello:NISHIMOTO Keiko 西本 慶子 《響》 "HIBIKI" for Piano (2010) piano:YOSHIDA Narumi 吉田 成美 小松蘭 作品集 KOMATSU Ran portrait 《螺旋》 "Spiral" for accordion and piano (2013) accordion:NAGASAKA Norimichi 長坂憲道 piano:GOTOU Maria 後藤真里亜 《宙粒》 “Quoke” for 2 flutes,obe and clarinet(2012) flute1:TSUTSUMI Ayumi 堤あゆみ flute2:KAMATA Kunihiro鎌田邦裕 oboe:NAGASHIMA Kana 長島加奈 clarinet:OZAKI Kana 尾崎加奈 《黒震》 “Black quake” for piano(2012) piano:GOTOU Maria 後藤真里亜 フルートとピアノのための《増4度と減5度》 “Augument fourtn and diminish fifth” for flute and piano(2012) flutes:TSUTSUMI Ayumi 堤あゆみ piano:TANAKA Sakie田中咲絵 《Rose Tango》 "Rose Tango" for piano,violin and violoncello(2010) piano:NII Erina 新居絵里奈 violin:MASUNAGA Kyoto 増永響子 viloncello:MAGOKU Keishi 孫工惠嗣 Cafon:NISHIMOTO Satoshi西本諭史 《影》(詩:小松蘭) “Shadow” for tenor and piano(2010) tenor:SASAKI Shousei 佐々木荘生 piano::MAIZUMI Yo 今泉洋 《紺碧》 “Azul” for piano(2010) piano:IMAIZUMI Yo 今泉洋 《花筏》 “fiower boat” for violin and piano(2010) violin:piano:KOMATSU Ran 小松蘭 《会いたくて》(詩:工藤直子) “Because I would like to meet you” for tenor and baritone(2009) tenor:KAWASAKI Shinichiro 川崎慎一郎 baritone: 《八素材の叫び》 “Shout of Eight Elements” for soprano and computer music(2009) soprano:UMEMURA Kayo 梅村佳代 《クラースヌーイ》 “красный”(Crimson) for piano(2009) piano:IMAIZUMI Yo 今泉洋 @Nakamura-lab@Kyoto City University of Arts
■東亞長笛笛独奏 ◎尹伊桑(1917-1995) : 发明 I II III IV (1983) flute長笛 : 俵啓乃 石橋美時 ◎陳牧聲(1971-) : 楼蘭賦 (2010) flute長笛 :田呈媛 ◎増本伎共子(1937-):乱聲 flute長笛 :石橋美時
■ 当代钢琴独奏 ◎皮埃尔·布列兹(1925-2016):12 符號I IV VII VIII XII(1945) 鋼琴: 和田藍里 ◎每亨里克诺德格伦:无耳芳(1972) piano 鋼琴 : 和田藍里 ◎萨尔瓦多·夏里诺 (1947-) : 变形 (1980) piano 鋼琴 : 大谷正和 ◎吉松隆:水之間奏曲(1986)星夜摇篮曲(2001) 昴舞曲集 I IV piano 鋼琴 : 安藤元宏
It is approaching the relocated school building in front of Kyoto Station in 2023 from Kutsukake which celebrated the 70th anniversary of the Faculty of Music, KCUA in 2022. Regular performances of ensemble clumusica, which is based in the Nakamura-lab. are presentation research, by composers and performers from various regions of Japan and registered class members at KCUA in the Kansai area to tour performances throughout Japan. Including Noh theaters in various places, and performances at festivals and art centers overseas, moved to the international contemporary music festival "The Present of Asian Kangen" series at the university hall, and formed the 2010s by connecting Japan and regions around the world, in the next 2020s, expanding into an online festival where you can listen to inclass recording research on the laboratory website, in the 140th anniversary of the founding of our university in 2020 under the corona situation, two online festivals "Riverside of time "
"Toward Tradition and Creation" upload for a limited time, inviting artists to various parts of Japan and around the world through contemporary archival research using recordings and laboratory archives, web development of newly commissioned works by Nakamura-lab,2021《Tradition and Creation》deepening time, archival documentation and programming research through class presentations that include all generations and regions from guests from all over the world, and by activities the Nakamura-lab website, it is being developed as a class window to the wider public and the world.
At the in-class research presentation recording session for the spring and autumn semesters of 2022, with prayers for those who are related to the fight against corona,
the people who have ascended to the heavens due to the disaster conflicts in various places, addressing social issues through Tradition and Creation, the the140th anniversary of the foundation of Kyoto City University of Arts, which started the 3rd Beethoven 250th anniversary project through "Tradition and Creation",
by recording members who have further deepened their efforts to address social issues, the 70-year presence of the Faculty of Music, through the “Ring from Life” of Peace Prayers, Regions, and Sites for Ukraine and Russia, these would be great if you could listen to the one-day-limited N-lab delivery in class research of the school relocation to the 2023 academic year [February 23, 2023].
Nakamura-lab, Major of Composition, Faculty and Graduate School of Music, Kyoto City University of Arts
Hildegard von Bingen (1098-1179) is a German abbot, mystic and writer.She wrote her lyric poems from the 1140s to the 1150s under the title "Harmony Armonie celestium revelationum".It consists of 77 poems, all with tunes (sometimes with a total of 71 songs). Of these, 43 (or 37) songs in the manuscript are "Antiphona" and "Spiritus Sanctus" is one of them. Her poems by Hildegard are full of imagination and use the implied language found in her visionary writings. Also, the antiphonic tune often alternates between syllable and melismatic parts. (Tomozawa Misaki)
Tomozawa Misaki (Euphonium): Born in Osaka in 1999. She graduated from Doshisha Women's College of Liberal Arts, Department of Music. She is currently enrolled in the first year of the master's program at the Graduate School of Music, Kyoto City University of Arts. She has studied Euphonium under Miyake Taknori, and Hokazono Shoichiro.
Ishibashi Mitoki: Born in Tokyo. She was selected for Age-U in the woodwind section of the 19th Osaka International Music Competition. She is a member of the ensemble varieties by Yoko Kososhi, and she has performed in concerts such as solos and ensembles. She studied flute under Shinobu Shintani, Noriko Ohira, Naoko Danta, Mihoko Yasuhara, Morio Kitagawa, Akiko Mikami, Christina Vaturova, Haruhiko Fukuda, Yoshimi Oshima, and Baroque Flute under Ririko Maeda. She graduated from Ueno Gakuen University Performer Course. She is in the first year of the master's program at the Graduate School of Music, Kyoto City University of Arts.
◎36.Takashi Yoshimatsu 吉松隆 - from Pleiades Dances 水によせる間奏曲 星降る夜の子守歌 pf.安藤元宏
吉松隆(1953-)は東京出身の作曲家である。彼は独学で作曲を学び、現代音楽における非音楽的な傾向に異を唱え、 調性やメロディーを全面的に復活させ独自の路線で活動をはじめ、多岐に渡るジャンルの作品を生み出している。《Interlude to Water》,《Lullaby in the Celestial Night》の2曲は共に、プレイアデス舞曲集というピアノ独奏のための小品集に含まれる曲である「プレイアデス」とは、プレアデス星団(プレイアデス7姉妹)にちなんで名付けられ、2017年時点で9巻ある曲集のそれぞれは7曲ずつで構成されている。この曲集について、彼は「虹の7つの色、いろいろな旋法の7つの音、3拍子から9拍子までの7つのリズム、などを素材にした『現代ピアノのための新しい形をした前奏曲集』への試み」と語っている。《Interlude to Water》はその名の通り水を素材とされ、また《Lullaby in the Celestial Night》では、天体の煌めきや美しさがその素材として取り上げられている。一滴の水が湖面に落ち、その波紋がどこまでも広がっていくような 様子、様々な色の星々が空で瞬き、その煌めきが静かな夜を飾り立てているような様子を感じていただければ幸いである。(安藤元宏)
Takashi Yoshimatsu (1953-) is a composer from Tokyo. Self-taught in composition, Yoshimatsu has begun his unique style of music by reviving tonality and melody and has produced works in a wide range of genres, challenging the unmusical tendencies of contemporary music. "Interlude to Water" and "Lullaby in the Celestial Night "are both of which are part of a collection of pieces for solo piano called "Dances of the Pleiades. The "Pleiades" is named after the Pleiades star cluster (the Seven Sisters of the Pleiades)and as of 2017, each of the nine volumes of the collection consists of seven pieces. Of this collection, he says, "The seven colors of the rainbow, the seven notes of various melodies, the seven rhythms from three to nine beats, etc" are the materials for « creating a new form of contemporary piano préludes''.As the name suggests, "Interlude to Water" is based on water, and in "Lullaby in the Celestial Night," the shimmer and beauty of the celestial bodies are used as its material. I hope you can feel the ripples of a drop of water falling on the surface of a lake and spreading out forever, or the stars of various colors twinkling in the sky, their twinkling lights adorning the quiet night.
Ando Motohiro started playing the piano at the age of 7. He graduated from Osaka Kyoiku University, Course for Elementary and Junior High School Teachers, Secondary Education, Music Education Course. He won First Prize in the University Division of the 24th "The Great Wall Cup" International Music Competition. Currently, he is a first-year student at the Kyoto City University of Arts, Graduate School of Music, majoring in Musicology. He has studied Czech music and L. Janáček. He has studied piano under Sayako Aki and Masami Kishimoto.
Tomozawa Misaki (Euphonium): Born in Osaka in 1999. She graduated from Doshisha Women's College of Liberal Arts,Department of Music.She is currently enrolled in the first year of the master's program at the Graduate School of Music, Kyoto City University of Arts.She has studied Euphonium under Miyake Taknori,Hokazono Shoichiro.
Matsumoto MasakiーBorn in Japan in 1998.He graduated from Kunitachi College of Music (Japan)at the top of his class in 2021.He is currently in the first year of a master's program at Kyoto City University of Arts(Japan).He has studied with Shigeo Takesada, Yoichi Kondo, and Yukihiro Ikeda, all of whom are leading tuba players in Japan.
Ando Motohiro started playing the piano at the age of 7. He graduated from Osaka Kyoiku University, Course for Elementary and Junior High School Teachers, Secondary Education, Music Education Course. He won First Prize in the University Division of the 24th "The Great Wall Cup" International Music Competition. Currently, he is a first-year student at the Kyoto City University of Arts, Graduate School of Music, majoring in Musicology. He has studied Czech music and L. Janáček. He has studied piano under Sayako Aki and Masami Kishimoto.
■Ludwig van Beethoven [1770-1827] Weg zu Sinfonie 9 252. Geburstag von Beethoven
コロナ状況に突入の2020年がL.v.ベートーヴェン生誕250周年であった、そのプロジェクトがインクラス収録の柱となって生誕252年まで続く。障害を持って不可能の可能性を開いたLudwigのTextureを声からピアノから管弦楽までを作りながらクラスメンバー収録で合唱形成管弦楽形成の社会を体験するまたとない機会が、音楽という稀有な宇宙船に乗り込んだクルー達のコロナ状況下の本学140周年音楽学部70周年の場として形成されたようにさえ思える。世界中の国で日本でだけ十二月の年の締めくくりに集中して上演されてきたBeethoven第九。これらはそれがまったくかなわなくなったコロナ感染症状況からの第9交響曲への道ー時空を超えたLudwig《19歳の地図》プロジェクトである。ちなみにLudwigとは訳してみれば至高の志士。高志。コロナ感染拡大が、Ludwigが地上に降り生まれてくる250年後の12月迄に世界的な緊急事態宣言となって全世界・地球の人類を止めた、のだろうか。Ludwig19歳の隣国の革命に響く青年達の唄。隣り合う双び合う響き。Ludwig22歳の後の第九のFriedrich von Schiller《An die Freude歓喜に寄す》の原題は《An die Freiheit 》自由に寄す、である。Shillerへの政治的圧力が《An die Freude歓喜に寄す》と改題しても、An die Freiheit と青年たちの訴え合い讃え合う隣り合い双び合う響きはLudwig生誕252年のその日までに、Nラボメンバー歌管弦楽によって音楽学部70年の年に成し遂げられた。究極の《自由に寄す》への道にはFriedrich von MattinsonのOpfelliedが常に寄り添い、第九と共に生涯かけて遂には管弦を伴って歌われた。(Nラボ)
炎燃え穏やかに輝き
暗き樫の林を照らす
そして香の薫り漂う
慈しみ深き耳よ
我を聴かしめんことを
そしてこの若きものを
あなたの至高に捧げ
常に自由の防御と盾となる
至高の人生のスピリット穏やかに息吹く
大気、大地、火を、そして大なる水を
われに預かしめよ 若きものそして老いたものとして
父の内なる懐 天空の
美しきものを善きものへ(中村訳)
楽譜の独語テキストにはそのもの固有のカラーを伴って付して収録に臨んだ。
炎燃 穏 燦輝 鬱蒼 樫林 馨薫 漂 聴!慈悲耳 我 希供 若贄 貴方 至高 給受
在自由 防具盾 貴方 生命 力 息吹 穏大気 大地 大河 火 与給 我 若老 父祖群 至高神 美善
The year 2020, when we entered the corona situation, was the 250th anniversary of L.v. Beethoven's birth. This project has continued yet the 252nd year of his birth as a pillar of Inclass recording. Ludwig's Texture opens the possibility of the impossible with a disability, even seems to have been formed as a place and time disability by covid-19, and it has meant a unique opportunity to experience the society of chorus formation and orchestra formation by recording class members while making everything from voice to the piano to orchestral music as N-lab. Beethoven No. 9 has been performed in countries around the world, only in Japan, focusing on the end of the year in December. These are the roads to the 9th Symphony from the situation of COVID-19, which has become completely untenable - Ludwig's "19-year-old map" project that transcends time and space. By the way, Ludwig means the supreme fighter. By December 250 years after Ludwig was born on earth, the spread of corona infection became a global emergency declaration and stopped humankind on the whole world and the earth.19-year-old students, young people who resonate with the revolution of the neighboring country, and also Ludwig was watching over it. Twin sounds next to each other. The original title of the ninth Sympgony's text by Friedrich von Schiller "An die Freude", it was《An die Freiheit》after the age of 22. Freiheit means liberty(liberation, release), and free(philia)Even if the title of the political pressure for Shiller changed to "An die Freude", the youths adjoining each other and admiring each other, by the 252nd anniversary of Ludwig's birth, accomplished in the 70th year of the Faculty of Music by N-lab member vocal ensemble with instrumental ensemble Orchestra. On the way to the ultimate "freedom", Friedrich von Mattinson's Opfellied is always by Ludwig’s side together with the ninth,finally, singing with the orchestra for life. (N-lab)
Schilderung eines Mädchens ある少女へのまなざし[ 1782 ] 奥本凱哉 和田藍里
Ich liebe dich 君を愛す Karl Friedrich Wilhelm Herrosee 1754-1821] 佐々木涼輔 和田藍
唯一誰にも献呈されなかった交響曲第8番を自らへの交響曲と仮定する。第7交響曲と第8交響曲をならべると兄妹の如く7は8を、属する8を伴う。冒頭地下より電撃的速度で夫救出のReonore(再び名誉を、循環へのヒロイン)ー救出オペラのFidelio(忠誠という名の妻)の冒頭と同様かつしかも3へと至る時間が違っている。つまり7では存在に打たれ、起動し、遂げる。そう読めば12歳の初歌曲ある少女へのまなざし、のテキストは自らの手で、第9のFriedrich von Schiller《An die Freude》に3行足されたBeethoven自身の声テキストとの間にすべては響き渡るのである。そして12歳の、ある少女へのまなざしの冒頭のみが跳躍して3と隣り合うのだ。(Nラボ)
When putting the music called symphony on the table, it cannot be said without the existence of nine symphonies all consisting of Beethoven (1770-1827). Franz Joseph Haydn (1732-1809) and Wolfgang Amadeus Mozart (1756-1791) have made significant contributions to the background of the symphony's establishment of today's form. Haydn composed 107 symphonies, and Mozart composed at least 41 symphonies. Beethoven, who received the spirit of Mozart from Haydn's hands, "composed a new audience" in Paul Bekker's words through a group of symphonies, also known as "the immortal nine «.During this time, I played two symphonies in my Nakamura-lab class, "No. 1 in C major" op. 21 and "No. 6 in F major" op. 68 (so-called "countryside"). Around 1800, the 29-year-old composer's work, No. 1, reflects Beethoven's youthful passion and ambition, leaving his hometown of Bonn to raise a flag in Vienna, the land of dreams. There is, at first glance, the audience who listened to the introduction, which started with a chord that seemed to have nothing to do with C major, would probably have been shocked, and the young composer who admitted it would have grinned. ..In this way, eight years after "No. 1", which started while the audience was shocked "what the hell are you going to start?", the constructive element became larger and the composer's inner maturity became larger and larger. It makes you feel on the other side, the romantic musicality in "No.6" that was already demonstrated in "No. 1" is still alive. I think that the attempt to play "No. 1" and "No. 6" side by side gave a glimpse of a piece of his life by Beethoven, a very human composer. (Takubo Yuki)
I assume that the 8th Symphony, which was the only one that was not dedicated to anyone, is a symphony for me. If you compare the 7th and 8th symphonies, like brothers and sisters, 7 accompanies 8 and belongs to 8. From the beginning, the opening is like the opening of the rescue opera Leonore (Honour again, the heroine to the circulation), and the rescue opera Fidelio (A wife called loyalty), but the time leading to 3 is different. In other words, 7 strikes with existence, activates and accomplishes. If you read it that way, the text of the 12-year-old's first song, A look at a certain girl, is his hand, and Beethoven's voice text, which added three lines to the 9th Friedrich von Schiller’s « A die Freude", is everything. It resounds. And only the beginning of a 12-year-old girl's gaze jumps and is next to 3. (N-lab)
■近代ファンファーレ
Aaron Coplnd [ 1900-1990 ] -Fanfare for the Common Man
Aaron Copland (1900-1990) is one of the leading American composers who created American music from the study of folk songs while changing his style one after another. One of his representative music, "Fanfare for the Common Man", was composed in 1942 and features pure clear tones, and this fanfare with a brilliant and solemn atmosphere is undoubtedly a crystal of his spirit. In 1942 during the war, Copland was commissioned to compose fanfare by Eugene Goossens, conductor of the Cincinnati Symphony Orchestra of the United States. Goossens thought a fanfare that would make an important contribution to the campaign for uplifting fighting spirit, but Copland gave it the title "For Common Man".This title of fanfare is the appearance of the citizen spirit by the composer which is for soldiers, firefighters, police officers, and other ordinary people who are sacrificing and striving for the freedom and peace of civil society. Quoted in Symphony No.3 composed at the end of the war and unfolding as an important axis, this fanfare must be a symbol of the spirit of the citizens and noble ordinary people for him. (Matsumoto Masateru)
Matsumoto Masaki was born in Japan in 1998 in Oita prefecture. He graduated from Kunitachi College of Music (Japan)at the top of his class in 2021, with YATABE Award. He received 5th place in the Tuba Senior class in the 4th J.E.T.A.Student Solo Competition. He is currently in the first year of a master's program at Kyoto City University of Arts(Japan). He has studied with Shigeo Takesada, Yoichi Kondo, and Yukihiro Ikeda, all of whom are leading tuba players in Japan.
choreographied by Yuri Honjoh music by Johann Sebastian Bach [ from Orchestersuite 3 ] Yuri Honjoh Modern Dance Institute 本城ゆり現代舞踊研究所 ensemble clumusica
The stage of Aria is a newly choreographed dance by the Honjo Yuri Contemporary Dance Institute led by Honjo Yuri, the oldest active dancer, and choreographer at the age of 102. The award was decided before Honjo passed away on September 14, 2022, and after the new choreograph performance stage in University Hall by Honjo Yuri Modern Dance Institute, members were awarded Kyoto-born National Honor Awarded actress Mori Mitsuko Encouragement Award.Dancers : Nozaki Akemi,Tanaka Keiko,Chaki Keiko,Tanaka Mika,Yamamoto Hiroko,Hase Masumi,Takeuchi Miki,Nozaki Masami,Costume : Morita Chiyo. Music is Bach's Aria, and strings are from a wide generation, Takemura Mika and Taniyama Akemi are a classmate of N-lab, Egawa Nao and Nishimura Manami have participated in the international contemporary music festival at the University Hall, and Akamatsu Miyuki, who is a mother of just born two children. Conducted by Koide Masamichi, the student bassist.
Takahashi Masato, Noma Shuhei, Suda Tetsuo, and Taniguchi Kazumi from Mori Mitsuko Entertainment Culture Promoting Foundation in Tokyo handed awards to the dancers, stage of Aria was dedicated to Honjo Yuri. (N-lab)
■Archival Ensemble -Flute Orchestra Umibue -no -Kai 湖笛の会 [president : concert master fl.山田正子 cond.富久田治彦 Ikegami Satoshi 池上敏《Sound Breeze on the lake》- Masuda Mayu 増田真結《呪文 Tlön, Uqbar, Orbis Tertius》- Endo Masao 遠藤雅夫《水の島の歌》
Umibuenonokai is a flute orchestra that has a musical history of 41 years with a lot of commission works at each anniversary year, and KCUA classmate Yamada Masako has been active as a concertmaster. She was a student, and composition students including me were assisting the flute orchestral works of Professor Ryohei Hirose(The founded first president of the Japanese Traditional Music Research Institute, KCUA) and listened to flute orchestral concert in Omi-Hachiman. President Matsuyama Katsuko has assisted us for a very long time since the starting their flute orchestra which is almost the same as starting Kutsukake university buildings. The ensemble clumusica in Nakamura-lab, KCUA had held a competition for new flute orchestra composers from all over the country, to present several flute orchestral works to Umibuenokai in clumusica subscription concert in Otsu 2012. The concert program consisted of regional-related composers’ works and the vote by umibuenokai flute orchestra members’ selections from their competition trial performances. Représentative Nakayama Toshiko was taken care of by our next-generation composers, our students who supported the competition at the time and the members who taught together became professors and creators in various places, moving society and creating works. Various prominent composers and musicians who taught the members when they were students were gathering at the lakeside concert. Fukuda Haruhiko, the principal flutist of the Nagoya Philharmonic Orchestra has performed the members' works in various places in the world, in this time three piece selections were selected by umibuenokai flute orchestra members. (N-lab).
■現代ヴァイオリンソロ
Yoshida Chiaki-Nakamura Noriko 中村典子 -Water Bird vn. 田久保友妃
Nakamura N.-Takubo Y: Water Bird - on the Melody by Yoshida Chiaki - Violin: Takubo Yuki
This work was born out of a slight misunderstanding by myself, as the premiere player.
For some reason, I misunderstood that the variation <Water Bird Song> by Professor Nakamura from <Lake Biwa-ko circumnavigating song > presented as material for the lesson was the task of "arrange each into any composition. Because mainly I am studying unaccompanied violin solo works, I decided to arrange for a violin solo. The melody line and the version that left an apologetic voice were really poor, but I submitted it because I thought it was an assignment for composition anyway. After a while, I received a reply, and the attached file that I thought was a correction was almost the current solo version of <Water Bird>. I have stuck amazingly at the energy exuding from the high-density tadpoles lined up on the staff. The variation in the latter half is written in four voices with an arrangement that seems to be "unplayable" at first glance and to be honest at the first, I thought my desire to leave the demonstration to a player who has a high mechanical highly skill. However, this is a unique opportunity to interact directly with contemporary composers and engage in the creation, and it is the performers' research into musicology in the field of Western music history that connects what they have learned from history to creation. I changed my mind that it was also my original goal. For flying "Water Bird", I'm still practicing (still) for perfection while researching and trying how to play works written assuming the sound of an organ. The fact that we were able to record at this stage was also a good turning point, and after that, we held further revision meetings with Professor Nakamura. It is approaching the stage of elaborative synthèses various elements in the future. The premiere of the completed version is likely to be at the end of the year, but it seems that we can relive the trajectory of the first and revised versions of one musical work. (Takubo Yuki)
I had listened to the sounds of violinist Takubo Yuki before I met her at KCUA. While serving as a member of the Kyoto Art Center Steering Committee for more than a dozen years, I had charged 1st selection of artists for the Kyoto City Special Encouragement Program for Arts and Culture, and listened to her performances of CDs on her activities at various place in the world, and was interested without meeting in person. By covid-19 situation, I met her in an online class and recording session, and in the class, a bird was flying in the stormy rain, overcoming her hazy and mild arrangements. I must compose her flying. Only one bird, still flying towards me through the storm. The Water Bird will have its world premiere on March 31 at the Takubo Yuki Violin Recital in the Annex Hall of the Cultural Museum of Kyoto. Please look at and listen to her Music. (N-lab)
招聘ゲスト陣・作品陣 Guest Musicians &Works 富久田治彦 Nagoya Philharmonic Orchestra大谷正和 Kyoto Women’s University池上敏 The Japan Federation of Composers Inc. ex-Yamaguchi University竹村美香 Violinist,ex-Kyoto Philharmonic Chamber Orchestra谷山あけみ Violinist Violist 山田正子Flute Orchestra Umibuenokai湖笛の会 Flute Orchestra Umibuenokai遠藤雅夫 Director, Japan Federation of Composers Japan Society for Contemporary Music 上中あさみ Kyoto City Unversity of Arts 増田真結 Kyoto University of Education 水野万裕里 Violinist 増永響子 Violinist MUSICA YOROZU 平川奈津美 Clarinettist藪野巨倫 Violinist 北條エレナ Violinist 本城ゆり現代舞踊研究所 Honjo Yuri Modern Dance Institute 赤松美幸 Double Bassist 江川菜緒・西村まなみ Quartet ame LuX Quartet泉佳穂 Oboist 小森奏Cellist 柏原朱trumpettist Luciole Academy 植田琴巳trumpettist MUSICA YOROZU
オンラインフェスティバルアドヴァイザー Online Festival Advisor 赤松玉女 [京都市立芸術大学学長]Akamatsu Tamame [President ,Kyoto City University of Arts] 阿部裕之 [音楽学部長]Abe Hiroyuki [Dean,Faculty of Music,Kyoto City University of Arts] 大嶋義実 [京都市立芸術大学副学長] Oshima Yoshimi [Vice President,Kyoto City University of Arts] 村上哲 [大学院音楽研究科長]Murakami Satoshi [President,Graduate School of Arts,KCUA] 細川周平[京都市立芸術大学日本伝統音楽研究センター所長]Hosokawa Shuhei [President,Institute for Japanese Traditional Music,KCUA] 渡辺信一郎[[京都市立芸術大学日本伝統音楽研究センター 前所長] Watanabe Shinichiro [Former President,Research Centre for Japanese Traditional Music, KCUA]
森野彰人[京都市立芸術大学芸術資源研究センター所長] Morino Akito [President,Archival Research Center ,KCUA] 小山田徹 [京都市立芸術大学美術学部長] Koyamada Toru [Dean,Faculty of Art, Kyoto City `University of Arts] 礪波恵昭 [京都市立芸術大学大学院美術研究科長] Tonami Keisho [President,Graduate School of Art ,KCUA]
オーケストラアドヴァイザー Orchestra Advisor 下野竜也[京都市立芸術大学音楽学部教授]Shimono Tatsuya [Professor, Kyoto City University of Arts]
2022年8月24日[水]シュタイナー・ソフィー Sophie Steiner 先生 Frank Bhömeフランク・ベーメ先生[ハンブルク音楽演劇大学]来訪 日本伝統音楽研究センター細川周平所長訪問同道 斎藤桂先生-書庫楽器庫→音楽棟中村研究室 [+伊藤慶佑氏] →大阪文楽劇場
2022年8月19日[金]Online Meeting -Cross-Cultural Instruments and Singing Initialization for Western Music Educational Students - =Prof.Frank Böhme Harpist Ms.Sohie Steiner [Prof.Takeuchi Yuichi & Nakamura-lab@KCUA&Graduate School of Music,KCUA
L’offrande musicale -Musique et Place du Citoyen à Shigeki Tominaga,Directeur,Centre d’art de Kyoto,
Professeurémerite;Université de Kyoto HirokiInoue,Bassist,Hiroshima Symphony Orchestra dans le Ciel sur la Terre Rei Tominaga,sa fille,Trombonist,Almuni,Chef de Buly Kyoto
Asami Kaminaka,Percussionist,OrchestralAdministrator & 2022 Class & Faculty Members, KCUA &
GraduateSchool of Music, KCUA Inclass Presentation Recording Session@N-lab 6/17[金] 京都市立芸術大学講堂Auditorium,KCUA
Recording Session=Symphonic= 16:30[10] Aaron Copland : Fanfare for the Common Man Tp.Fujii Kotaro Kashihara Aya Furukawa Miho
Hn.Saito Karen Kondo Juna SatouMakoto Tsutsui Momoka
Vc.Tsukamoto Hiraki Inoue Honoka Nada Takuma D.B.Ishikuro KaoruIshii Sena Cond.HigashioTamon 19:20 [14] Beethoven Sinfonie Nr.6 I II III IV V Fl.IshibashiMitoki Kuroda Mami Picc.Matsumoto Yui
Professor of Piano at Kyoto Women’s University, Alumni [02] Ludwig van Beethoven : Opfellied1798
Mezzo Soprano:Yunoki ReikaPiano: Wada Airi [03] Henrik Nordgren :Mininashi-hoichiPiano:Wada Airi [04]Takashi Yoshimatsu: Interlude to Water & Lullaby in the Celestial Night
Piano: Ando Motohiro [05] Hildegardvon Bingen : Sanctus Spiritus
Euphonium: Tomozawa MisakiHiramoto Daisuke [06]Muscheng Chen : Ode to Loulan
Flute : TianCheung Yuan [07] Isang Yun : Inventionen I II III IV
Violin :akubo YukiShimizu EriCond.Imura Yu [09]Nakamura N.-Takubo Y. :Water Bird
[on the melody by Yoshida Chiaki ] Violin:Takubo Yuki Charged by Nakamura-lab@KCUA & Graduate School ofMusic@KCUA Composition,Musicology Seminar, Musical Analysis &
Theory of Composition Class Members Faculty & Graduate School of Composition, Conducting,
Piano, OrchestralInstruments, Vocal,Musicology
Composers & Arrangers - S.Sciarrino P.H. Nordgren T.Yoshimatsu M. Chen
Y.IsangI. Calmet Takubo Y.A. Copland Tsuda R. L. v. BeethovenNakamura N. Recording-Nishimura Chizuko
It is approaching the relocated school building in front of Kyoto Station in 2023 from Kutsukake which celebrated the 70th anniversary of the Faculty of Music, KCUA in 2022. Regular performances of ensemble clumusica, which is based in the Nakamura-lab. are presentation research, by composers and performers from various regions of Japan and registered class members at KCUA in the Kansai area to tour performances throughout Japan. Including Noh theaters in various places, and performances at festivals and art centers overseas, moved to the international contemporary music festival "The Present of Asian Kangen" series at the university hall, and formed the 2010s by connecting Japan and regions around the world, in the next 2020s, expanding into an online festival where you can listen to inclass recording research on the laboratory website, in the 140th anniversary of the founding of our university in 2020 under the corona situation, two online festivals "Riverside of time "
"Toward Tradition and Creation" upload for a limited time, inviting artists to various parts of Japan and around the world through contemporary archival research using recordings and laboratory archives, web development of newly commissioned works by Nakamura-lab,2021《Tradition and Creation》deepening time, archival documentation and programming research through class presentations that include all generations and regions from guests from all over the world, and by activities the Nakamura-lab website, it is being developed as a class window to the wider public and the world.
At the in-class research presentation recording session for the spring and autumn semesters of 2022, with prayers for those who are related to the fight against corona,
the people who have ascended to the heavens due to the disaster conflicts in various places, addressing social issues through Tradition and Creation, the the140th anniversary of the foundation of Kyoto City University of Arts, which started the 3rd Beethoven 250th anniversary project through "Tradition and Creation",
by recording members who have further deepened their efforts to address social issues, the 70-year presence of the Faculty of Music, through the “Ring from Life” of Peace Prayers, Regions, and Sites for Ukraine and Russia, these would be great if you could listen to the one-day-limited N-lab delivery in class research of the school relocation to the 2023 academic year [February 23, 2023].
Nakamura-lab, Major of Composition, Faculty and Graduate School of Music, Kyoto City University of Arts
Hildegard von Bingen (1098-1179) is a German abbot, mystic and writer.She wrote her lyric poems from the 1140s to the 1150s under the title "Harmony Armonie celestium revelationum".It consists of 77 poems, all with tunes (sometimes with a total of 71 songs). Of these, 43 (or 37) songs in the manuscript are "Antiphona" and "Spiritus Sanctus" is one of them. Her poems by Hildegard are full of imagination and use the implied language found in her visionary writings. Also, the antiphonic tune often alternates between syllable and melismatic parts. (Tomozawa Misaki)
Tomozawa Misaki (Euphonium): Born in Osaka in 1999. She graduated from Doshisha Women's College of Liberal Arts, Department of Music. She is currently enrolled in the first year of the master's program at the Graduate School of Music, Kyoto City University of Arts. She has studied Euphonium under Miyake Taknori, and Hokazono Shoichiro.
Ishibashi Mitoki: Born in Tokyo. She was selected for Age-U in the woodwind section of the 19th Osaka International Music Competition. She is a member of the ensemble varieties by Yoko Kososhi, and she has performed in concerts such as solos and ensembles. She studied flute under Shinobu Shintani, Noriko Ohira, Naoko Danta, Mihoko Yasuhara, Morio Kitagawa, Akiko Mikami, Christina Vaturova, Haruhiko Fukuda, Yoshimi Oshima, and Baroque Flute under Ririko Maeda. She graduated from Ueno Gakuen University Performer Course. She is in the first year of the master's program at the Graduate School of Music, Kyoto City University of Arts.
◎36.Takashi Yoshimatsu 吉松隆 - from Pleiades Dances 水によせる間奏曲 星降る夜の子守歌 pf.安藤元宏
吉松隆(1953-)は東京出身の作曲家である。彼は独学で作曲を学び、現代音楽における非音楽的な傾向に異を唱え、 調性やメロディーを全面的に復活させ独自の路線で活動をはじめ、多岐に渡るジャンルの作品を生み出している。《Interlude to Water》,《Lullaby in the Celestial Night》の2曲は共に、プレイアデス舞曲集というピアノ独奏のための小品集に含まれる曲である「プレイアデス」とは、プレアデス星団(プレイアデス7姉妹)にちなんで名付けられ、2017年時点で9巻ある曲集のそれぞれは7曲ずつで構成されている。この曲集について、彼は「虹の7つの色、いろいろな旋法の7つの音、3拍子から9拍子までの7つのリズム、などを素材にした『現代ピアノのための新しい形をした前奏曲集』への試み」と語っている。《Interlude to Water》はその名の通り水を素材とされ、また《Lullaby in the Celestial Night》では、天体の煌めきや美しさがその素材として取り上げられている。一滴の水が湖面に落ち、その波紋がどこまでも広がっていくような 様子、様々な色の星々が空で瞬き、その煌めきが静かな夜を飾り立てているような様子を感じていただければ幸いである。(安藤元宏)
Takashi Yoshimatsu (1953-) is a composer from Tokyo. Self-taught in composition, Yoshimatsu has begun his unique style of music by reviving tonality and melody and has produced works in a wide range of genres, challenging the unmusical tendencies of contemporary music. "Interlude to Water" and "Lullaby in the Celestial Night "are both of which are part of a collection of pieces for solo piano called "Dances of the Pleiades. The "Pleiades" is named after the Pleiades star cluster (the Seven Sisters of the Pleiades)and as of 2017, each of the nine volumes of the collection consists of seven pieces. Of this collection, he says, "The seven colors of the rainbow, the seven notes of various melodies, the seven rhythms from three to nine beats, etc" are the materials for « creating a new form of contemporary piano préludes''.As the name suggests, "Interlude to Water" is based on water, and in "Lullaby in the Celestial Night," the shimmer and beauty of the celestial bodies are used as its material. I hope you can feel the ripples of a drop of water falling on the surface of a lake and spreading out forever, or the stars of various colors twinkling in the sky, their twinkling lights adorning the quiet night.
Ando Motohiro started playing the piano at the age of 7. He graduated from Osaka Kyoiku University, Course for Elementary and Junior High School Teachers, Secondary Education, Music Education Course. He won First Prize in the University Division of the 24th "The Great Wall Cup" International Music Competition. Currently, he is a first-year student at the Kyoto City University of Arts, Graduate School of Music, majoring in Musicology. He has studied Czech music and L. Janáček. He has studied piano under Sayako Aki and Masami Kishimoto.
Tomozawa Misaki (Euphonium): Born in Osaka in 1999. She graduated from Doshisha Women's College of Liberal Arts,Department of Music.She is currently enrolled in the first year of the master's program at the Graduate School of Music, Kyoto City University of Arts.She has studied Euphonium under Miyake Taknori,Hokazono Shoichiro.
Matsumoto MasakiーBorn in Japan in 1998.He graduated from Kunitachi College of Music (Japan)at the top of his class in 2021.He is currently in the first year of a master's program at Kyoto City University of Arts(Japan).He has studied with Shigeo Takesada, Yoichi Kondo, and Yukihiro Ikeda, all of whom are leading tuba players in Japan.
Ando Motohiro started playing the piano at the age of 7. He graduated from Osaka Kyoiku University, Course for Elementary and Junior High School Teachers, Secondary Education, Music Education Course. He won First Prize in the University Division of the 24th "The Great Wall Cup" International Music Competition. Currently, he is a first-year student at the Kyoto City University of Arts, Graduate School of Music, majoring in Musicology. He has studied Czech music and L. Janáček. He has studied piano under Sayako Aki and Masami Kishimoto.
■Ludwig van Beethoven [1770-1827] Weg zu Sinfonie 9 252. Geburstag von Beethoven
コロナ状況に突入の2020年がL.v.ベートーヴェン生誕250周年であった、そのプロジェクトがインクラス収録の柱となって生誕252年まで続く。障害を持って不可能の可能性を開いたLudwigのTextureを声からピアノから管弦楽までを作りながらクラスメンバー収録で合唱形成管弦楽形成の社会を体験するまたとない機会が、音楽という稀有な宇宙船に乗り込んだクルー達のコロナ状況下の本学140周年音楽学部70周年の場として形成されたようにさえ思える。世界中の国で日本でだけ十二月の年の締めくくりに集中して上演されてきたBeethoven第九。これらはそれがまったくかなわなくなったコロナ感染症状況からの第9交響曲への道ー時空を超えたLudwig《19歳の地図》プロジェクトである。ちなみにLudwigとは訳してみれば至高の志士。高志。コロナ感染拡大が、Ludwigが地上に降り生まれてくる250年後の12月迄に世界的な緊急事態宣言となって全世界・地球の人類を止めた、のだろうか。Ludwig19歳の隣国の革命に響く青年達の唄。隣り合う双び合う響き。Ludwig22歳の後の第九のFriedrich von Schiller《An die Freude歓喜に寄す》の原題は《An die Freiheit 》自由に寄す、である。Shillerへの政治的圧力が《An die Freude歓喜に寄す》と改題しても、An die Freiheit と青年たちの訴え合い讃え合う隣り合い双び合う響きはLudwig生誕252年のその日までに、Nラボメンバー歌管弦楽によって音楽学部70年の年に成し遂げられた。究極の《自由に寄す》への道にはFriedrich von MattinsonのOpfelliedが常に寄り添い、第九と共に生涯かけて遂には管弦を伴って歌われた。(Nラボ)
炎燃え穏やかに輝き
暗き樫の林を照らす
そして香の薫り漂う
慈しみ深き耳よ
我を聴かしめんことを
そしてこの若きものを
あなたの至高に捧げ
常に自由の防御と盾となる
至高の人生のスピリット穏やかに息吹く
大気、大地、火を、そして大なる水を
われに預かしめよ 若きものそして老いたものとして
父の内なる懐 天空の
美しきものを善きものへ(中村訳)
楽譜の独語テキストにはそのもの固有のカラーを伴って付して収録に臨んだ。
炎燃 穏 燦輝 鬱蒼 樫林 馨薫 漂 聴!慈悲耳 我 希供 若贄 貴方 至高 給受
在自由 防具盾 貴方 生命 力 息吹 穏大気 大地 大河 火 与給 我 若老 父祖群 至高神 美善
The year 2020, when we entered the corona situation, was the 250th anniversary of L.v. Beethoven's birth. This project has continued yet the 252nd year of his birth as a pillar of Inclass recording. Ludwig's Texture opens the possibility of the impossible with a disability, even seems to have been formed as a place and time disability by covid-19, and it has meant a unique opportunity to experience the society of chorus formation and orchestra formation by recording class members while making everything from voice to the piano to orchestral music as N-lab. Beethoven No. 9 has been performed in countries around the world, only in Japan, focusing on the end of the year in December. These are the roads to the 9th Symphony from the situation of COVID-19, which has become completely untenable - Ludwig's "19-year-old map" project that transcends time and space. By the way, Ludwig means the supreme fighter. By December 250 years after Ludwig was born on earth, the spread of corona infection became a global emergency declaration and stopped humankind on the whole world and the earth.19-year-old students, young people who resonate with the revolution of the neighboring country, and also Ludwig was watching over it. Twin sounds next to each other. The original title of the ninth Sympgony's text by Friedrich von Schiller "An die Freude", it was《An die Freiheit》after the age of 22. Freiheit means liberty(liberation, release), and free(philia)Even if the title of the political pressure for Shiller changed to "An die Freude", the youths adjoining each other and admiring each other, by the 252nd anniversary of Ludwig's birth, accomplished in the 70th year of the Faculty of Music by N-lab member vocal ensemble with instrumental ensemble Orchestra. On the way to the ultimate "freedom", Friedrich von Mattinson's Opfellied is always by Ludwig’s side together with the ninth,finally, singing with the orchestra for life. (N-lab)
Schilderung eines Mädchens ある少女へのまなざし[ 1782 ] 奥本凱哉 和田藍里
Ich liebe dich 君を愛す Karl Friedrich Wilhelm Herrosee 1754-1821] 佐々木涼輔 和田藍
唯一誰にも献呈されなかった交響曲第8番を自らへの交響曲と仮定する。第7交響曲と第8交響曲をならべると兄妹の如く7は8を、属する8を伴う。冒頭地下より電撃的速度で夫救出のReonore(再び名誉を、循環へのヒロイン)ー救出オペラのFidelio(忠誠という名の妻)の冒頭と同様かつしかも3へと至る時間が違っている。つまり7では存在に打たれ、起動し、遂げる。そう読めば12歳の初歌曲ある少女へのまなざし、のテキストは自らの手で、第9のFriedrich von Schiller《An die Freude》に3行足されたBeethoven自身の声テキストとの間にすべては響き渡るのである。そして12歳の、ある少女へのまなざしの冒頭のみが跳躍して3と隣り合うのだ。(Nラボ)
When putting the music called symphony on the table, it cannot be said without the existence of nine symphonies all consisting of Beethoven (1770-1827). Franz Joseph Haydn (1732-1809) and Wolfgang Amadeus Mozart (1756-1791) have made significant contributions to the background of the symphony's establishment of today's form. Haydn composed 107 symphonies, and Mozart composed at least 41 symphonies. Beethoven, who received the spirit of Mozart from Haydn's hands, "composed a new audience" in Paul Bekker's words through a group of symphonies, also known as "the immortal nine «.During this time, I played two symphonies in my Nakamura-lab class, "No. 1 in C major" op. 21 and "No. 6 in F major" op. 68 (so-called "countryside"). Around 1800, the 29-year-old composer's work, No. 1, reflects Beethoven's youthful passion and ambition, leaving his hometown of Bonn to raise a flag in Vienna, the land of dreams. There is, at first glance, the audience who listened to the introduction, which started with a chord that seemed to have nothing to do with C major, would probably have been shocked, and the young composer who admitted it would have grinned. ..In this way, eight years after "No. 1", which started while the audience was shocked "what the hell are you going to start?", the constructive element became larger and the composer's inner maturity became larger and larger. It makes you feel on the other side, the romantic musicality in "No.6" that was already demonstrated in "No. 1" is still alive. I think that the attempt to play "No. 1" and "No. 6" side by side gave a glimpse of a piece of his life by Beethoven, a very human composer. (Takubo Yuki)
I assume that the 8th Symphony, which was the only one that was not dedicated to anyone, is a symphony for me. If you compare the 7th and 8th symphonies, like brothers and sisters, 7 accompanies 8 and belongs to 8. From the beginning, the opening is like the opening of the rescue opera Leonore (Honour again, the heroine to the circulation), and the rescue opera Fidelio (A wife called loyalty), but the time leading to 3 is different. In other words, 7 strikes with existence, activates and accomplishes. If you read it that way, the text of the 12-year-old's first song, A look at a certain girl, is his hand, and Beethoven's voice text, which added three lines to the 9th Friedrich von Schiller’s « A die Freude", is everything. It resounds. And only the beginning of a 12-year-old girl's gaze jumps and is next to 3. (N-lab)
■近代ファンファーレ
Aaron Coplnd [ 1900-1990 ] -Fanfare for the Common Man
Aaron Copland (1900-1990) is one of the leading American composers who created American music from the study of folk songs while changing his style one after another. One of his representative music, "Fanfare for the Common Man", was composed in 1942 and features pure clear tones, and this fanfare with a brilliant and solemn atmosphere is undoubtedly a crystal of his spirit. In 1942 during the war, Copland was commissioned to compose fanfare by Eugene Goossens, conductor of the Cincinnati Symphony Orchestra of the United States. Goossens thought a fanfare that would make an important contribution to the campaign for uplifting fighting spirit, but Copland gave it the title "For Common Man".This title of fanfare is the appearance of the citizen spirit by the composer which is for soldiers, firefighters, police officers, and other ordinary people who are sacrificing and striving for the freedom and peace of civil society. Quoted in Symphony No.3 composed at the end of the war and unfolding as an important axis, this fanfare must be a symbol of the spirit of the citizens and noble ordinary people for him. (Matsumoto Masateru)
Matsumoto Masaki was born in Japan in 1998 in Oita prefecture. He graduated from Kunitachi College of Music (Japan)at the top of his class in 2021, with YATABE Award. He received 5th place in the Tuba Senior class in the 4th J.E.T.A.Student Solo Competition. He is currently in the first year of a master's program at Kyoto City University of Arts(Japan). He has studied with Shigeo Takesada, Yoichi Kondo, and Yukihiro Ikeda, all of whom are leading tuba players in Japan.
choreographied by Yuri Honjoh music by Johann Sebastian Bach [ from Orchestersuite 3 ] Yuri Honjoh Modern Dance Institute 本城ゆり現代舞踊研究所 ensemble clumusica
The stage of Aria is a newly choreographed dance by the Honjo Yuri Contemporary Dance Institute led by Honjo Yuri, the oldest active dancer, and choreographer at the age of 102. The award was decided before Honjo passed away on September 14, 2022, and after the new choreograph performance stage in University Hall by Honjo Yuri Modern Dance Institute, members were awarded Kyoto-born National Honor Awarded actress Mori Mitsuko Encouragement Award.Dancers : Nozaki Akemi,Tanaka Keiko,Chaki Keiko,Tanaka Mika,Yamamoto Hiroko,Hase Masumi,Takeuchi Miki,Nozaki Masami,Costume : Morita Chiyo. Music is Bach's Aria, and strings are from a wide generation, Takemura Mika and Taniyama Akemi are a classmate of N-lab, Egawa Nao and Nishimura Manami have participated in the international contemporary music festival at the University Hall, and Akamatsu Miyuki, who is a mother of just born two children. Conducted by Koide Masamichi, the student bassist.
Takahashi Masato, Noma Shuhei, Suda Tetsuo, and Taniguchi Kazumi from Mori Mitsuko Entertainment Culture Promoting Foundation in Tokyo handed awards to the dancers, stage of Aria was dedicated to Honjo Yuri. (N-lab)
■Archival Ensemble -Flute Orchestra Umibue -no -Kai 湖笛の会 [president : concert master fl.山田正子 cond.富久田治彦 Ikegami Satoshi 池上敏《Sound Breeze on the lake》- Masuda Mayu 増田真結《呪文 Tlön, Uqbar, Orbis Tertius》- Endo Masao 遠藤雅夫《水の島の歌》
Umibuenonokai is a flute orchestra that has a musical history of 41 years with a lot of commission works at each anniversary year, and KCUA classmate Yamada Masako has been active as a concertmaster. She was a student, and composition students including me were assisting the flute orchestral works of Professor Ryohei Hirose(The founded first president of the Japanese Traditional Music Research Institute, KCUA) and listened to flute orchestral concert in Omi-Hachiman. President Matsuyama Katsuko has assisted us for a very long time since the starting their flute orchestra which is almost the same as starting Kutsukake university buildings. The ensemble clumusica in Nakamura-lab, KCUA had held a competition for new flute orchestra composers from all over the country, to present several flute orchestral works to Umibuenokai in clumusica subscription concert in Otsu 2012. The concert program consisted of regional-related composers’ works and the vote by umibuenokai flute orchestra members’ selections from their competition trial performances. Représentative Nakayama Toshiko was taken care of by our next-generation composers, our students who supported the competition at the time and the members who taught together became professors and creators in various places, moving society and creating works. Various prominent composers and musicians who taught the members when they were students were gathering at the lakeside concert. Fukuda Haruhiko, the principal flutist of the Nagoya Philharmonic Orchestra has performed the members' works in various places in the world, in this time three piece selections were selected by umibuenokai flute orchestra members. (N-lab).
■現代ヴァイオリンソロ
Yoshida Chiaki-Nakamura Noriko 中村典子 -Water Bird vn. 田久保友妃
Nakamura N.-Takubo Y: Water Bird - on the Melody by Yoshida Chiaki - Violin: Takubo Yuki
This work was born out of a slight misunderstanding by myself, as the premiere player.
For some reason, I misunderstood that the variation <Water Bird Song> by Professor Nakamura from <Lake Biwa-ko circumnavigating song > presented as material for the lesson was the task of "arrange each into any composition. Because mainly I am studying unaccompanied violin solo works, I decided to arrange for a violin solo. The melody line and the version that left an apologetic voice were really poor, but I submitted it because I thought it was an assignment for composition anyway. After a while, I received a reply, and the attached file that I thought was a correction was almost the current solo version of <Water Bird>. I have stuck amazingly at the energy exuding from the high-density tadpoles lined up on the staff. The variation in the latter half is written in four voices with an arrangement that seems to be "unplayable" at first glance and to be honest at the first, I thought my desire to leave the demonstration to a player who has a high mechanical highly skill. However, this is a unique opportunity to interact directly with contemporary composers and engage in the creation, and it is the performers' research into musicology in the field of Western music history that connects what they have learned from history to creation. I changed my mind that it was also my original goal. For flying "Water Bird", I'm still practicing (still) for perfection while researching and trying how to play works written assuming the sound of an organ. The fact that we were able to record at this stage was also a good turning point, and after that, we held further revision meetings with Professor Nakamura. It is approaching the stage of elaborative synthèses various elements in the future. The premiere of the completed version is likely to be at the end of the year, but it seems that we can relive the trajectory of the first and revised versions of one musical work. (Takubo Yuki)
I had listened to the sounds of violinist Takubo Yuki before I met her at KCUA. While serving as a member of the Kyoto Art Center Steering Committee for more than a dozen years, I had charged 1st selection of artists for the Kyoto City Special Encouragement Program for Arts and Culture, and listened to her performances of CDs on her activities at various place in the world, and was interested without meeting in person. By covid-19 situation, I met her in an online class and recording session, and in the class, a bird was flying in the stormy rain, overcoming her hazy and mild arrangements. I must compose her flying. Only one bird, still flying towards me through the storm. The Water Bird will have its world premiere on March 31 at the Takubo Yuki Violin Recital in the Annex Hall of the Cultural Museum of Kyoto. Please look at and listen to her Music. (N-lab)
招聘ゲスト陣・作品陣 Guest Musicians &Works 富久田治彦 Nagoya Philharmonic Orchestra大谷正和 Kyoto Women’s University池上敏 The Japan Federation of Composers Inc. ex-Yamaguchi University竹村美香 Violinist,ex-Kyoto Philharmonic Chamber Orchestra谷山あけみ Violinist Violist 山田正子Flute Orchestra Umibuenokai湖笛の会 Flute Orchestra Umibuenokai遠藤雅夫 Director, Japan Federation of Composers Japan Society for Contemporary Music 上中あさみ Kyoto City Unversity of Arts 増田真結 Kyoto University of Education 水野万裕里 Violinist 増永響子 Violinist MUSICA YOROZU 平川奈津美 Clarinettist藪野巨倫 Violinist 北條エレナ Violinist 本城ゆり現代舞踊研究所 Honjo Yuri Modern Dance Institute 赤松美幸 Double Bassist 江川菜緒・西村まなみ Quartet ame LuX Quartet泉佳穂 Oboist 小森奏Cellist 柏原朱trumpettist Luciole Academy 植田琴巳trumpettist MUSICA YOROZU
オンラインフェスティバルアドヴァイザー Online Festival Advisor 赤松玉女 [京都市立芸術大学学長]Akamatsu Tamame [President ,Kyoto City University of Arts] 阿部裕之 [音楽学部長]Abe Hiroyuki [Dean,Faculty of Music,Kyoto City University of Arts] 大嶋義実 [京都市立芸術大学副学長] Oshima Yoshimi [Vice President,Kyoto City University of Arts] 村上哲 [大学院音楽研究科長]Murakami Satoshi [President,Graduate School of Arts,KCUA] 細川周平[京都市立芸術大学日本伝統音楽研究センター所長]Hosokawa Shuhei [President,Institute for Japanese Traditional Music,KCUA] 渡辺信一郎[[京都市立芸術大学日本伝統音楽研究センター 前所長] Watanabe Shinichiro [Former President,Research Centre for Japanese Traditional Music, KCUA]
森野彰人[京都市立芸術大学芸術資源研究センター所長] Morino Akito [President,Archival Research Center ,KCUA] 小山田徹 [京都市立芸術大学美術学部長] Koyamada Toru [Dean,Faculty of Art, Kyoto City `University of Arts] 礪波恵昭 [京都市立芸術大学大学院美術研究科長] Tonami Keisho [President,Graduate School of Art ,KCUA]
オーケストラアドヴァイザー Orchestra Advisor 下野竜也[京都市立芸術大学音楽学部教授]Shimono Tatsuya [Professor, Kyoto City University of Arts]
2022年8月24日[水]シュタイナー・ソフィー Sophie Steiner 先生 Frank Bhömeフランク・ベーメ先生[ハンブルク音楽演劇大学]来訪 日本伝統音楽研究センター細川周平所長訪問同道 斎藤桂先生-書庫楽器庫→音楽棟中村研究室 [+伊藤慶佑氏] →大阪文楽劇場
2022年8月19日[金]Online Meeting -Cross-Cultural Instruments and Singing Initialization for Western Music Educational Students - =Prof.Frank Böhme Harpist Ms.Sohie Steiner [Prof.Takeuchi Yuichi & Nakamura-lab@KCUA&Graduate School of Music,KCUA
L’offrande musicale -Musique et Place du Citoyen à Shigeki Tominaga,Directeur,Centre d’art de Kyoto,
Professeurémerite;Université de Kyoto HirokiInoue,Bassist,Hiroshima Symphony Orchestra dans le Ciel sur la Terre Rei Tominaga,sa fille,Trombonist,Almuni,Chef de Buly Kyoto
Asami Kaminaka,Percussionist,OrchestralAdministrator & 2022 Class & Faculty Members, KCUA &
GraduateSchool of Music, KCUA Inclass Presentation Recording Session@N-lab 6/17[金] 京都市立芸術大学講堂Auditorium,KCUA
Recording Session=Symphonic= 16:30[10] Aaron Copland : Fanfare for the Common Man Tp.Fujii Kotaro Kashihara Aya Furukawa Miho
Hn.Saito Karen Kondo Juna SatouMakoto Tsutsui Momoka
Vc.Tsukamoto Hiraki Inoue Honoka Nada Takuma D.B.Ishikuro KaoruIshii Sena Cond.HigashioTamon 19:20 [14] Beethoven Sinfonie Nr.6 I II III IV V Fl.IshibashiMitoki Kuroda Mami Picc.Matsumoto Yui
Professor of Piano at Kyoto Women’s University, Alumni [02] Ludwig van Beethoven : Opfellied1798
Mezzo Soprano:Yunoki ReikaPiano: Wada Airi [03] Henrik Nordgren :Mininashi-hoichiPiano:Wada Airi [04]Takashi Yoshimatsu: Interlude to Water & Lullaby in the Celestial Night
Piano: Ando Motohiro [05] Hildegardvon Bingen : Sanctus Spiritus
Euphonium: Tomozawa MisakiHiramoto Daisuke [06]Muscheng Chen : Ode to Loulan
Flute : TianCheung Yuan [07] Isang Yun : Inventionen I II III IV
Violin :akubo YukiShimizu EriCond.Imura Yu [09]Nakamura N.-Takubo Y. :Water Bird
[on the melody by Yoshida Chiaki ] Violin:Takubo Yuki Charged by Nakamura-lab@KCUA & Graduate School ofMusic@KCUA Composition,Musicology Seminar, Musical Analysis &
Theory of Composition Class Members Faculty & Graduate School of Composition, Conducting,
Piano, OrchestralInstruments, Vocal,Musicology
Composers & Arrangers - S.Sciarrino P.H. Nordgren T.Yoshimatsu M. Chen
Y.IsangI. Calmet Takubo Y.A. Copland Tsuda R. L. v. BeethovenNakamura N. Recording-Nishimura Chizuko
◯ Okamoto Shinsuke : from "Calligraphy for Air and Ground" [excerpt ] ensemble clumusica 岡本伸介: from "Calligraphy for Air and Ground" ensemble blumusica 指揮:福澤佑樹
◯ Hlidegard von Bingen : O Ignee Spiritus cello : Watanabe Nanaho ヒルデガルド・フォン・ビ ンゲン :熱烈な聖霊 チェロ:渡辺七帆
◯ Nakamura Noriko : from XII Gloria II XII ensemble clumsiva conductor : Fukuzawa Yuki [II]
中村典子:十二光輪 II Iensemble clumusica 指揮:福澤佑樹 [II] XII ensemble clumusic
◎Regional Orchestal Song Research Presentation cond.Moriwaki Ryo
◎David Tsai 蔡承哲 Dialogue@David Tsai X Nakamura Noriko 9th September,2019@Nakamura-lab,Kyoto City University of Arts Tsai,Cheng Che David [Kaohsiung,Taipei University of Arts] Tradition & Creation Performing -Expression David Tsai (1988) Mahakala (2017) per flauti di bambù, zhongruan, guzheng Chai Fond Music Workshop Ensemble Chung-Hsien Wu [bambù] Ming-Hui Tu [zhongruan] Jiuan-Reng Yeh [guzheng] Taipei, Beijin, Rome 58° Festival di Nuova Consonanza,Italy
◎Yunoki Reika 柚木玲衣加 World Premiere@Yunoki Reika X PRO MUSICA KYOTO 6th November,2021@Kyoto Asny Classics Day Searging Elegance from Court Music [Shin Kokin Wakashu] X Research Presentation for Creation -Mother Tongue Japanese Song Nakamura Noriko : 三夕の歌 trois chanson pour soir (2021) text - Jakuren Houshi- Saigyo Houshi -Fujiwara Teika Yunoki Reika [ms] Kureyama Heikan [yoshi-bue] Fukuhara Sawako [koto] 6th November,2021@Kyoto City Lifelong Learning Center
◎作曲理論研究 Composing Theoretical Research I II III IV @Graduate School of Music,Master Course
◎Piano ピアノ
Hans Otte : Das Buch der Klänge VI ハンス・オッテ:響きの書
Bartok Bela:gyermekeknek [For Children] バルトーク・ベラ:子どものために Hans Otte's Sound Book VI, which I chose, consisted of only single notes, and I felt a challenge on creation. The air that drifts throughout the sound is unique and impressive.Bartok was characterized by the change of the left hand and the expression of fine articulation while the same melody was repeated, and it was a song that I found unexpectedly difficult when I played it.I would be happy if you could feel the sound itself and play with nature and scenery.From the work entitled "For Children," I will be able to re-recognize the emotions and landscapes that are being conveyed, and the depth of the hidden history, and listen to the voices that are hidden in the walking earth.
Started playing the piano at the age of five. He completed the Yamaha master class. Won the gold medal three times at the Yamaha Young Pianist Concert, and she participated in a recommended concert at Izumi Hall. Won the 1st prize at the 15th Arun Piano Competition Osaka Tournament. Won the 6th European International Music Competition in Japan Finals Grand Prize and National Competition Bronze Award. She attended master classes by Thomas Kreuzberger and Salvatore Spano. Have studied under Seiji Honda, Kaori Takaishi, Hibiki Tamura, and she composed under Masaaki Umetani. Graduated from the Faculty of Music, Kyoto City University of Arts. Currently a second year master's student at the Graduate School of Music, Kyoto City University of Arts. Rearch theme -the musical structure of Liszt "Après une lecture du Dante" and the development of the religious spirit of Liszt.
5歳からピアノを始める。ヤマハマスタークラス修了。ヤマハヤングピアニストコンサートで金賞を 3 度受賞、いずみホールにて推薦演奏会に出場。第 15 回アールンピアノコンクール大阪大会第 1 位。第 6 回ヨーロッパ国際音楽コンクール in Japan 本選最優秀賞、全国大会銅賞。トーマス・クロイツベルガー、サルバトーレ・スパノ各氏のマスタークラスを受講。これまでに本田聖嗣、高石香、田村響、作曲を梅谷正明に師事。京都市立芸術大学音楽学部卒業。現在、京都市立芸術大学大学院音楽研究科修士課程2回生。リスト「ダンテを読んで」の楽曲構造及びリストの宗教的精神の発展の研究に取り組んでいる。
[Solo Studio Rendering 1 Hans Otte]
[Solo Studio Rendering 2 gyermekeknek,Bartok Bela]
At the recording,from this small piece,I felt Bartok told message of regional occured historical sadness to children through music.I felt that Bartok express the fundamental abyss,into this shortness. 収録のおり、この小曲に、こんな大変なことがあったんだよ、と、小さな子ども達に人間達によって引き起こされた悲劇を伝えるバルトークのイメージが浮かびました。短い中の深さに託す、ということを感じています。
◆Born in 1988.Started piano at the age of four.At the PITINA Piano Competition in 2010-2014,Awarded D,E,F,G Best Award and Selected in the 2010-15 PITINA Piano Competition All Japan Final Touraments.Awarded 1st prize with jury special award at 21st Choko Cup International Music Competition.Awarded 2nd prize at 12th Beten Music Competition University Class All Japan Final Tournament. Performed with Poland Koraków Chamber Orchestra.Poland Silesia Philharmonie Orchestra.Performed at Subaru Evening Concert.Studied under Sawai Naoko,Shinno Daria,Ishii Naomi,Nohara Midori.Currently,have Studied at the second year of master course in Graduate School,Kyoto City University of Arts.
[Solo Studio Rendering 2 gyermekeknek,Bartok Bela]
Nakayoshi Airi,piano 仲吉愛里
Hans Otte -Das Buch der Klänge X ハンス・オッテ 響きの書 XI
The spread of the new coronavirus infection has spread the impact on everyday life, and we students studying music are also searching for a bright future through trial and error. It is not possible to hold concerts in the traditional way right now, but we hope that through this festival we will be able to deliver music that will be as close to your heart as possible.
The spread of the new coronavirus infection has spread the impact on everyday life, and we students studying music are also searching for a bright future through trial and error. It is not possible to hold concerts in the traditional way right now, but we hope that through this festival we will be able to deliver music that will be as close to your heart as possible.
◆Born at Uji City,Kyoto Prefecture,in 1997.Studied at Kyoto Municipal Kyoto Horikawa High School,Doshisha Women’s College of Liberal Arts,Music.Perofmed with Doshisha Women's College of Liberal Arts,Music Orchestra.Awarded Outstanding performance Award at Kobe International Music Competition[Category C],Kobe Citizen Cultural Promoting Foundataion Prize,and 2nd place at Aoniyoshi Music Competition Category of Professional,Uji City Junior Cultural Award and Ishimura Masako Prize.A member of Kyoto Musician Club.Studied with Komaki Nozomi,Shibazaki Mie,Baba Kazuyo,Nohara Midori.Currently,have Studied at 2nd year,master course of Graduate School of Music,Kyoto City University of Arts.
Wang Lisan :Imporessions by the picture by HIGASHIYAMA Kaii "Winter Flower" 汪立三:東山魁夷絵画 冬の花
"Winter Flower" is an important part of the piano suite of "impression of Higashiyama Kaii", and is a piece with new creative thinking.Wang Risan incorporates traditional Chinese music culture, Japanese music style and Western Impressionist painting style into his songs.From the unification of different angles, he creates innovative values for painting and music. He also expresses that relevance.He has become a new impetus for the development of Chinese music.
◆Born in 1995,Jiangxi,China.Graduated from Shenyang Conservatorty,Piano Music.Studied under Zhang Zhe,Zhang Wei, Ma Xiaohong, Chen Momo,Sunahara Satoru.Currently,have studied at 2nd year of master course,Graduate of Music,Kyoto City Unversity of Arts. ◆1995年生まれ、中国江西省出身。 瀋陽音楽家院音楽学部ピアノ科卒業。これまでに、張哲、張唯、馬小紅、陳默默、砂原悟の各氏に師事。現在、京都市立芸術大学大学院音楽研究科修士課程 2年在籍。
[Solo Studio Rendering 2 Higashiyama Kaii-Wang Lisan ]
Yang Kaiwen,piano 楊 开 雯
Hans Otte : Das Buch der Klänge Vi ハンス・オッテ:響きの書第9番
As the name "Das Buch der Klänge", "The Book of Sounds" suggests, I hope you can feel the sound that is spun out and the space that exists there.
''Das Buch der Klänge''、’’The Book of Sounds"という名の通り、紡ぎ出される響きとそこに存在する空間を感じていただけたらと思います。
◆Born in Otsu City, Shiga Prefecture. Received the Yamaha Young Pianist Concert GoldPrize and performed at the final recommended concert. Received the 1st prize in the 29th Shiga Piano Competition and the Shiga Prefectural Assembly Chairman's Award, and performed at La folle journée Lake Biwa. Performed at Kyoto City University of Arts on-campus piano recital, performed with Kyoto City University of Arts Orchestra by conducted by Shimono Tatsuya at the university's special concert "Orchestral Concerto Evening" C. Saint-Saens:Piano Concerto No. 5 "Egyptian style" in F major. 2019, 2020 Meiji Yasuda Quality of Life Cultural Foundation scholarship student. Studied under Hiroko Inoue, Claudio Soares, Akemi Ueda, Asako Okamoto, Hibiki Tamura. Faculty of Music, Kyoto City University of Arts. Graduated from the piano major. Currently, he is a first-year master's student at the Graduate School of Music, Kyoto City University of Arts. He is engaged in research on how to play F. Chopin's works.
◆Born in Hyogo prefecture. At the 7th Yamaha Young Pianist Concert, won gold medal and performed final recommended concert.Won the Excellence Award in the National Competition of the 28th Piano Education Federation Piano Audition Category of Junior High School,and performed at national concerts. 4th Neyagawa City ArCus Piano Competition third place in solo grand prix category. Won Gold Prize the 33rd Aichi Piano Competition at High School Category B.Won Bronze Prize in the A category of the 8th European International Competition Selected by the university forpiano festival, 4th year of piano major, appears in reciital. Reiwa 2nd year public interest incorporated foundation Aoyama Music Foundation scholarship. After graduating from Hyogo Prefectural Nishinomiya High School Music Department, she graduated from Kyoto City University of Arts, Faculty of Music, Department of Music, Department of Piano. Have studied under Tomoko Nakamoto, Mieko Takeda, and Hiromi Nakajima. She is currently a freshman in the instrumental music major (piano) at the Graduate School of Music, Kyoto City University of Arts.Currently studying under Hiroyuki Abe. Focuses on classical works and Ravel, in research on playing styles and expressions.
This music was inspired by Mabling,and at the performing, it is able to feel beautiful order,in fact.Please listen to the apprearance of effective minute changing on limited tones.
Liviing in Shiga prefecture. Started piano at the age of three. Graduated from Kyoto Municipal Kyoto Horikawa Music High School and Kyoto City University of Arts.Currently, studied a second year master's course at the Graduate School of Music,Kyoto Cotyi Unviersity. Presently, have been studying at the Freiburg University of Music as a DAAD (German Academic Exchange Service) scholarship student. Awarded Gold prize and Sponcer prize at the 34th Kyoto Piano Competition.Awarded 3rd prize in the 15th Takarazuka Vega Student Piano Competition. Awarded 1st place in the 35th Shiga Piano Competition. Received the Heiwado Foundation Art Encouragement Award in 2020. While in high school,performed at selected concerts in Brno, and 9th and 10th
piano concerts by top performers, and graduation concerts. In college, performed at the 34th Piano Festival, recital on campus
by a selection of 4th year piano majors. She has studied under Mariko Yoshida, Kumiko Tomimasu, Atsuko Miyabe, Yasuko Tasumi, Satoru Sunahara, and Naoko Miyashita. Her research theme is "Activities of Japanese composers in the Showa period- Hisatada Otaka as an example".
In a continuous constant rhythm and sound shape, the sound moves in a staggered manner to create an irregular sound, and the addition of accents creates a sense of tension and changes in movement.And they all return to their original form.Since the time of each sound is left to the player, it is characteristic that the way it reverberates and the passage of time changes depending on the space of the place.持続する一定のリズムと音形の中で、ずれるように音が移動し不規則な響きを作りだしたり、アクセントが加わることで緊張感や動きの変化を生み出す。そしてそれらはいずれも元の音形に戻ってくる。それぞれの音の時間は奏者に一任されているため、その場の空間によって響き方や時間経過が変わるのが特徴的。
A lively song that is compact but has propulsion and energy.Riding on the accompaniment of the left hand, the right hand sings a bright melody.The repeating melody gradually grows closer each time, and at the climax, on the accompaniment of the left hand that has become an octave.The melody shines more lively and brilliantly.It gets smaller as it moves away from the climax, but at the end it suddenly crescendos again and ends brilliantly.
Started electone at three years old and started piano at six years old.Awarded and selected at A1,E,F class of PITINA Piano Competition,All Japan Tournament.Awarded 4th place at Japan Classic Music Competition Category felmale,High School.Awarded 2nd Prize and Music Association Award at Category F of All Japan Machida Piano Competition.Won a Grand Prix Piano Division at 8th Qualia Music Competition.Won Silver prize Chopin International Piano Competition in Asia Professional Division All Japan Tournament,with Asian Tourament Encourage ment Award.Participated masterclass of Dina Yoffe,Jean_Claude Penutier.Participated 20th Kirishima International Music Festival.Particiated masterclass of Đặng Thái Sơn.Studied under Kashihara Tomoko,Inada Setsuko,Nakajima Hiromi,Abe Hiroyuki,Ariyoshi Takaharu,Sako Akiyoshi.Graduated from Tokyo University of the Art,Faculty of Music.Currently,have studied at master course,Graduate of Music,Kyoto City University of Arts.Researh theme-musical performance for Ravel's works.
It is a work that quotes a folk song called a wedding song.It was sung when serving roasted roosters at a wedding party. "Between" such as fermata and all rests that appear everywhere are characteristic.These are more than just long stop. It is the end of the phrase used for chorales by J.S.Bach,or it can be regarded asmeaning the end of each line of lyrics.From the tune sung in the Dorian mode, which is one of the church modes,You can feel the beauty and mysterious atmosphere as if you could hear the birdsong in the quiet dawn.Born in Osaka. The 11th Valsasia Junior International Competition (Italy) C, D category 1st place. 1st prize in the C category of the 1st Milan Piano Talents International Competition (Italy).The 27th Settsu Music Festival Little Camellia Concours Gold Award and the Osaka Governor's Award.1st place in the D category of the 1st Spoleto City Cup International Competition (Italy).The 49th Sakai City Newcomer Concert Grand Prize.Performed at Kyoto City University of Arts Piano Festival, on-campus recital, and graduation concert.He has studied under the late Hiroko Hama, Aki Kuroda, Toshikazu Umemoto, and Yuko Mifune.She graduated from Kyoto City University of Arts, Faculty of Music, Department of Piano.She is currently enrolled in the first year of the Master's program at the Graduate School of Music.Her research theme is "Alexander Scriabin's Etudes"Consideration on playing techniques and musical language-transformation of musical style- "
[String Quartet Studio from S.Gubaidulina & world women composers'works to N-lab products KCUA new works]
[Solo Studio Hildegard von Bingen]
Tsukamoto Hiraki,cello 塚本ひらき
Beethoven : Sinfonie Nr.7
Bartok Bela : Musik für Saiteninstrumente,Celeste und Schlagzeug
String Quartet Studio [from S.Gubaidulina & world women composers'works to N-lab products KCUA new works] Born in Nara City.Studied at Tszukayama High School and Kyoto City University of Arts.Participated Nara City Music Association 32nd CNew Artists Concert.Currently,Have studied at 2nd year of master course,graduate School of Music,Kyoto City University of Arts.
This Bartok"s work "Unaccompanied solo violin sonata"was composed on the base of the works of Bach,who had been respected by Bartok,through all his life.There were some pieces for violin solo without accompaniment before Bach, although his great evolutional achievement for strings,was on his Fugue for only four strings solo violin,which was complexed deeply on polyphonic musical form.Bartok constructed his Fugue on second movement that was not only Bach's imitation but combines his own originality, ethnic elements.On third movements "Melodia" has some melodies, the composer collected all over Hungarian farmers by his own, and these has been sounded sometimes here and there on this music.When he was spending his misfortunate closing years in U.S.A, he must have longed to listen the songs of his homeland, I think.
本楽曲は作曲者のバルトークが生涯リスペクトを捧げ続けたJ. S. バッハの作品に基づいている。バッハ以前にもヴァイオリン無伴奏の楽曲は存在したが、革新的だったのはヴァイオリンの4本の弦のみで多声音楽のフーガを実現したことだ。バルトークは第2楽章において、バッハの模倣に終わらない民族的要素が融合したフーガを提示した。続く〈メロディア〉は彼がハンガリーの農民たちを訪ね歩いて採集したものの一部であろう、素朴な民謡がある時は近くに、ある時は遠くに聴こえる。それは祖国を離れ、アメリカで不遇な晩年を送っていた頃のバルトークが最も切望した音楽だったのかもしれない。
◆After graduating from the Department of Instrumental Music, Faculty of Music, Osaka College of Music.Currently a performer at the same university. Have benn studying violin under Kyoko Abe, Toshiko Hashimoto, Izumi Hayashi, Tadashi Sorin, and Yasushi Toyoshima. 2005, 2006 Meiji Yasuda Life Quality of Life Scholarship Student. 18th Kyushu Music Competition Gold Award and Grand Prize, 20th "Banri's Great Wall Cup" International Music Competition 1st Place and People's Republic of China Consul General's Award in Osaka, 19th, 21st Osaka International Music Competition Espoir Award, Received the 3rd prize at the 14th Cecilia International Music Competition. In 2015, the solo project "Violin Solo Performance" started. With the theme of "From Bach to jazz," performing with a single violin at unique venues such as music festivals, cafes, ships, and subways all over the country. A classical solo piece and jazz, which is uniquely arranged by utilizing the technique, composes music that transcends genres such as pops and choral on the same stage. Havereleased two solo albums, "Around the World" and "MONALISA". The latter, with the theme of jazz, was published in the disc review of magazine, and gained the reputation of "Clear beauty, transcending Jazz playing style alone (Tatsuya Nagato)". Currently,have been studying in the master's program at the Graduate School of Music, Kyoto City University of Arts. Research theme: composition and arrangement of unaccompanied violin solos". ◆大阪音楽大学音楽学部器 楽学科卒業、卒業後現在、同大学演奏員。ヴァイオリンを阿部京子、橋本寿子、林泉、宗倫匡、豊嶋 泰嗣の各氏に師事。2005、2006 年度明治安田生 命クオリティオブライフ奨学生。第 18 回九州音楽 コンクール金賞および 最優秀賞、第 20 回“万里 の長城 杯”国際音楽コンクール第一位および中華 人民共和国駐大阪総領事賞、第 19 回、21 回大 阪国際音楽コンクールエスポアール賞、第 14 回セ シリア 国際音楽コンクール第 3 位受賞。2015 年 にソロプロジェクト「ヴァイオリン独演会」開始。「バッハからジャズまで」をテーマとし、全国各地の音楽 祭やカフェ、船上、地下鉄などユニークな会場でヴァイオリン一本による演奏を展開。クラシックの独奏作品と、その技法を生かし独自に編曲したジャズスタンダード・ポップス・唱歌 などのジャンルを超えた 音楽を同じステージの中で構成する。 これまで 『Around the World』『MONALISA』 2枚のソロ アルバム発表。ジャズをテーマにした後者はジャズライフ誌ディスクレビューに掲載、「ジャズ奏法だけ では得られない清澄たる美(長門竜也)」の評を得 る。現在京都市立芸術大学大学院音楽研究科修士課程に在籍し、「無伴奏ヴァイオリン独奏曲の作編曲法・奏法」を主に研究している。
One of his masterpieces, this symphony was composed between 1811 and 1812. The premiere under his direction in Vienna in 1812 was successful, and it is still popular and often performed today.The first movement in sonata form with an introduction is impressive with a light elastic motive by dotted notes.The second movement has a slow movement character that gives the impression of a funeral march, but it is written as Allegretto.The third movement is a scherzo in the form of A-B-A-B-A.The fourth movement is an enthusiastic finale in which the same rhythm is relentlessly repeated.
◆Graduated from Kyoto Municipal Kyoto Horikawa Music High School and Kyoto City University of Arts.Currently,have studied at Graduate School of Music,Kyoto City Unversity of Arts.Have Studied Violin under Nakamura Kimitoshi,Kouzai Riko,Murase Riko,Shikata Kyoko,have studied Viola under Nakamura Kimitoshi,Kozai Riko,Murase Riko and Shikata Kyoko,have studied Viola under Goto Ayako,Komine Koichi.
Hildegard von Bingen : O Ignee Spiritus ヒルデガルド ・フォン・ビンゲン:おお燃えるような聖霊よ
Hildegard von Bingen : Spiritus Sancturs ヒルデガルト・フォン・ビンゲン:生命を与える聖霊
Hildegard von Bingen was born in 1098 in Bermersheim, the Great Diocese of Mainz, in the Kingdom of Germany in the Holy Roman Empire, as the tenth child of a local aristocratic father, HildeHildebert, and mother, Mechthild. She was a female abbot, a mystic, a composer, and the fourth female doctor of the church in history. She was also considered the ancestor of German herbal medicine, as she was strong in medicine and herbal medicine.She composes various religious songs, and Antiphonaede played this time is one of the formations of Christian chants, and it is characteristic that the chorus is divided into two and sung alternately, for a total of 43 songs. [Furukawa Miho]
◆Born in Hyogo.Partecipated Kobe Philharmonic [Musical Director : Asahina Chitaru] at High School time.4th place at Category of Changer Music 28th Japan Classi Competition All Japan Tournament.Have Studied Piano under Motoda Miho,Sakamoto Keiko ,Tanaka Miho,Kita Kosuke,and have studied under Tanaka Jiro,Kamimura Noboru,Mukoyama Kaeko.Graduated from Shinwa Junior High School,Shinwa Women's High School and Kyoto City University of Arts.Currently,have studied at 1st year of master course,Graduate of Music,Kyoto City University of Arts.
The composer Bartok Bella Victor Janosh is a composer, pianist and folk music researcher in the Kingdom of Hungary.This song was composed in 1931 for the education of beginners of violin, and now it is arranged by the composer himself on the piano and exists as "Petite Suite".Most of the songs are folk music arrangements using the tunes of folk songs from Eastern European countries, and the style of the composer can be felt.
Hildegard von Bingen : Spiritus Sancturs ヒルデガルト・フォン・ビンゲン:生命を与える聖霊
Hildegard von Bingen was born in 1098 in Bermersheim, the Great Diocese of Mainz, in the Kingdom of Germany in the Holy Roman Empire, as the tenth child of a local aristocratic father, HildeHildebert, and mother, Mechthild. She was a female abbot, a mystic, a composer, and the fourth female doctor of the church in history. She was also considered the ancestor of German herbal medicine, as she was strong in medicine and herbal medicine.She composes various religious songs, and Antiphonaede played this time is one of the formations of Christian chants, and it is characteristic that the chorus is divided into two and sung alternately, for a total of 43 songs. [Furukawa Miho] ヒルデガルト•フォン•ビンゲンは1098年、神聖ローマ帝国のドイツ王国、マインツ大司教区・ベルマースハイムで、地方貴族である父ヒルデベルト、母メヒティルトの10番目の子供として生まれる。女性修道院長であり、神秘家、作曲家、史上4番目の女性教会博士であった。また、医学、薬草学に強くドイツ薬草学の祖とされていた。彼女は様々な宗教曲を作曲しており、今回演奏したAntiphonaedeとはキリスト教聖歌の隊形の一つで、合唱を2つに分けて交互に歌う事が特徴的であり、全部で43もの曲がある。 [古川美歩]
The composer Bartok Bella Victor Janosh is a composer, pianist and folk music researcher in the Kingdom of Hungary.This song was composed in 1931 for the education of beginners of violin, and now it is arranged by the composer himself on the piano and exists as "Petite Suite".Most of the songs are folk music arrangements using the tunes of folk songs from Eastern European countries, and the style of the composer can be felt. [Oku Mami]
Hildegard von Bingen : Spiritus Sancturs ヒルデガルト・フォン・ビンゲン:生命を与える聖霊
Hildegard von Bingen was born in 1098 in Bermersheim, the Great Diocese of Mainz, in the Kingdom of Germany in the Holy Roman Empire, as the tenth child of a local aristocratic father, HildeHildebert, and mother, Mechthild. She was a female abbot, a mystic, a composer, and the fourth female doctor of the church in history. She was also considered the ancestor of German herbal medicine, as she was strong in medicine and herbal medicine.She composes various religious songs, and Antiphonaede played this time is one of the formations of Christian chants, and it is characteristic that the chorus is divided into two and sung alternately, for a total of 43 songs. [Furukawa Miho]
Béla Kovách : Hommage a Manuel de Falla ベラ・コヴァーチ:ファリャへの讃歌
Béla Kovách, a Hungarian clarinet player,after studying at the Liszt Conservatory, he was the principal clarinetist of the Hungarian State Opera from 1956 to 1981.He has been a professor at his alma mater, the Liszt Conservatory since 1975, and at the Gratz National College of Music since 1989.His collection of homages for unaccompanied clarinet has become an important repertoire for clarinet players.The homage to Manuel de Falla is a passionate singing of creations from Spanish tradition.
sporano - Sasaki Mai basso continuo - Furukawa Miho
Hildegard von Bingen was born in 1098 in Bermersheim, the Great Diocese of Mainz, in the Kingdom of Germany in the Holy Roman Empire, as the tenth child of a local aristocratic father, HildeHildebert, and mother, Mechthild. She was a female abbot, a mystic, a composer, and the fourth female doctor of the church in history. She was also considered the ancestor of German herbal medicine, as she was strong in medicine and herbal medicine.She composes various religious songs, and Antiphonaede played this time is one of the formations of Christian chants, and it is characteristic that the chorus is divided into two and sung alternately, for a total of 43 songs. ヒルデガルト•フォン•ビンゲンは1098年、神聖ローマ帝国のドイツ王国、マインツ大司教区・ベルマースハイムで、地方貴族である父ヒルデベルト、母メヒティルトの10番目の子供として生まれる。女性修道院長であり、神秘家、作曲家、史上4番目の女性教会博士であった。また、医学、薬草学に強くドイツ薬草学の祖とされていた。彼女は様々な宗教曲を作曲しており、今回演奏したAntiphonaedeとはキリスト教聖歌の隊形の一つで、合唱を2つに分けて交互に歌う事が特徴的であり、全部で43もの曲がある。
[Solo Studio Hildegard von Bingen]
[Orchestral Studio : Beethoven Sinfonie Nr.7 Regional Contemporal]
Furukawa Miho,trumpet 古川美歩
◎Vocal声楽
Miki Rofu-Yamada Kosaku : Red Dragonfly 三木露風ー山田耕筰:赤とんぼ
The song rides to join the prelude that reminds us of the colorful sky.The familiar red dragonfly song begins. The movement of the viola's sound is reminiscent of the red dragonfly flying swayingly.The sadness of a boy who cannot know if his sitter is happy in present time.A rich interlude of dynamics is inserted, and when the climax of No.4 ,we are looking at the existence in front of us.
色彩豊かな空を想像させる前奏と合流するように歌が乗り、聞き馴染みのある赤とんぼの歌が始まる。ヴィオラの音の動きが、赤とんぼがゆらゆらと飛んでいる様子を連想させる。包んでくれた存在が幸せであるかを知ることのできない少年の悲しみ。ダイナミクスの豊かな間奏が挿入され、4番のクライマックスを迎え、いま目の前の存在をまなざしている。 Graduated from Toyama Prefectural Takaoka High School and Kyoto City University of Arts, Faculty of Music(Vocal Music.).She studied abroad for a year at Ironwood Ridge High School in Arizona, USA in his third year of high school.She has appeared in on-campus musicals and ALL-STATE CHOIR FESTIVAL.She performed in Disney Performing Arts in California and won silver awards in three categories.She is the 4th place in the 7th Sakai Kuzuryu Music Competition.She was selected for the final selection in the up-and-coming vocalist category of the 12th Tokyo International Music Competition.In the opera, "Così fan tutte" as Fiordirigi,She has appeared in "The Marriage of Figaro" as Barbarina and "L'elisir d'Amour" as Jeannetta.She studied vocal music under Taemi Kohama and Kaori Hirai.She is currently in the second year of the Master's Program in Vocal Music, Graduate School of Music, Kyoto City University of Arts.She is also the moderator of weddings, concerts and parties. 富山県立高岡高校卒業。京都市立芸術大学音楽学部声楽専攻卒業。高校3年次にアメリカ合衆国アリゾナ州Ironwood Ridge High Schoolに1年間留学。学内ミュージカルやALL-STATE CHOIR FESTIVALに出演。カリフォルニア州にてDisney Performing Artsに出演し、3部門で銀賞を受賞。第7回さかい九頭竜音楽コンクール第4位。第12回東京国際音楽コンクール新進声楽家部門本選入選。オペラでは「コジ・ファン・トゥッテ」フィオルディリージ役、「フィガロの結婚」バルバリーナ役、「愛の妙薬」ジャンネッタ役等で出演。声楽を小濱妙美、平井香織の各氏に師事。現在、京都市立芸術大学大学院音楽研究科修士課程声楽専攻2回生在学中。
Completed the Kyoto City Boys Chorus. She graduated from Kyoto City University of Arts, majoring in vocal music.She also won the Shinseikai Award and the Kyoto Music Association Award.When she was in school, she perfomed with Tatsuya Shimono in "Orchestral Concerto Evening".She performed at a graduation concert by exellent students.She performed as a soloist at the 167th Subscription Concert under the direction of Kazuyoshi Akiyama.She is a scholarship student of the Aoyama Music Foundation and a scholarship student of Shigeko Sasaki in the 2nd year of Reiwa.The 75th All Japan Student Music Competition Vocal Music Division University Division Osaka Tournament Encouragement Award.She has studied under Nobuhiro Shinobe, Tomo Matsubara, and Tetsutaro Shimizu.Currently enrolled in the master's program of the same graduate school, majoring in vocal music for one year.
Conservatoire national supérieur de musique 進学 *土方渚紗 2021 トロンボーン ・ピース・オブ・ザ・イヤー2021作曲賞優勝 [東京] 2021 第2回ウィトゲンシュタイン記念 左手のピアノ国際コンクール プロフェッショナル・作曲部⾨ 第2位[大阪] 2020 TIAA作曲コンクール ソロ部門 審査員賞 [東京] 2020 TIAA作曲コンクール 室内楽部門 奨励賞 [東京] *岡本伸介 2021年度岡山芸術文化賞グランプリ[大賞] 2021 BARTOK WORLD COMPETITION 1st Prize(2020) string quartet work semi final assigned piece 2020 BARTOK WORLD COMPETITION 1st Prize [Category Composition] Special Award [String Quartet] [Budapest] 2020 第37回現音作曲新人賞 入選 [東京] 2019 FORME UNICHE CONTINUITÀ SPAZIO 2019 Giaccomo LeopArdI Special Award [Solo Instrument] [FERMO,ITALY-KYOTO] 2015 21st Century Japanese Music Project : New Music Composition Contest Encouragement Prize [TOKYO-YOKOHAMA]
2010-2014 発表作品 student's portrait 2010-2014 佐々木望 作品集 Portrait of SASAKI Nozomi 《とどける》 "delivery" for electronics(2010) 《夜の遊園地》 "the Night Little Museum"(2010) pf:KATSUFUJI Moena 勝藤萌奈 《綿羽》 "the plumule"(2011) pf:FUJIMOTO Shiho 藤本志帆 《The Great Blue Yonder》 "The Great Blue Yonder"(2011) mezzo soprano:KITAZONO Saika 北薗彩佳 pf:SHIBUYA Aika 渋谷藍香 《茶庭にて》 "at Her Garden" for string quartet(2012) vn1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:OTA Kanae 太田かなえ vc:NISHIMOTO Keiko 西本慶子 《薊の花のすきな子に》 Ⅰ 憩らひ-薊のすきな子に− Ⅱ 虹の輪 "For Someone Who Likes The Thistle"(2012) Ⅰ The Restーfor someone who likes the thistle- Ⅱ The Rings of Rainbow soprano:TOMIIE Miseri 冨家美芹 pf:HASHIMOTO Aiko 橋本藍子 《まっくら森》 "the pitch-dark forest" for wind quintet(2012) fl:AIZAWA Shoko 相澤頌子 ob:UEHARA Sachiko 植原祥子 cl:OIWA Haruna 大岩春菜 hn:YANO Megumi 矢野めぐみ fg:SHIMOMURA Kazuha 下村かず葉 《うつろ》 UTSURO(2013) fl:KAMATA Kunihiro 鎌田邦裕 pf:OMURA Yume 大村夢 《ひとひらの鱗》 "A Piece of Scales" for orchestra( 2013) fl:AIZAWA Shoko 相澤頌子 ob:YAMADA Chinaru 山田千晴 cl:MORI Naoko 森奈穂子 fg:SHIMOMURA Kazuha 下村かず葉 hn:YANO Megumi 矢野めぐみ Glockenspiel & Vibraphone:SUYAMA Miki 陶山美輝 vn1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:NAKAYAMA Tomoko 中山智子 vc:TANIGUCHI Kouki 谷口晃基 cb::TANAKA Shoko 田中翔子 《弔歌》 the Dirge soprano:TOMIIE Miseri 冨家美芹 pf:KOJIMA Ryo 小嶋稜 《Vocalise》 vn solo:IZUMIYA Sarasa 泉谷更紗
澤本文恵 作品集 Portrait of SAWAMOTO Fumie 《震動》 "quake" for electronics(2010) 《星月夜》 "the Starry Night " for piano(2010) piano:SAKAGUCHI Eri 坂口絵梨 《流》 "ru" for piano(2011) piano:SAKAGUCHI Eri 坂口絵梨 《影》 "Silhouette" for string quartet(2012) vn1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:OTA Kanae 太田かなえ vc:NISHIMOTO Keiko 西本慶子 《幻蒼森話》 GENSOSHINWA for oboe and piano(2012) oboe:TODA Yuta 戸田雄太 piano:SAKAGUCHI Eri 坂口絵梨 《古からの風》 "Wind from Ancient Times" for marimba and strings(2013) marimba:SUYAMA Miki 陶山美輝 vn 1:TAKESHITA Yoshino 竹下芳乃 vn2:KONISHI Karin 小西果林 va:NAKAYAMA Tomoko 中山智子 vc:TANIGUCHI Kouki 谷口晃基 《Dear Birds》 "Dear Birds" for piccolo,flute,oboe,clarinet,fagotto and strings picc:AIZAWA Shoko 相澤頌子 flute:SAEGUSA Honami 三枝穂奈美 ob:TODA Yuta 戸田雄太 cl:OIWA Haruna 大岩春菜 fg:SHIMOMURA Kazuha 下村かず葉 vn1:TAKESHITA Yoshino 竹下芳乃 vn2:HARADA Shiho 原田詩穂 va:TAKAWA Miyabi 高和雅 vc:ICHIRAKU Hisashi 一樂恒
2013年卒業・修了生発表作品 graduated student's portrait 2013 池島理紗 作品集 Portrait of IKEJIMA Risa 《ディア》 "Dear" for violin and piano(2013) violin:野原 菜帆 piano:吉田 成美 《マリンバとピアノのための二重奏曲》 "Duo" for Marimba and Piano(2012) marimba:OKAMURA Ayami 岡村 彩実 piano:YOSHIDA Narumi 吉田 成美 《コッツウォルズの鐘》 “Bell of Cotswolds” for Flute and Piano (2011) flute:YAMAGISHI Chinatsu 山岸 千夏 piano:YAMASHITA Ryo 山下 諒 《トランスファー》 "Transefer" for String Quartet (2011) violin: KONISHI Karin TAKESHITA Yoshino 小西 果林 竹下 芳乃 viola:YAGI Noriko 八木 紀子 cello:NISHIMOTO Keiko 西本 慶子 《響》 "HIBIKI" for Piano (2010) piano:YOSHIDA Narumi 吉田 成美
小松蘭 作品集 KOMATSU Ran portrait 《螺旋》 "Spiral" for accordion and piano (2013) accordion:NAGASAKA Norimichi 長坂憲道 piano:GOTOU Maria 後藤真里亜 《宙粒》 “Quoke” for 2 flutes,obe and clarinet(2012) flute1:TSUTSUMI Ayumi 堤あゆみ flute2:KAMATA Kunihiro鎌田邦裕 oboe:NAGASHIMA Kana 長島加奈 clarinet:OZAKI Kana 尾崎加奈 《黒震》 “Black quake” for piano(2012) piano:GOTOU Maria 後藤真里亜 フルートとピアノのための《増4度と減5度》 “Augument fourtn and diminish fifth” for flute and piano(2012) flutes:TSUTSUMI Ayumi 堤あゆみ piano:TANAKA Sakie田中咲絵 《Rose Tango》 "Rose Tango" for piano,violin and violoncello(2010) piano:NII Erina 新居絵里奈 violin:MASUNAGA Kyoto 増永響子 viloncello:MAGOKU Keishi 孫工惠嗣 Cafon:NISHIMOTO Satoshi西本諭史 《影》(詩:小松蘭) “Shadow” for tenor and piano(2010) tenor:SASAKI Shousei 佐々木荘生 piano::MAIZUMI Yo 今泉洋 《紺碧》 “Azul” for piano(2010) piano:IMAIZUMI Yo 今泉洋 《花筏》 “fiower boat” for violin and piano(2010) violin:piano:KOMATSU Ran 小松蘭 《会いたくて》(詩:工藤直子) “Because I would like to meet you” for tenor and baritone(2009) tenor:KAWASAKI Shinichiro 川崎慎一郎 baritone: 《八素材の叫び》 “Shout of Eight Elements” for soprano and computer music(2009) soprano:UMEMURA Kayo 梅村佳代 《クラースヌーイ》 “красный”(Crimson) for piano(2009) piano:IMAIZUMI Yo 今泉洋
International Contemporary Music Festival Present of Orchestral Asia 2019
2020TARUYA Chiharu : Familiar Scene
lectronics : TARUYA Chiharu
International Contemporary Music Festival Present of Orchestral Asia OE international alternative festival
Online Festival Flowing Aria,Riverside of Time 2020-21 Towards Traditions & Creations I II III Presented by Nakamura-lab@Kyoto City University of Arts& Graduate School of Music,KCUA
Recent World Premiere & Japan Premiere on Festivals & Concerts
horn : EGUCHI Iyo bassoon : KODAMA Momoka Online Festival ''generations -riverside of time" 2020-21Towards Traditions & Creations I II III 1987 Yukari SAKURAI : J'ai rêvé de vous
clarinet : HIRAKAWA Natsumi "vocalise" International Festival Music & Dance,Present in Asia 2017 2011Jessica CHO : Five Little Piece
piano : Jessica CHO International Contemporary Music Festivall "Present of Orchestral Asia"2015 2012 Ema OJIMI : a sparkle koto : Kasumi WATANABE International Modern Festival " KOTO,Present in Asia "2012
ご来場ご来聴頂けることをこころより願っております。 KCUA all composition & conducting students present each researches on Analysis class. Concentrated researches accompany and light musicians’ lives and creations. For searching new creators musicians to co-working together.Please experience
their presentations which is also extended “Composer speaks own work” by KCUA students and oversea research & cultural exchange students from EU and U.S.A. 2020年4月23日 →4月30日→5月14日オンライン開催 April,2020@Kyoto City University of Arts →14th May,2020 Online Presentation !
[アルト・フルート、ホルン、ヴィオラ、バスクラリネット] *回生は新年度で表記しています。 司会:中村典子 Ishikawa Kohei : Contemporary music histories and Regionalities – from Own Work“Regional Horizon” for Flute,Clarinet,Violin and Cello Tanaka Shinya:The Structure of “Variations on a theme of Paganini”
composed by Boris Blacher Hijikata Nagisa: The Orchestral Sound Structure and Rhythmic Analysis of
"The Rite of Spring" by Igor Stravinsky Tanahashi Yu : Study of Time Structure on Tension and Relaxtion
on “Duo Concertante for Violin and Double Bass” by Krzysztof Penderecki Ishii Isana:Luciano Berio's composition, Sequenza and Chemin II: Overview of the relationship between solos and concerto Ishii Isana : Bartok Composition Orchestra Concerto First Movement: E
lemental Color Graph Analysis Toyofuku Hayato: The structure of Symphony No. 2 by Arthur Honegger Senoh Reina : Study of The Planet for Large Orchestra Op. 32 by Gustav Holst Terada Daiki : Rethinking of "Tension and Relaxation" in Musical Works Based on
Beethoven's Piano Sonata No. 53, "Waldstein" First Movement Morita Takumu: Six capriccios for the violin composed by Salvatore Sciarrino
About the repetitive structure in the first movement Vivace and what it brings Ben Bisogno: Composer speaks own work - String Quartet Annders Hannevold:Composer speaks own work - “Wind-flower-moon-snow” for Koto [Postponed by Lock Down in Norway] Itou Keisuke:Composer speaks own work –“Cosmos,hug”
for Alto Flute,Horn,Viola and Bass Clarinet About grades,these are shown as new spring semester (April,2020). Moderator:Nakamura Noriko
2020年5月21日(木)創造のためのオンラインリサーチ 1
ホルンピース新作オンライントライアル@中村研-京都市立芸術大学・大学院音楽研究科 作曲専攻2回生 石川康平 田中詩也 土方渚紗 X 管楽器専攻4回生 ホルン 江口倭世 築山みか
21 May 2020 14:40-16:10 Online Horn Micro Piece Trial@Nakamura-lab,KCUA HORN:EGUCHI Iyo TSUKIYAMA Mika New Piece!!! HIJIKATA Nagisa:漢 Kohei ISHIKAWA:AQUA TAKAKA Shinya:PUYO PUYO
Composer speaks own work – Cosmos,Hug [Alto-Flute,Horn,Viola,Bass-Clarinet]
■Japanese Songs trial Mother Tongue X Klavierlied will be hold when all preparation is completed
Moderator:Nakamura Noriko@composition-Nakamura lab,KCUA Thank you so much for your online presentation watching !
Nakamura Noriko is a Japanese composer.She was born in Kusatsu,Shiga prefecture Japan.She graduated fromNotre Dame Jogakuin High School and Kyoto City University of Arts,and Graduate school of KCUA,summa cum laude.She received Music Association Award and Graduate School Award. While studying at autumn winter semester, she studied as cultural exchange student at Hochschule für Künste Bremen. She studied under Hirose Ryohei, Kitazume Michio, Fujishima Masahisa, Maeda Shuichi,Tajima Wataru, H.J. Kauffmann, G. Amy, and others. Her works have been performed and lectured at Festivals,Opera House,Conservatories,Universites, Broadcasting Stations,Halls in Japan, Korea, China, Taiwan, Germany, France, Italy, Switzerland, Austria, Spain, Norway, Sweden,U.S.A, Mexico, Russia, Lithuania, and Israel.She charged theme music and radio drama at NHK Broadcasting Station and her works broardcasted at NHK-FM.She lectured at Heidelberg University in 1991 (Japanese female composers). In 1993, the Tokyo Festival Ballet performed “SAKURAMetamorphosis” at the Kongo Nohgakudo Theater and nine cities U.S.A tour as “Flower Metamorphosis”. Her debut work NOLI performed consecutively at the San Francisco War Memorial Opera House as a representative Japanese dance performance at the United Nations Chartered 50th Anniversary Commemorative 50th Anniversary UNITED We Dance [Ishii Jun choreographied Tokyo Festival Ballet NOLI]. This work also coreographied and staged various stages as Korean traditional dance continuously for many years on the dance stages also [KURITA]. She received the 1st Ogura Risaburo Music Scholarship in 1997 for the researches about Japanese and Korean Tradititonal Music.She received Kyoto City New Artist Award in 2001. She stayed at Syke,Northen Germany as Artist in Residence of Die Höge and presened International Women Composers Conference (Germany). Claudia Birkholz Europe premiered her piano suite AQUA on the Cologne National Broadcasting Station in Germany.She was a member of the Kyoto Arts Center Steering Committee from 2008-17. She also received Shiga Cultural Encouragement Prize in 2010. Claudia Bilkholz Europe premiered Schlaflied am Flussufer for toy piano in Kunstverein Arteschmieden in Australia and CD included on the same work in Germany. Marimbist in New York Makoto Nakura performed as world premiere of “Onjoh-fu” for Solo Marimba and Marimba Ensemble with the members of the Kyoto City University of Arts in 2010, followed by the New Jersey City University Percussion Ensemble and the US premiere in 2011, and in 2012 Conservatory of Padova “M. Pollini” Art Percussion Ensemble. In addition, in 2015, ''Sky Eyes Groud Ears'' for Marimba Solo and 9 percussionists, first performed in KCUA percussion and Kyoto, and in 2016, premiered in Padova M. Pollini Conservatory in Italy, 2017. ''Sky Eyes Groud Ears'' also performed at Central Florida University Festival Art Week (North Florida Orlando Walt Disney Theater Dr. Phillip Center) and performed ''Sky Eyes Groud Ears'' at Makoto Nakura Marimba Recital ''Classical Revival of the Modern Times'' Matsukata Hall, Kobe Shimbun.This Marimba Concerto with Percussion Ensemble were performed in four cities around the world in two years since its premiere in Kyoto.Her percussion works and piano work were selected for ACL Conference & Festival (2009 Tongyeong, Seoul, Korea) (2011 Taiwan) (2012 Israel). A grand stage theater piece "Ship of Life" text in Japanese, Chinese and Korean and a music stage for mixed chorus and east-west orchestra with electronics and video projection[text & composition] [producted by Shiga Prefectural Cultural Promotion Agency] received Shiga Prefecture Cultural Encourage Award,Opera Jianzhen GANJIN,and Nagahama municipal Shimokusano Elementary School children, teachers and 400 local residents "Kashinoki The Oak Tree Story" [text / composition / conductor], Mandala and percussion, dance, electronics Conceptual performance "August light prayer" [visual text writing design / composition], Koto and Western musical instruments, chamber orchestra, electronics "Dialogue with the sky" [Composition, text writing design / composition], "Dream for Peace" [composition, text, visual, writing design, and composition] with old and new chants with images, paintings, dyeing and weaving, On a comprehensive stage such as, she embarked on everything from text, visual, composition, and conductor. 2013 Daegu International Contemporary Music Festival in Korea (vox animum soul voice performed by Hanada Wakako [Ensemble Contemporary α]) Hong Kong International Contemporary Music Festival MUSICARAMA 2014 (Sakura performed by Kim Hong Joon, Yo Hyo Jun [Ensemble Eclat]). She lecture ed and performance at Universtät Mozarteum Salzburg (hokahi:Physical Understanding and Graphic Notation 2014) (As 21st century Piano Song - reconstruction through acoustic transition by visual phenomenon fusion 2016). Mozarteum in both AQUA = Shikyo / okunohosomichi / Zen /Zhuangzi/ between flowing water 2014 and 21st Century Piano Song -Retrospective and Encounter - Omote / Winter Journey to Longing Spring 2016 .She held four exchange professor recital concerts with.students works and professors works and performances in Kyoto City University of Arts and Universtät Mozarteum Salzburg.She is a member of the Japanese Society for Contemporary Music, The Japanese Federations of Composers,The Society for Research in Asiatic Musicand International Council for Traditional Music. International Contemporary Music Festival “Koto,Present in Asia” International Contemporary Music Festival “Asian Orchestra 2013, 2014, 2015, 2016, 2017, 2018”, International Festival “Asian Dance Today 2013, 2015, 2016, 2018 ”. Seven solo exhibitions. Includes two DVDs of ten Japanese and German CDs. She was sterring committee member of Kyoto Art Center [2008-2017].Nakamura Noriko, Shimizu Yoshihiko, and Masuda Mayu are clumusica collaborative supervisor (2007-). Kochi no Kai, Tofu (2009-). ensemble clumusica has been set up in the Nakamura laboratory, and has been held International Contemporary Music Festivals. 2012 International Contemporary Music Festival《Koto,Present in Asia》(International Exchange House event hall). Since the 2013 International Contemporary Music Festival “Present of Orchestral Asia” International Festival “Music & Dance,Present in Asia”,OE International Alternative Festival, a series encounter project, and others.Currently,International Festivals have been held mainly at the University Hall,KCUA every year between Kyoto and various parts of the world. She is Judge of the NHK School Music Competition (2011-), a chorus contest organized by NHK and the All Japan Music Education and Study Group. She was a Judge of the 21st Century Japanese Music Project International New Music Composition Contest (2015). She was Jury President of Solo Division on International Composition Competition “CONCORSO INTERNAZIONALE DI COMPOSIZIONE 2019 International Competiton for Composers“ Unique Forms of Continuity in Space ” (2019). Lectures and performances at overseas universities,institutes: Heidelberg University (Germany 1991), Künstlerinnenhof die "Höge"(2000,Germany),Universtät Mozarteum Salzburg (Austria 2014,2016), Bacilica of San Domenico Imola(Italy,2013), Cattedrale Santa Maria Matricolare Duomo di Verona(Italy,2013), Daegu Art Factory(Korea,2016) ,Sookmyung Women's University (Korea,2018), Guangxi University of Arts (China,2018) .She is also a member of “Le jardin du temps et d'espace”. Most of early works, including debut works, have become various traditional and modern dance stages that transcend countries, and have been performed continuously around the world. After theater pieces and operas, Recently,she was composing her concerto for solo Japanese traditional instrument and Orchestra series as like sequenza [solo] and Chemin [concerto] by Berio.These are shakuhachi concerto, sho concerto,taiko concerto,shamisen concerto, Yanagawa-shamisen concerto, shamisen concerto, 25-stringed koto concerto,17-stringed koto concerto, four koto concerto[koto,20-stringed koto,25-stringed koto,17-stringed koto, concerto for chamber orchestra, flute concerto,bassoon concerto, trombone and tenor concerto, soprano and choral concerto, piano concerto, violin concerto, oratorio for soprano,tenor and mixed chorus.Currently she is an associate professor at Kyoto City University of Arts, Faculty of Music and Graduate School of Music,KCUA.
中村典子[作曲]滋賀県草津市出身。ノートルダム女学院高等学校と京都市立芸術大学を卒業、同大学院音楽研究科作曲専攻首席修了。京都音楽協会賞。大学院賞。在学中ブレーメン芸術大学へセメスター派遣留学。故廣瀬量平、 北爪道夫、藤島昌壽、前田守一、田島亘、故H.J.カウフマン、G.アミ等の各氏に師事。日本、韓国、中国、台湾、ドイツ、フランス、イタリア、スイス、オーストリア、スペイン、ノルウェー、スウェーデン、アメリカ、メキシコ、ロシア、リトアニア、イスラエル17カ国各地の音楽祭、歌劇場、音楽堂、音楽院、大学、放送局などで作品上演・講演されている。NHK大阪放送局で テーマ音楽制作。NHK-FM現代の音楽で作品放送。NHKオーディオドラマ制作担当。1991年ハイデルベルク大学で講演(中村典子:ノリ、日本の女性作曲家達)。1993年金剛能楽堂で世界初演の「花變容」を東京フェスティバルバレエが全米9都市で《桜・メタモフォシス》巡演。1995年国連憲章50周年記念UNited We Dance[世界舞踊フェスティバル]で日本代表舞踊作品としてサンフランシスコ戦勝記念オペラハウスで連続公演(石井潤振付:東京フェスティバルバレエNOLI")。舞踊家李周護煕と日韓で舞踊舞台[Noli]と[KURITA]を多年に渡り連続公演。1997年第1回小倉理三郎音楽奨学金受給者。2001年京都市芸術新人賞。Artist in Residence in die& Hoegeで滞在制作(Syke,北ドイツ)。国際女性作曲家会議(ドイツ)。ケルン国営放送局でクラウディア・ビルクホルツがAQUAをドイツ放送初演。2008年より京都芸術センター運営委員。2010年平成22年度滋賀県文化奨励賞受賞。2009年クラウディア・ビルクホルツが トイピアノのためのSchlaflied am Flussuferをクンストフェラインアルテシュミーデウィーンでオーストラリア初演。同作品CD収録。ニューヨークのマリンビスト名倉誠人が2010年京都芸大打楽器研究室メンバーとソロマリンバとマリンバアンサンブルのための「遠聲譜」世界初演後、2011年ニュージャージー市立大学パーカッションアンサンブルとアメリカ初演、2012年イタリアパドヴァ”M.ポリーニ”音楽院でアートパーカッションアンサンブルとヨーロッパ初演。さらに2015年《眼天地耳 Sky Eyes Groud Ears》マリンバ独奏と9人の打楽器奏者のための、をKCUAパーカッションと京都初演後、2016年にはイタリアのパドヴァM.ポリーニ音楽院でヨーロッパ初演、2017年アメリカのセントラルフロリダ大学祝祭芸術週間(北フロリダオーランド・ウォルト・ディズニーシアターDr.フィリップセンター)と名倉誠人マリンバリサイタル2017《現代によみがえる古典》 神戸新聞松方ホールで初演以来2年で世界4都市上演。ACL Conference & Festival(2009統営・ソウル、韓国)(2011台湾)(2012イスラエル)入選。東西アンサンブルと混声合唱のためのエレクトロニクス・映像によるステージ・シアターピース「生命の舟」[滋賀県文化振興事業団]、長浜市立下草野小学校 小学生・教員・地域住民400人によるシアターピース「かしの木物語」[テキスト&作曲]、日中韓三カ国語によるテキストと東西管絃楽のための楽舞台「鑑真」[テキスト・作曲・指揮],マンダラと般若心経とパーカッション、ダンス、エレクトロニクスによるコンセプチュアルパフォーマンス「8月の光の祈り」[ヴィジュアル・テキスト・ライティングデザイン・作曲]、 箏と西洋楽器、室内管弦楽、エレクトロニクスによるステージ「宙(そら)との対話」[構成・テキスト・ライティングデザイン・作曲]、映像・絵画・染織・能楽・声楽・東西伝統楽器との新旧聖歌による「平和への夢」[構成・テキスト・ヴィジュアル・ライティングデザイン・作曲]など総合的舞台でテキスト、ヴィジュアル、作曲、指揮に至る全てに乗り出す。2013年韓国大邱国際現代音楽祭(雛鳥詞 soul voice 演奏:花田和加子[ Ensemble Contemporary α] )国際現代音楽祭 Musicaranma 2014で香港初演(櫻花 sakura 演奏:キム・ホンジュン、ヨ・ヒョジュン[Ensemble Eclat])。ザルツブルグ・モーツァルテウム大学講演・演奏(ホカヒ:身体と図譜 2014)(流動リズムと音響的推移を通したアジアの風景-21世紀クラヴィーアリートとして-視覚現象融合による音響推移を通した言語的構造体再統合[夜色樓臺雪萬家] 2016) 。《AQUA=詩経・奥の細道・禅・荘子・間を流れる水=2014》、《21世紀クラヴィーアリート 遡及と邂逅 -面・冬の旅から春への憧れ-2016》の両プログラミングで、モーツァルテウム大学と京都市立芸術大学学生教員作品によるプロフェッサーコンサートをソプラノ&クラヴィーアリサイタルとしての交流演奏会を京都とザルツブルグ間で4度開催。日現代音楽協会、日本作曲家協議会、東洋音楽学会、国際伝統音楽学会会員。国際現代音楽祭「アジアの箏の現在2012」国際現代音楽祭「アジアの管絃の2013,2014,2015,2016, 2017,2018」、国際フェスティバル「アジアの音舞の現在2013、2015,2016, 2018」開催。7回個展。日独CD十作DVD二作収録。コチの会・東風同人(2011-)。京都芸術センター運営委員[2008-2017]。清水慶彦、増田真結とclumusica協同主宰(2007-) 。コチの会・東風同人(2009-) 。中村研究室にensemble clumusicaを置き、国際現代音楽祭を常設展開。2012年国際現代音楽祭《アジアの箏の現在》(国際交流会館イベントホール)開催。2013年国際現代音楽祭《アジアの管絃の現在》国際フェスティバル《アジアの音舞の現在》開催以来、毎年国際音楽祭を主に大学会館ホールで、大枝インターナショナルオルタナティヴフェスティバル、series邂逅プロジェクト等も加えて京都と世界各地を結んで常設開催。NHKと全日本音楽教育研究会が主催する合唱コンクールのNHK学校音楽コンクール審査員(2011-)。21世紀邦楽プロジェクト21st Century Japanese Music Project International New Music Composition Contest審査員(2015)。国際作曲コンクール《CONCORSO INTERNAZIONALE DI COMPOSIZIONE 2019 International Competiton for Composers“Unique Forms of Continuity in Space”》独奏部門審査委員長(2019)。海外大学等講演・自作演奏はハイデルベルク大学(ドイツ,1991)、クンストレーリンネンホフ・ディー・ヘーゲ(2000,ドイツ)、イモラサンドメニコ教会(イタリア,2013)、ヴェローナ大聖堂(イタリア,2013)、モーツァルテウム大学(オーストリア,2014,2016)、大邱アートファクトリー(韓国,2016)、淑明女子大学(韓国,2018)、広西芸術大学(中国,2018)など。時之會同人(2013-)。初期作品群は国を超えた伝統現代の種々の舞踊舞台となり世界各地で連続上演。シアターピースやカンタータ、オペラを経て、近年は十七絃協奏曲、四面箏協奏曲、笙協奏曲、柳川三味線協奏曲、二十五絃協奏曲、三味線協奏曲、尺八協奏曲、太鼓協奏曲、室内管絃楽のための協奏曲、トロンボーン・テノール協奏曲、ソプラノ・合唱協奏曲、ピアノ協奏曲、ファゴット協奏曲、ヴァイオリン協奏曲、オラトリオ天聲地韻などの日本やアジアの伝統楽器とオーケストラ・合唱の音楽に取り組む。現在、京都市立芸術大学音楽学部・同大学院音楽研究科准教授。
2020 Nakamura Noriko Works
2020年1月18日(土)一心寺シアター倶楽 OSAKA DANCE SHOWCASE Vol.1
ホカヒ 舞踊;小川珠絵 パーカッション;宮本妥子 作曲;中村典子
2020年2月29日[土]豊中市立文化芸術センター小ホール TRANCE MUSIC FESTIVAL 2020 -the body- ◉人体のTRANCE「人体音楽祭~身体なき声なき身体~」13:00 ◉ピアノとパーカッションのTRANCE「in search of the Lost ( )」15:30
2020年4月23日 →4月30日→5月14日オンライン開催 創造のためのリサーチプレゼンテーション2020 April,2020@Kyoto City University of Arts →14th May,2020 Online Presentation ! Research Presentation for Music Creation through Analysis
THURSDAY 31st OCTOBER 2019 5:30 AUDITORIU BILLE’ Via dell’Università 16 - 63900 FERMO
Category C - Giacomo Leopardi Award (Solo Instrumment) Jury:Fabrizio de Rossi Re,Doi Hideyuki,Carlo Forlivesi,Nakamura Noriko,Nicola Verzina Jury President:Nakamura Noriko
GENERAL PROGRAM Reheasals Koto:Oe Miyako Saxophone:Fukuta Ayano Violin:Hemmi Yasutaka Percussion:Miyamoto Yasuko Igakukan 2 Hall Kinugasa Campus Ritsumeikan University 56-1 Toji-in Kitaamchi,Kita-ku,Kyoto 603-8577 Japan
Monday 21st October 2019 10:30.am-8.00.pm (Hannevold - Ferrante - Okamoto - Ricci - Kodama) Finalist & Jury mention composers will be present
Tuesday 22nd October 2019 General Rehearsal 10.00 am-12.30 pm
President of Jury Associate Professor Nakamura Noriko welcome finalist & Jury mention composers during rehearsals days
@Nakamura Lab,KCUA World Premiere & Japan Premiere-
except Nakamura works-documents [Graduate School KCUA students & KCUA students and guest professional performers] UNDER CONSTRUCTION only recent years!
◉ORCHESTRAL WORKS
CHAN Ming-chi:Yi bien xin xiang [Shakuhachi Concerto] WP
2019年度中村作品上演一覧 2019年1月6日(日)汲響 vox caelum et terram 国際現代音楽祭《汲響》International Contemporary Festival “Music &Dance,Present in Asia & Present of OrchestralAsia 2018-19 《汲響 vox caelum et terram》いのりの京都 prayer for peace from Kyoto modernisation 150anniversary & clumusica 10 anniversary clumusicasubscription concert 30 & 31[clumusica friendship charity 31,32] 大学院 作曲理論研究 I II III IV 作曲法研究 音楽学演習i前期合同研究発表 collaborative researchpresentation of composing theoretical research I II III IV,composing method & musicology seminar Iオープニングセレモニー13:00開演[12:30開場,大学会館ホール] オープニングコンサート14:00開演[大学会館ホール]オーケストラコンサート 17:00開演[講堂] • 京都市立芸術大学大学会館ホール University Hall,Kyoto City University ofArts • 京都市立芸術大学講堂 Auditorium,kyoto City University of Arts 入場無料 entrance free 京都市立芸術大学音楽学部音楽学科・大学院音楽研究科作曲専攻中村研究室 organizer : ensemble clumusica & vocal ensemble clumusica@Nakamura lab,composition,GraduateSchool,Kyoto City University of Arts◆オープニングセレモニー Opening Ceremony 1/6[日曜日]13:00-14:00 大学会館ホール *University Hall,KCUA 〇エレクトロニクス electronics 山口友寛 : PoV Accelation Swing – byin 3D Spiral orbit [2018,世界初演]エレクトロニクス:山口友寛 Yamaguchi Tomohiro : PoV Accelation Swing – by in 3D Spiral orbit [2018,World Premiere] electronics :Yamaguchi Tomohiro 〇一管 flute solo 近藤春恵 : シギラの月 [2003-2018改訂]フルート:伊藤亜希子[M4] Kondoh Harue : The moon of Shigira [2003-2018revision] flute:Ito Akiko 〇一絃一舞 sanshin & Ryukyuan dance 琉球古典音楽独唱『ぢゃんな節』(ぢゃんなぶし) Ryukyu classical music vocal solo“Janna Bushi”琉球古典音楽独唱『十七八節』(じゅうしちはちぶし)Ryukyu classic music vocal solo “Ju-shichi-hachi-bushi”琉球古典舞踊女踊『諸鈍』(しゅどぅん)Ryukyu classical music female dance “Shudun”舞踊:西村綾乃 三線:山内昌也 燈籠 :日下部雅生dance:Nishimura Ayano sanshin:Yamauchi Masaya light: Kusakabe Masao◆オープニングコンサート OpeningConcert 1/6[日曜日]14:00-15:30大学会館ホール *University Hall,KCUA 山川和也:繭 [2018,世界初演] エレクトロニクス:山川和也Yakmakawa Kazuya :Cocoon [2018,World Premiere] electronics:Yamakawa Kazuya 野村誠 : 六段→交段→空段→穴段の調 [2015] 箏:福原左和子 アコーディオン:松原智美 ピアノ:佐藤恵美子 Nomura Makoto : Tradition,extra Addition koto: Sawako Fukuhara accordion : Tomomi Matsubarapianoforte : Emiko Sato,Dr.伊藤慶佑:internodes [2017] フルート:朴優栄 Ito Keisuke: internodes[2017] flute:Park Wooyoung 稲谷祐亮 : 溢れる赤 [2017] 箏唄 : 麻植美弥子 Inatani Yusuke : invisible flos [2017] koto-uta : Oe Miyako 増田真結 : 物語る機能IV 雨雨 [2018研究発表、舞台日本初演] 和琴 : 中川佳代子 Masuda Mayu:Narrative Function IV Rain Rain[2018,World Premiere,New York,research presented,Kyoto,stage Japan Premiere] wagon[yamatogoto] :Nakagawa Kayoko 北爪道夫:かたりべ [ジャック・ランスロ国際クラリネットコンクール課題曲 2018,先行出版] クラリネット:上田希 Michio Kitazume:KATARIBE [4thJ.lancelot International Clarinet Competition assigned piece published 15th January 2018] clarinet : Nozomi Ueda 熊谷美紀:海風 [2017] 箏唄: 片岡リサ Kumagai Miki : Umikaze [2017] kotouta:Kataoka Risa アンネシュ・ハンヌヴォルト : ハーダンガー民謡集成 [2017-19,世界初演] 津軽三味線 : 山内利一Anders Hannevold : FOLKETONER FRAO HARDANGER Tsugarujamisen: Yamauchi Reach Credo六段 [16C,日本古典音楽] 三味線:横山佳世子 テノール:木下紀章 ソプラノ:原田菜奈 内山歌寿美 アルト:藤居知佳子 バリトン:浦方郷成 ネウマ:中村典子 Credo Rokudan [16C,Japanese classical music,six steps] shamisen:Yokoyama Kayoko tenor[initiative] : Kinoshita Noriaki soprano:Harada Nana Uchiyama Kasumi alto:Fujii Chikako baritone:Urakata Kyoseineuma:Nakamura Noriko 中村典子: vox orandi [2018,世界初演] ヴァイオリン独奏:藪野巨倫 語り部[録音]:久保和範 ensemble clumusica 指揮:中村典子 Nakamura Noriko : vox orandi [2018,World Premiere] violin:Yabuno Kirin katari[redcording]:KuboKazunori ensemble clumusica conductor:NakamuraNoriko ◆トークセッション Talk Session 1/6[日曜日]15:30-16:30 京都市立芸術大学大学会館ホール University Hall,KCUA 〇参加作曲家&音楽家 participatingcomposers & musicians 通訳:ベン・ビソニョtranslator:Ben Bisogno 司会:中村典子 moderator:Nakamura Noriko ◆ロビーインターリュード LobbyInterlude 1/6[日曜日]16:30-16:45 京都市立芸術大学大学会館ホール University Hall,KCUA ベン・ビソニョ:天辺の唄[2018,世界初演] Ben Bisogno:Teppen - asongfor koto [2018,World Premiere] ◆オーケストラとピアノ&室内楽コンサート Orchestra,Piano & Chamber Music Concert 1/6[日曜日] 17:00-19:00 Auditorium,Kyoto City University of Arts 京都市立芸術大学構堂 小林聡 : フルートコンチェルト [2008] フルート独奏:鎌田邦裕 ensemble clumusica 指揮:佐々木奏平 Akira Kobayashi:Flute Concerto flute solo:Kamata Kunihiro ensemble clumusica conductor:Sasaki Sohei 金眞珠 : 私の子供の目の中で[2000] ピアノ:村尾美咲 Jinsoo Kim: In the Eyes of My Child[2000] piano: Murao Misa 大慈弥恵麻 : Temperatureless 2. R&C [2010/2014] ピアノ:金井亜沙美 Ojimi Emma:Temperatureless 2.R&C [2010/1014] piano:Kanai Asami ジャン=ドニ・ミシャ : 心 [2015] サキソフォン :福田彩乃 Jean-Denis Michat :Kokoro[2015] saxophone : Fukuta Ayano 酒井健治:青のスパイラル[2016] フルート:後藤田裕仁子 オーボエ:泉佳穂 クラリネット:岡本昇大 バスーン:高島翔大 ホルン:村上哲 Kenji Sakai:Spiral in Blue [2016] flute:Yumiko Gotouda oboe:Kaho Izumi clarinet:Shota Okamoto bassoon:Shota Takashima horn:Satoshi Murakami 高平:天光云影 [2007] ヴァイオリン1:江川菜緒 ヴァイオリン2:柳楽毬乃 ヴィオラ:水野万裕里 チェロ:西村まなみ Gao Ping:BrightLight,Cloud Shadow [2007] violin1:Egawa Nao violin2:Yagira Mario viola:Mizuno 清水慶彦:付喪神成仏譚 [2018,世界初演] トランペット:小渕真実 柏原朱 ホルン:江口倭世 竹谷天音 トロンボーン:上原早貴 田中功平 バストロンボーン:山中望未 テューバ:竹林優生 Brass Octet KCUA 指揮:松川創 ShimizuYoshihiko:Suite “The tale in which TUKUMOGAMI’s soul to rest in peace”[2018,World Premiere] trumpet:Obuchi Mami Kashiwara Aya horn:Eguchi IyoTaketani Amanetrombone:Kaminara Saki Tanaka Kohei bass-trombone:Yamanaka Nozomi tuba:Takabayashi Yuki Brass Octet KCUA conductor:MatsukawaSo 石丸基司 : 日本の幻想IV [2003,先行出版発表] ピアノ:大倉卓也Yssimal Motoji: Fantasia Nipponica IV [2003,published] piano: Okura Takuya徳山美奈子: ムジカ・ナラ [2005] ピアノ: 島田優美TokuyamaMianako : Musica Nara [2005] piano : Shimada Yumi 近藤春恵 : Moh-Ashibi II 三線と弦楽の協奏曲 [2018,世界初演]三線独奏:山内昌也 ensemble clumusica 指揮:近藤春恵 Kondoh Harue :Moh – Ashibi II [2018,World Premiere]sanshin : Yamauchi Masaya ensembleclumusicaconductor:Konhoh Harue 出演:performers:琉球舞踊:西村綾乃 三線:山内昌也 三味線:横山佳世子 津軽三味線:山内利一 Ryukyuan dance : Nishimura Ayanosanshin :Yamauchi Masaya shamisen : Yokoya Kayoko Tsugarujamisen:Yamauchi Reach 箏唄: 麻植美弥子. 箏:福原左和子 和琴・箏:中川佳代子 箏唄: 片岡リサ 箏:麻植理恵子koto-uta:Oe Miyako koto:Fukuhara Sawako wagon[yamatogoto] koto:Nakagawa Kayoko koto: Kataoka Risa koto:Oe Rieko ピアノ独奏:金井亜沙美 アコーディオン:松原智美ハープ:内田奈織 ピアノ・チェレスタ:大倉卓也piano solo:Kanai Asam i accodrion:Matsubara Tomomi harp:Uchida Naorri.piano:Okura Takuya 語り部[録音]:久保和範 ソプラノ:原田 菜奈 内山歌寿美 アルト:藤居知佳子 テノール:木下紀章 バリトン:浦方郷成 narrator:KuboKazunori soprano:Harada Nana Uchiyama Kasumi alto:Fujii Chikako tenor:Kinosita Noriaki bariton:Urakawa Kyosei パーカッション:上中あさみ 可児麗子中山美輝 松井駿 percussion:Kaminaka Asami Kani Reiko Nakayama Miki Matsui Shu フルート独奏:伊藤亜希子 鎌田邦裕 朴優栄 クラリネット独奏:上田希 ヴァイオリン独奏:藪野巨倫 flute solo:Ito Akiko Kamata Kunihiro. Park Wooyoung clarinet solo:Ueda Nozomi violin solo Yabuno Kirin フルート:後藤田裕仁子 朴優栄 オーボエ:泉佳穂 樫本優作 クラリネット:岡本昇太 東出奈々 ファゴット:中川日出鷹 高島翔大 flute:Gotouda Yuniko oboe:Izumi Kaho KashimotoYusaku clarinet・ Okamoto Shota Higashide Nana bassoon: Nakagawa Hidetaka Takashima Shota ホルン: 江口倭世 竹谷天音 野田彩伽寧 三木柚穂 トランペット:小渕真実 柏原朱 horn: Eguchi Iyo Taketani Amane Noda Ayane Miki Suzuho trumpet:Obuchi Mami Kashiwara Aya トロンボーン: 上原早貴 田中功平 バストロンボーン:山中望未 テューバ:竹林優生 trombone: Kamihara Saki TanakaKohei. bass-tr:ombone: Yamanaka Nozomi tuba:Takebayashi Yuki ヴァイオリン: 中村公俊 大藪英子 江川菜緒 柳楽毬乃 米井遥香 三上さくら violin:Nakamura Kimitoshi Oyabu Hideko Egawa Nao Yagira Marino. Yonei Haruka MikamiSakura ヴァイオリン: 山上静和 下宮早葵 前山杏 田尻彩乃 山森温菜 清水絵理 violin: Yamagami Seiwa Simomiya Saki Maeyama An Tajiri Ayano YamamoriHaruna Shimizu Eri ヴィオラ:水野万裕里 木田奏帆 辰巳眞子 岩﨑朱里 viola: Mizuno Mayuri. Kida Kansho TatsumiSawakoIwasaki Akari チェロ:村田静菜小森奏 舘野真梨子 塚本ひらき 森百々恵 cello:Murata Shizuna Komori Kanade Tateno Mariko Tsukamoto Hiraki Mori Momoe コントラバス:池田源輝 中島澪 春田奈津 岩田小桃 高井梨緒 デピューリー雪乃 double bass: Ikeda Genki. Nakajima Mio Haruta Natsu Iwata Komomo Takai Rio Yukino de Pury ピアノ独奏:大倉卓也 島田優美 村尾美咲 渡部里紗 金井亜沙美 piano : Okura Takuya Shimada Yumi Murao Misa Watanabe Risa Kanai Asami ソプラノ:原田菜奈 内山歌寿美 アルト:藤居知佳子 テノール:木下紀章 バリトン:浦方郷成 soprano:Harada Nana. Uchiyama Kasumi alto:Fujii Chikako tenor:Kinoshita Noriakibaritone:Urakata Kyosei 作曲:伊福部昭 北爪道夫 近藤春恵 徳山美奈子 大慈弥恵麻 小林聡 熊谷美紀 石丸基司 中村典子 composition:Ifukube Akira.Michio Kitazume. Harue Kondoh Minako Tokuyama Emma Okimi. Akira Kobayashi Miki Kumagai Motoji Yssimmal Nakamura Noriko 野村誠 金眞珠 高平 酒井健治 清水慶彦 増田真結 山口友寛 山川和也 稲谷祐亮 アンヌシュ・ハンヌヴォルト 伊藤慶佑 ベン・ビソニョ Makoto Nomura. Jingo Kim. Kenji Sakai.Shimizu Yoshihiko. Masuda Mayu. Yamaguchi Tomohiro Yamakawa Kazuya Imatani Yusuke Anders Hannevold Ito Keisuke. Ben Bisogno 照明:渡辺佳奈 豊福隼人 lighting:Watanabe Kana Toyofuku Hayato 音響・録音:山口友寛 西村千津子 acoustics recording:Yamaguchi Tomohiro Nishimura Chizuko 撮影:荒木真歩 document;Maho Araki 舞台:豊福隼人 石井勇魚 妹尾怜奈 髙橋祐智 寺田大紀 森田拓夢 池内奏音 影近舞帆 宮ノ原綾音 松川創 岩井美沙 三原寛志 横田真衣 尼子由里絵 伊藤慶佑 山川和也 佐々木奏平 藤田茉奈美 中村典子Stage:Toyofuku Hayato Ishii Isaa Seno Rena Takahashi Masatomo Terada Daiki Morita Takumi Ikeuchi Kanon Kagechika Maiho. MiyanoharaAyane Matsukawa So Iwai Misa Mihara Hiroshi Yokota Mai Amako Yurie Ito Keisuke. YamakawaKazuya Sasaki Sohei. Fujita Manami Nakamura Noriko 問合せ先• 電話:075-334-2363(中村研究室)• e-mail:nakamura@kcua.ac.jp 2019年1月10日(木)拶響 vox caelum大枝international alternative festival 2019 [V] 2020年1月8日へ 2019年1月16日(水) Visiting Nakamura lab,KCUA Anders Hannevold & Torbjørn ARNESEN with Kaho Izumi,Ben Bisogno 2018年1月31日(木)2月1日(金) 作曲専攻実技試験 音楽棟 2019年2月6日(水)京都市北文化会館ホール 京都市立芸術大学音楽学部・大学院作曲専攻による新作発表演奏会 Birth of Music 18:30開演 (18:00開場) 池内奏音(3)昨日の行く末[笙、サクソフォン] 影近舞帆(3)う つ く し き。[ソプラノ,室内オーケストラ] 宮ノ原綾音(3)風の花嫁[クラリネット、ヴァイオリン、ピアノ]岩井美沙(4)mosaic[室内オーケストラ]三原寛志(4)Parole motto lunge[ソプラノ、室内オーケストラ,エレクトロニクス]横田真衣(4)情景[ピアノ] 尼子由里絵(5)YAMORI [サクソフォン五重奏] 伊藤慶佑(M1)秋桜、かなし[バスクラリネット、アルトフルート、ヴィオラ、ホルン] 山川和也(M1)弓の影/音の影[弦楽四重奏、エレクトロニクス] 藤田茉奈美{M2]揺動[サクソフォン]順不同 2019年2月8日(金)Visiting Prof.Jiesun LIM,Yonsei University,Korea to Nakamura lab,KCUA 2019年2月10日(日)平成31年度文化芸術活性化パートナーシップ事業 パートナー団体第1次選考委員会 委員:加藤小夜子(人形劇団京芸)中村典子(京都市立芸術大学音楽学部准教授)阪田真己子(同志社大学文化情報学部教授)川本悟(公財)京都市音楽芸術文化振興財団事業管理部長) 鈴木康之(事業管理部管理課) 遠藤香織(事業管理部管理課) 2019年2月12日(火) Composer Jiesun LIM speaks Own Works [Prof.LIM Jiesun,Yonsei University,Korea] & master class at KCUA master course FUJITAManami[M2]:Quiver for Alto Saxophone and Electronics ITO Keisuke[M1]:To That Cosmos [Alto Flute,Viola,BassClarinet,Horn] IKEUCHI Kaon[3):TheYesterday's future [Sho,Tenor Saxophone] KAGACHIKA Maiho[3]:Beautiful.various thing[Soprano,Chanber Soprano] 2019年2月12日(火) 作曲家 イム・ジソン 自作を語る レクチャー:林志宣[韓国延世大学校教授・国際日本文化研究センター外国人来訪研究員]講演:私は韓国の西洋音楽のどこに立っているのだろうか? マスターコース受講曲目 藤田茉奈美[M2]揺動 アルトサキソフォンとエレクトロニクスのための 伊藤慶佑[M1]:秋桜、かなし[ヴィオラ・アルトフルート・バスクラリネット・ホルン] 池内奏音[3]:昨日の行く末 [笙・テナーサクソフォン] 影近舞帆[3]:うつくしき。[ソプラノ、室内オーケストラ] 《担当:中村典子》 Composer Jiesun LIM speaks own Works [Visiting Research Fellow,Internaitional Research Center for Japanese Studies,Prof.LIM Jiesun,Yonsei University,Korea,]master class at KCUA Lecture:Where am I standing in the History of Western Music in Korea? Participating KCUA master course students works:FUJITA Manami[M2]:Quiver for Alto Saxophone and Electronics ITO Keisuke[M1]:To That Cosmos [AltoFlute,Viola,Bass Clarinet,Horn] IKEUCHI Kaon[3):The Yesterday's future [Sho,Tenor Saxophone] KAGACHIKAMaiho[3]:Beautiful,variousthing[Soprano,Chanber Soprano] <charge:Nakamura lab,KCUA> 2019年2月14日(木)余韻嫋嫋 松下功追悼演奏会 アンサンブル東風第20回定期演奏会紀尾井ホール 「海へ、そして夢に」室内合奏のための「天空の光」室内オーケストラのための「舞あそぶ音に」箏と室内オーケストラのための「このこと・・・そして」邦楽合奏のための「飛天遊」和太鼓協奏曲 花柳美輝風(日本舞踊)ショルト・ナジ(指揮)遠藤千晶(箏)深海合奏団、林英哲(和太鼓) 2019年2月19日(火)Visiting Nakamura lab,JCUA Prof.LIM JiesunForeign Visiting Fellow,International Research Center for Japanese Studies & MauricioRoderiguez[Japanese Traditional Music & Dance Studies,Visiting Scholar,Internaitonal Research Conter for Japanese Studies] 2019年2月25日(月)京都市立芸術大学音楽学部同窓会真声会と卒業生教員との会合 パレスサイドホテル 真声会理事 大村益雄(1作曲) 登博美(20トロンボーン) 樋上由紀(19ピアノ) 朴実(12作曲) 山本千尋(17ピアノ)中村公俊(51弦楽)笹まり恵(54ピアノ) 音楽学部専任教員 山本毅(24打楽器) 大嶋義実(26フルート)北村敏則(29声楽) 日紫喜惠美(30声楽)中村典子(32作曲) 村上哲(33ホルン) 酒井健治(44作曲) 2019年2月27日(火) ファゴット中川日出鷹氏、諸橋玲子先生、南川弥生先生研究室来訪[日本現代音楽協会 現代の音楽展2019 中川日出鷹ファゴットリサイタル]リハーサル 2019年2月28日(水Visiting Nakamura lab,Prof.LIM Jiesun [Yonsei University,VisitingForeign Fellow,International Research Center for Japanese Studies] Discussionabout Silence 2019年3月8日(金) 中川日出鷹ファゴットリサイタル〜木霊に取り憑かれて〜 現代の音楽展2019 主催:日本現代音楽協会 田口雅英:ファゴット独奏のための溶解 II (作曲2019年初演)諸橋玲子:Silence Profond (作曲2019 年初演) 宇野文夫:ファゴット独奏のための即興曲(作曲2019年初演) 大慈弥恵麻:「おばけのきもち」ファゴット独奏のために(作曲2019年初演)南川弥生:霧の声〜ファゴットのための〜(作曲2019年初演) 中村典子:實寶 multum spei multum (作曲2019年初演)増田健太:Tunnel (公募作品2018年初演) 池上敏:Monolog(2018公募作品初演) 坂井慎吾:Theme and Variations(2018公募作品初演)岡本伸介:Choral and Variation (2018公募作品初演) 演奏:中川日出鷹チェロ:大西泰徳 豊中文化芸術センター1階多目的室 2019年3月24日(日)Opera 樂舞台 聲馨樂傳 vox orandi musica eternam 試演研究会 池田真己 浦方郷成 上中あさみ 2019年4月4日(木) 豊中市文化芸術センター 小ホール 声の迷宮 Viii 現代の音楽 声の可能性を探る旅 古事記の女神を巡る 日本とイタリアの6人の女性作曲家の眼差し メッツォ・ソプラノ:小里明子 諸橋玲子:道行V(世界初演) 南川弥生:紅蓮の月(世界初演)中村典子:玉依 spiritus sanctus(世界初演) ラウラ・マルコーニ:Lettre alzanami(世界初演) アンジェラ・グアスコ:天宇受賣命(世界初演) アンナキアラ・ジェッダ:ちはやふる(世界初演)後援:大阪音楽大学 日本現代音楽協会 NPO法人国際音楽協会 4th April,2019 Recital Hall,Toyonaka Cultural Arts Center Labyrinth of Voices VIII Contemporary Music- trip for searching voice possibilities prospects by 6Japanese & Italian women composers Mezzo Soprano:Akiko KOZATO MOROHASHI Reiko:MICHIYUKI V(WP)MINAMIKAWA Mio:Luna rosso(WP) NAKAMURANoriko:Spititus Sanctus(WP) Laura MARCONI:Lettre a Iwanami. AngelaGuasco:AMANOUZUMENOMIKOTO(WP)Annachiara Gedda:CHIHAYAFURU (WP) 2019年4月25日(木)創造のためのリサーチプレゼンテーション 楽曲研究発表 母国語の歌 日本語の歌 楽曲研究発表 & 母国語の歌日本語の歌 Research Presentation for Music Creation through Analysis & Mother Tongue ・Japanese Songs 創造のためのリサーチプレゼンテーション2 Nakamura lab,Faculty of Music,Kyoto City University of Arts 京都市立芸術大学音楽学部中村研究室 本学作曲指揮専攻1,2,3,4回生が専攻楽曲分析クラスで各年度末に取り組んでいる各個人楽曲研究発表を研究室のみならず公開プレゼンテーションいたします。どなたでもご参加ください。まとまった音楽研究は、作家音楽家の一生に随伴してその創造を照らす源となります。引き続いて後半には《日本語の歌 母国語の歌》と題した研究のための楽曲の試演会も行います。これから共に時を作ってゆく若い作家音楽家を探しに、この機会に是非ご来場ご来聴くださることをこころより願っております。Specialized compositeon andconducting students ofKCUA,they have the presentation of each researches by the analysis for music creation in KCUA.The researches in young days accompanies and briightens eachcomposer’s and conductor’s life and creation.At the latter of these presentations,we havenew song works “Japanese Songs trial X mother tongueKlavierlied”.Please come and listen to their researches for searching creative partners. [nakamura@kuca.ac.jp office:075-334-2363 mobile:090-8754-5805 2019年4月25日[木]16:15-20:45Thu 25 April 2019 16:15-20:45University Hall,Kyoto City University of Arts 京都市立芸術大学大学会館ホール ■楽曲研究発表 ResearchPresentation 石井勇魚[指揮2]バルトーク・ベーラ作曲オーケストラのための協奏曲第一楽章 フレーズによるその分布図–カラーグラフによる ISHII ,Isana:Studies ofConcerto of Orchestra by Bartok Bela : The Distribution Map by Color Graphed Phrases 豊福隼人[指揮2]ジャン・シベリウス作曲交響曲第7番の構造 歴史的イメージによる考察TOYOFUKU Hayato:The structure of Symphony No.7 by Jean Sibelius:Consideration by HistoricalImage 妹尾怜奈[作曲3]グスタフ・マーラー作曲交響曲第3番二短調第6楽章について SENOH Reina : About 6th movement of Symphony No.3 D minor by Gustav Mahler 髙橋祐智[作曲3]ヨハネス・ブラームス作曲ハンガリアン舞曲第1番 オーケストレーションの分析TAKAHASHI Masatomo:Johannnes Brahms Ungalische Tänze Nr.1 The analysis of the orchestration 寺田大紀[作曲3]モーリス・ラヴェル作曲ピアノ協奏曲ト長調第一楽章 和声・形式を中心とした分析TERADA Daiki:The analysis of harmonization and form about Firstmovement LeConcerto en sol majeur M.Ravel 森田拓夢[作曲3]なぜ私はモーツァルトを聞いて感動するのか=W.A.モーツァルト作曲ピアノソナタ第18番第一楽章= Why am I moved tolisten to Mozart? Through The Frist Movement of Piano Sonata No.18 by W.A.Mozart 池内奏音[作曲4]検証=S.プロコフィエフ作曲ピアノソナタ第3番イ短調《古い手帳から》のL.v.ベートーヴェン作曲ピアノソナタ第17番ニ短調《テンペスト》引用説 IKEUCHI Kanon:The Verification of the citation of Piano Sonata No.3 A Minor “ fromOld Notebook” by SergeiProkofiev from “Tempest Sonata”by L.v.Beethoven 影近舞帆[作曲4]ラインハルト・フェーベル作曲《道化の面Die Masken des Pierrot》 声を用いた楽曲についてKAGECHIKA Maiho:About Vocal Music “Die Masken des Pierrot” by Reinhard Febel 宮ノ原綾音[作曲4] A.ブルックナー作曲交響曲第7番第3楽章におけるベートーヴェン作曲交響曲第3番第三楽章・第9番第二楽章との構造的類似性 MIYANOHARA Ayane:The Similarity of Third Movement,Symphony No.7 by AntonBruckner between Third Movement,Symphony No.3 & SecondMovement,Symphony No.9 by L.v.Beethoven 松川 創[指揮4] 感性的緩急による曲の重力分析3 –L.v.ベートーヴェン作曲交響曲第7番第一楽章を焦点にMATSUKAWA So:The Gravity of KANSEI 3-Analysis on Symphony No.7 1st movement by L.v.Beethoven ベン・ビソニョ[院研究留学生]自作を語る=ベン・ビソノ作曲《天辺の唄》–1.8mの箏のために= Ben BISOGNO: Composer’s talk about own work “Teppen - a song for 1.8 m koto三原寛志[指揮 院1]自作を語る=三原寛志作曲《Parole molto lunghe》1.Sovramagnificentissimamente2.Particolareggiatissimamente MIHARA Hiroshi:Composer’stalk about own work 伊藤慶佑[作曲 院2]自作を語る=伊藤慶佑作曲《秋桜、かなし》 ヴィオラ、アルトフルート、バスクラリネット、ホルンのための ITO Keisuke:Composer’s talk about own work “To that Cosmos”[vla,alt-fl,bas-cla,hn]山川和也[作曲 院2]自作を語る=山川和也作曲《弓の影/音の影》 [エレクトロニクスを伴う弦楽四重奏 ヴァイオリン2チェロ2] YAMAKAWA Kazuya:Composer’s talk about own string quartet with electronics 佐々木奏平[指揮 院2] 小林聡作曲FluteConcerto 協奏曲の構造と管弦楽法を中心に SASAKI Sohei: About the Structure through orchestration of Flute Concerto by Akira KOBAYASHI ■母国語の歌 日本語の歌 MotherTongue Japanese Song コラールと近代日本語・日本伝統楽器との邂逅 新たな声を伴うコト 中村典子Nakamura Noriko Short lecture “Japanese TraditionalInstruments and Japanaese Language,KOTO with New Voice 寺田大紀[作曲3] 雨と言の葉I (新作初演)テノール:向井洋輔[2] ピアノ:若尾涼介[3] TERADA Daiki:Raindrops and kotonoha I tenor:MUKAI Yosukepiano:WAKAO Ryosuke 司会:中村典子[京都市立芸術大学音楽学部・同大学院音楽研究科准教授] Moderator:NAKAMURA Noriko [associate professor,Kyoto City University of Arts 2019年5月14日(火) 宮本妥子先生(相愛大学同志社女子大学石山高等学校音楽科)伊藤隆也氏(舞台監督)研究室来訪 2019年5月26日(日) 栗東芸術文化会館さきら小ホール 開館20周年記念事業 Duo Schusslügelzeug Concert パーカッション:宮本妥子 ピアノ:塩見亮 [第一部] 吉松隆:チェシャ猫風パルティータ 阿部勇一:Arch zamapochanua maua for piano and solo percussion(委嘱初演) A.ジョリヴェ:打楽器協奏曲より第2,4楽章 [第2部] 中村典子:Navi for Flute and Percussion C.T.グリフェス:詩曲 フルートとピアノのための 岡田加津子:"Beautiful Life" for Flute,Keyboard instuments &Baschet's Palette Sooners (委嘱初演) ゲスト:竹林秀憲(fl.) 2019年6月10日(月)音の扉プロジェクト(助成:平和堂財団) 草津市立草津第二小学校(4・5年生) 武田優美(ピアノ)宮本妥子(打楽器)林育子(うた・朗読)陣内亜紀子(サクソフォン)大百足退治(台本:作曲:中村典子) 2019年6月11日(火)音の扉プロジェクト(助成:平和堂財団) 草津市立常盤小学校(5年生・2回公演)武田優美(ピアノ)宮本妥子(打楽器)林育子(うた・朗読)陣内亜紀子(サクソフォン)大百足退治(台本:作曲:中村典子) 2019年6月14日(木)音の扉プロジェクト(助成:平和堂財団) 長浜市立神照小学校 武田優美(ピアノ)宮本妥子(打楽器)林育子(うた・朗読)陣内亜紀子(サクソフォン)大百足退治(台本:作曲:中村典子) 2019年6月22日(土) 国際現代音楽祭アジアの管絃の現在2019《滔響》Les Jeux d’Eaux Internaitonal Contemporary Music Festival “Present of Orchestral Asia”2019 移転整備プレ事業 主催:京都市立芸術大学音楽学部・同大学院音楽研究科作曲専攻中村研究室 ensemble clumusica Organized by Nakamura lab,Faculty of Music,Kyoto City University ofArts & Graduate School,KCUA 大学院 作曲理論研究 I III 作曲法研究 音楽学演習I 合同研究発表composing theoretical research I III composing method research musicology seminar Icollaborative presentation clumusica subscription concert 32 [clumusica friendship charity 33] メッセージ:赤松玉女[学長] Message: AKAMATSU Tamame [President,KCUA] 大嶋義実[副学長] OSHIMA Yoshimi [Vice President,KCUA] 砂原悟[音楽学部長] SUNAHARA Satoru [Dean,Faculty of Music,KCUA]渡辺信一郎[日本伝統音楽研究センター所長] WATANABE Shinichiro [President,Research Centre of Japanese Traditional Music,KCUA] SATDAY22nd June,2019 オープニングコンサート 12:30開演[12:15開場] 京都市立芸術大学大学会館ホール [京阪京都交通バス 芸大前下車すぐ]Opening Concert 12:39 Start [12:15 Open] Uuniversity Halll,Kyoto City University ofArts スタジオコンサート 16:00開演[15:45開場] 元崇仁小学校音楽室 本館3階 [京都駅より徒歩 8分] Studio Concert 16:00 Start [15:45 Open] Music Room,FormerSujin Elementary School出演:京都市立芸術大学大学学生・学生・教員 [ゲスト] 尺八:阪口夕山 岡田道明 寄田真見乃 箏:麻植美弥子 古箏:戴茜 韓国伝統打楽器:朴哲 フルート:橋本岳人 朴優栄 後藤田裕仁子 ソプラノ:北村柚起恵 ピアノ:朴実 宋和映 京都市立境谷小学校児童のみなさん 京都よし笛アンサンブルかわせみ 山科よし笛アンサンブル葦の風 亀岡よし笛アンサンブルスカイラーク [作曲理論研究I III ] ピアノ:大塚昭花[M1] 島田優美[M2] 出口青空[M2] 渡部里紗[M2] ヴァイオリン:米井遥香[M2] 弦楽 *以下参照 フルート:伊藤亜希子[M5] サクソフォン:福田彩乃[M2] ソプラノ:板橋亜胡[M2 [音楽学演習I] 影近舞帆[4]高橋祐智[3] [作曲法研究] 伊藤慶佑[2018]大学院音楽研究科研究留学生 ベン・ビソノ[作曲] [助演] ensemble clumusicaヴァイオリン:江川菜緒 柳楽毬乃 東摩耶 山森温菜[4]清水絵理[3]山田栞[3]梶原千聖[2] ヴィオラ:水野万裕里 木田奏帆[4]澤井杏[3]筌口和実[2] チェロ:小森奏[4]舘野真梨子[4]塚本ひらき[4]渡辺七帆[3]柏木基[2] コントラバス:高井梨緒[3]西口之威[2] KCUAサクソフォン ソプラノサクソフォン:福田彩乃[M2] アルトサクソフォン1:濱田侑里[3]. アルトサクソフォン2:寺井優花[M1] テナーサクソフォン1:佐藤夏美[4]バリトンサクソフォン2:前田直哉[4] 照明:佐々木水音[2] 小野一葉[2] 間弓咲[2] 中村日菜子[2] 岩村源太[教] 音響: 西村千津子[教] 山口友寛[教] 荒木真歩 舞台:池内奏音[4]影近舞帆[4]宮ノ原綾音[4]妹尾玲奈[3]高橋祐智[3]寺田大紀[3] 森田拓夢[3]豊福隼人[2]石川康平[1]田中詩也[1]土方渚紗[1]中村典子[教] 曲目: オープニングコンサートOpening Concert 12:30開演[12:15開場] 京都市立芸術大学大学会館ホール University Hall,KCUA 12:30ベン・ビソノ個展[京都市立芸術大学大学院研究留学生] BenBISOGNO Solo Exhibition 13:00 鈴 みんなでつくるファンファーレ 京都市立境谷小学校のみなさん RIN FANFARE SAKAIDANI Elementary School Children よし笛 しぜんでうたうみんなのうた 京都よし笛アンサンブルかわせみ 山科よし笛アンサンブル葦の風 亀岡よし笛アンサンブルスカイラーク 指導:呉山平煥[元京都市交響楽団首席オーボエ奏者] Yoshibue Cantata Kyoto Yoshibue Ensemble KAWASEMI Yamashina Yoshibue Ensemble Ashi no Kaze Kameoka Yoshibue EnsembleSKYLARK KUREYAMA Heikan 小さな木の実 作曲:ジョルジュ・ビゼー 川のほとりのこもりうた 作曲:中村典子 森へ行きましょう ポーランド民謡 13:15 凛詠klingen 作曲:高橋祐智[3] TAKAHASHI Masatomo:Klingen [2019,electronics] アリエッタ[詠唱][1866-67] 作曲:E.グリーグ ピアノ:村尾美咲[M2] E.Grieg:Ariettapiano:MURAO Misa コラールプレリュードBWV694J.S.バッハの主題による[2008] 編作曲:ラインハルト・フェーベル ピアノ:村尾美咲[M2] 大塚昭花[M1] ReinhardFEBEL:Chorale Arrangements after Johann Sebastian Bach for Piano Duet No. 3 Wo soll ich fliehen hin? (after Choral Prelude BWV 694) (Version a) う つ く しき。[2019] 詩:須賀敦子 曲:影近舞帆[4] ソプラノ:板橋亜胡[M2] ピアノ:大塚昭花[M1] KAGECHIKA Maiho:Beautiful…various things [2019] Lyrics:SUGAAtsuko Soprano:ITAHASHI AkoPiano:OTSUKA Haruka 摩滴 toucher 作曲:影近舞帆[4] KAGECHIKA Maiho:Toucher [2019,electronics] internodes [2017] 作曲:伊藤慶佑[M2] フルート:橋本岳人[愛知県立芸術大学音楽学部准教授] ITO Keisuke:internodes[2017] Flute:HASHIMOTO Takehito 天光云影[2008]作曲:ガオ・ピン[高平] [北京首都大学音楽学院教授] 弦楽四重奏:江川菜緒 柳樂毬乃[今春院修了] 水野万裕里 塚本ひらき[4] GAO Ping:Sky Light Cloud Shadow String Quartet:EGAWANao YAGIRA Marino MIZUNO Mayuri TSUKAMOTO Hiraki MUGEN[1981] 作曲:中村滋延[九州大学名誉教授] 尺八:岡田道明 NAKAMURA Shigenobu:MUGEN[1981] Shakuhachi:OKADA Michiaki 高山流水 中国古典伝統音楽 古箏:戴茜 Chinese Traditional Music High Mountain Flowing Water Zheng:DAI Qian 時澄transparent作曲:河副功KAWAZOE I sao:Transparent [2019,electronics] エステ荘の噴水[2008]作曲:F.リスト ピアノ:島田優美[M2]Franz Liszt:Les jeux d’eaux àla Villa d’Este Piano:SHIMADA Yumi. プレリュード ホルベアの時代より 作曲:E.グリーグ ピアノ:出口青空 ensemble clumusicaE.Grieg:Prelude from Holberg suitePiano:DEGUCHI Aozora Stings:ensemble clumusica inspirare scriptum伊福綴映[2008] 尺八:寄田真見乃 ensemble clumusica 作曲・指揮:中村典子[京都市立芸術大学准教授] NAKAMURA Noriko:Inspirare sprictum Shakuhachi solo:YORITA Maminoensemble clumusica conductor:NAKAMURA Noriko 한풀이 [2018,世界初演] 作曲:朴実 [京都市立芸術大学音楽学部同窓会専務理事] ソプラノ:北村柚起恵[ハンマダン] 杖鼓 太鼓 銅鑼:朴哲[ハンマダン]フルート:朴優栄 [今春院修了] 後藤田裕仁子[今春学部卒業]ピアノ:朴実 [京都市立芸術大学音楽学部同窓会専務理事] [ハンマダン]PAK Shil:Hanp’uri [2018] *World Premiere Soprano:KITAMURA YugihyeJanngu Buk Jin:PAK Cheol [Hanmadang] Flute:PARK Wooyoung GOTOUDA Yuniko Piano:PAK Shil [Hanmadang] スタジオコンサートMusic Studio Concert16:00開演 [15:45開場] 元崇仁小学校音楽室[本館3階] Former Sujin Elementary School Music Room YAMORI 作曲:尼子由里絵[今春卒業]ソプラノサクソフォン:福田彩乃[M2]アルトサクソフォン1:濱田侑里[3} アルトサクソフォン2:寺井優花[M1] テナーサクソフォン1:佐藤夏美[4]バリトンサクソフォン2:前田直哉[4]* AMAKOYurie: YAMORI Soprano Saxophone: FUKUTA Ayano Alto Saxophone 1: HAMADA Yuri Alto Saxophone 2 : TERAI Yuka Tenor Saxophone : SATONatsumi Baritone Saxophone : MAEDA Naoyaシギラの月 作曲:近藤春恵[沖縄県立芸術大学教授]フルート:伊藤亜希子[M5]KONDOH Harue:Wind of Shigira Flute:ITO Akiko 風彩 作曲:二宮毅[福岡教育大学教授]ピアノ:宋和映NINOMIYA Tsuyoshi:Color of the WindPiano:SONG Hwayoung 六段の調べ 作曲:八橋検校尺八:阪口夕山 箏:麻植美弥子 ROKUDAN Yatsuhashi KengyoShakuhachi:SAKAGUCHI Yuzan Koto:OE Miyako 愛 愛の組曲より 詩:谷川俊太郎[愛の詩集より] 作曲:朴実ソプラノ:板橋亜胡[M2] ピアノ:宋和映 PAK Shil:Philia lyrics:TANIGAWA Shuntaro Soprano:ITAHASHI Ako Piano:SONG Hwayoung 夕べの調べのように エチュード第7番 ピアノ:渡部里紗[M2]作曲:酒井健治 [名古屋フィルハーモニー交響楽団コンポーザー・イン・レジデンス・京都市立芸術大学専任講師]Kenji SAKAI:Etude No.7 Comme l’harmonie du Soir Piano:Watanabe Risa エステ荘の噴水[2008]作曲:フランツ・リスト ピアノ:島田優美[M2]Franz Liszt:Les jeux d’eaux à la Villa d’Este Piano:SHIMADA Yumi. プレリュード ホルベアの時代より 作曲:E.グリーグ ソプラノサクソフォン:福田彩乃[M2] アルトサクソフォン1:濱田侑里[3] アルトサクソフォン2:寺井優花[M1] テナーサクソフォン1:佐藤夏美[4] バリトンサクソフォン2:前田直哉[4]E.Grieg:Prelude from Holberg suite Soprano Saxophone: FUKUTA Ayano Alto Saxophone1 : HAMADAYuri Alto Saxophone 2 : TERAI Yuka Tenor Saxophone : SATO Natsumi Baritone Saxophone : MAEDA Naoya 2019年6月28日(金)卒業生小栗稜氏[アリゾナ大学修士課程]研究室来訪 2019年7月15日(月)オーボエとよし笛の世界 in 亀岡 かめおか桂ホール オーボエ 呉山平煥 福原左和子 モーツァルト:「ああ私は恋人を失った」による6つの変奏曲 シューマン:幻想小曲集 No.1 サティ:ジムノペディ 千秋次郎:峯からの声 麓には花散る寺 葉がくれの花 よし笛 箏独奏{曲目未定) 中村典子:川のほとりのこもりうた 日本古謡:さくらさくら 中山晋平:証城寺の狸ばやし ピアノ独奏1曲(曲目未定) ノルウェー舞曲:Summer trail バッハ・グノー:アヴェ・マリア マスカーニ:カヴァレリア・ルスティカーナ 間奏曲 2019年8月2日(金)18:00 作曲作品試演会 京都市立芸術大学講堂 妹尾怜奈(3) 木霊と水仙の花(Fl,Fg,Pf) 高橋祐智(3)ピアノとヴァイオリン、チェロのためのアンダンテ・ドラマティコ(Pf,Vn.Vc)寺田大紀(3)水紋は歌う(3) 森田拓夢(3) Tripp-Slipping for 10 musicians (ChamberOrch.) 池内奏音(4)カリソメユートピア(Orch,4Vo.)影近舞帆(4)紅掛空色(Orch.) 宮ノ原綾音(4)紫丁香花(Ob,Hn,Vc,Cb,) 2019年8月27日(火)京都府宇治市鳴物新仏具南條工房南條和哉先生研究室来訪 2019年8月28日(水) 宮本妥子先生(相愛大学同志社女子大学石山高等学校音楽科)伊藤隆也氏(舞台監督)研究室来訪 2019年9月5日(木)京都市立芸術大学有志オーケストラ移動公演 事前訪問 福井県立ろう学校 敦賀高等学校 2019年9月7日(土) 第86回NHK全国学校音楽コンクール近畿ブロックコンクール NHK大阪ホール 審査員 木村俊明(指揮者)櫻井直樹(大阪芸術大学名誉教授)田中由也(大阪音楽大学教授)中村典子(京都市立芸術大学准教授)春畑セロリ(作曲家) 中学校の部 課題曲「君の隣にいたいから」(混声三部合唱/女声三部合唱)作詞作曲:宮崎朝子(SHISHAMO)編曲:加藤昌則 出場校(兵庫県)武庫川女子大学附属中学校(指揮:岡本尚子先生 ピアノ:多田秀子先生)アンソロジー I 〜序・泣いているきみ〜(寺山脩司 谷川俊太郎 三宅悠太) (奈良県)香芝市立香芝北中学校(指揮:長濱文恵先生 ピアノ:山崎雅世さん)女声合唱曲集「妖精の市場」から 銀の色(ウォルター・デ・ラ・メア 吉田映子(訳詩)横山潤子)(滋賀県)近江兄弟社中学校(指揮:馬場啓先生 ピアノ:市田純子さん)遠い日の歌(岩沢千早 橋本祥路(兵庫県) 神戸市立鷹匠小学校(指揮:酒居昌寛先生 ピアノ:仲内咲樹さん)母の挽歌(真鍋郁子 横山潤子)(和歌山県) 和歌山市立日進中学校(指揮:久保真紀先生 ピアノ:道下佳世さん) 無伴奏女声合唱のための「万葉恋歌」から 春の苑 天の火 (大伴家持 狭野弟上娘子 信長貴富) (京都府) 京都聖母学院中学校 (指揮:橋本利嗣先生 ピアノ:片岡由香里先生)女声合唱組曲「天使のいろいろ」から 未熟な天使(谷川俊太郎山内昌弘)(大阪府)大阪市立都島小学校(指揮:屋島利栄先生 ピアノ:増田健太さん) 女声合唱とピアノのための組曲「夢の意味」から 朝あけに(林望上田真樹)(京都府)京都市立西京極小学校 (指揮:山下文実先生 ピアノ:松永美穂さん)女声合唱とピアノのための組曲「愛の日に」星空の下(高田敏子 面川倫一)(大阪府)大阪市立文の里小学校(指揮:沢村智美先生 松浦亜季さん)女声合唱とピアノのための「不可思議のポルトレー与謝野晶子の四つの詩ー」から 明日(与謝野晶子 信長貴富) 2019年9月8日(日) 第86回NHK全国学校音楽コンクール近畿ブロックコンクール 小学校の部 高等学校の部 NHK大阪ホール 審査員 木村俊明(指揮者)櫻井直樹(大阪芸術大学名誉教授)田中由也(大阪音楽大学教授)中村典子(京都市立芸術大学准教授)春畑セロリ(作曲家) 小学校の部 課題曲「わたしはこねこ」(同声二部合唱)作詞:角野栄子 作曲:大熊崇子 出場校 (滋賀県)滋賀大学教育学部附属小学校(指揮:矢吹雄介 ピアノ:谷垣夏海)いまの「いま」(工藤直子 三宅悠太)(大阪府)関西創価小学校(指揮:堀夢夏先生 ピアノ:岩元博子先生)いまの「いま」(工藤直子 三宅悠太) (兵庫県)神戸市立桂木小学校(指揮:留佐江先生 ピアノ:浅海由美子さん)いまの「いま」(工藤直子 三宅悠太) (京都府)(指揮:貞松道人先生 ピアノ:片岡由香里先生)生きてる地球(金澤智恵子 大田桜子) (和歌山県)田辺市立会津小学校 (指揮:出口奈央先生 ピアノ:高橋恵美さん)同声3部合唱とピアノのための組曲「二億年ずつ23回(里之塚玲央 山本純之介)(大阪府)関西大学初等部 (指揮:木村三津代 ピアノ:小島舞さん)バベルの塔(なかにしあかね) (兵庫県)神戸市立なぎさ小学校 (指揮:室屋尚子先生 ピアノ:龍野翼さん) ゆめのふうせん屋さん(肥田美代子横山潤子)(奈良県) 大和高田市立高田小学校(指揮:荒木いずみ先生 ピアノ:綿谷紗里さん)(京都府)京都市立西京極小学校 (指揮:今西敦子先生 ピアノ:三谷晴佳さん) ほらね(伊藤恵司 松下耕) 高等学校の部 課題曲「僕が僕を見ている」(混声四部合唱 女声3部合唱 男性四部合唱) 出場校 (大阪府)清教学園高等学校 (指揮:安藤浩明先生 ピアノ:小笹山紀子先生)女声合唱のためのコンポジション「日本の民謡第2集 五木の子守唄 (熊本県民謡 松下耕)(京都府)京都府立西城陽高等学校(指揮:塩川朝子先生 ピアノ:加藤崇子さん)混声合唱とピアノのための四つの日本民謡「北へ」俵積み唄 (青森県民謡 松下耕)(兵庫県)兵庫県立神戸高等学校(指揮:林佳世先生 ピアノ:内藤典子さん)等圧線(覚和歌子 信長貴富)(奈良県)奈良県立畝傍高等学校 (指揮:藤井加恵先生 ピアノ:浦史子さん)混声合唱とピアノのための組曲「のら犬ドジ」から みつめてる(蓬莱泰三 三善晃)(滋賀県)滋賀県立日野高等学校 (指揮:石間春那先生 杉下純子さん)くらやみ(谷川俊太郎、佐井孝彰)(兵庫県)武庫川女子大学附属高等学校(指揮:岡本尚子先生 ピアノ:多田秀子先生)女声合唱とピアノのための「不可思議のポルトレー与謝野晶子の四つの詩」から 歌はどうして作る(与謝野晶子 信長貴富)(大阪府)大阪信愛学院高等学校(指揮:佐藤謙蔵先生 ピアノ:宮崎友香子さん)女声合唱とピアノのための「くちびるに歌を」わすれなぐさ(W.アレント 上田敏(訳詩)信長貴富)(和歌山県)和歌山県立桐蔭高等学校(指揮:有本利香先生 ピアノ:細田紗希さん)贈り物(高階杞一 横山潤子)(奈良県)奈良県立高田高等学校(指揮:大野恭子先生 ピアノ:西村亜彩さん)木(谷川俊太郎信長貴富) 2019年9月9日(月) 本学交流協定校国立台北芸術大学音楽学部博士課程蔡承哲氏研究室来訪 Composer Mr.Cheng Che David TSAI,Doctoral course student,Taiwan NationalUniversity of the Arts visited Nakamura lab,KCUA 2019年9月17日(火)18日(水)Koto & Biwa -Sound of Kyoto Film shooting by Marios Joanno Elia & Kostis Nicolas [Photo by Tanya Khodova]at University Hall,KCUA of[Assisted Recording by Mr.Nishimura Soraaki& staff Nakamura lab,KCUA] 2019年9月20日(金)滋賀大学教育学部林睦先生研究室来訪 2019年9月21日(土)同志社女子大学・相愛大学宮本妥子先生・舞台監督伊藤隆也氏研究室来訪 2019年9月21日(土)Sakaidani Elementary School Children RIN Choral - Sound of Kyoto Film Shooting by Marios Joanno Elia & Kostis Nicolas [Photo boy TanyaKhodova] at University Hall,KCUA [Assisted by Kyoto Art Center Coordinator:Katsuya Mami & Rakusai Art Style:Yamada Katsuki,Nakamura lab,KCUA [-Recording by Nishimura Chizuko,University Hall,KCUA]-Choral arrangement & Conducting:Nakmaura Noriko] 2019年9月23日(月) 後期開始 麻植美弥子先生研究室来訪 2019年9月26日(土)[観劇]鉄の彫刻と舞踊の現代のアート 舞台美術館 part 17 鉄の森 演出・振付・衣装:小川珠絵 ダンサー:山口陽子 森井祐子 安部淳子 クードリャ沙美 入江真由 小畑すずこ 長岡文音 藤井智子 小川珠絵 演奏:宮本妥子 照明:伊藤雅一(RYU)音響:伊吹卓志 (I- SOUND PRODUCE} 映像協力:手作りCD工房Media-Support 舞台監督:大谷みどり(京都舞台)Special thanks:前原和比古(京都舞台) 演奏協力:浅川いずみ 撮影協力:GON竹下典宏 主催:TMPPスタジオ TMPP STUDIOART SPACE 2019年10月6日(日) 京都市立芸術大学音楽学部オープンスクール 作曲専攻 専攻別ガイダンス(中村典子) ソルフェージュ(岡田加津子) 普段の授業風景を公開する。 楽曲分析(中村典子) ブラームス以前の管弦楽誕生の様相を俯瞰し、交響曲の楽曲構造を掌握する。本年後期の定期演奏会曲目(12月9日上演予定)のベートーヴェン作曲《エグモント序曲》ならびにブラームス作曲《運命の歌》と、ベートーヴェン作曲《交響曲第9番》を対照し、これら本質的ドラマトゥルギーを浮き彫りにし、背後世界と連関させる。 作曲専攻学生作品紹介(酒井健治)この1年間に行った、作曲専攻としての取り組みをもとに、4つの作品を紹介する。(順不同) 寺田大紀(3)作曲《雨と言の葉》テノールとピアノ...2019年4月開催「創造のためのリサーチプレゼンテーション」(大学会館ホール)より高橋祐智(3)作曲 《ピアノとヴァイオリンとチェロのためのアンダンテドラマティコ》...2019年前期提出作品 作曲作品試演会(講堂)より 森田拓夢(3)《Trip-Slipping for 10 musicians》...2019年前期提出作品、作曲作品試演会(講堂)より 宮ノ原綾音(3) 《風の花嫁》...2018年度後期提出作品、2019年2月開催、Birth of Music (北文化会館)より 2019年10月13日(日)東アジア音楽祭2019 in ヒロシマ <ヒロシマからのメッセージ"日台中韓の友好と創造の祭典">レクチャー&コンサート Lecture &Concert 韓国の伝統音楽(1)テグム On the Korean Traditional Music (Daegum) 「テグムサンジョ」他 鄭慎二(テグム)権恩卿(チャンゴ)Daegum Sanjo Daegum CHUNG,Sini JanggoGYUN,Kyung 金恵子作曲「Litany」(2017;世界初演 World premiere)KIM,heyja Litany for Daegeum solo Park Jin Kyung (Daegeum) 韓国の伝統音楽(2)カヤグム Onthe Korean Traditioanal Music(Gayaguem,Ensemble) 「カヤグムサンジョ」他 宋英叔(カヤグム)朴眞慶(テグム) 権恩卿(チャンゴ)Gayageum Sanjo GayageumSONG,Young Sook Daegeum PARK,JinKyung Janggo GYUN,EunKyung 金眞珠作曲「相思別曲」(2019;世界初演 World premiere)宋英叔(カヤグム)SONG,YoungSook(Gayageum)権恩卿(チャンゴ)GYUN EunKyung(Janggo) 吉田亜希子作曲「いちょう実、マリンバのために」(2019,世界初演)伴谷景子(マリンバ)Marinba TOMOTANI,Keiko 二宮毅「夜が訪れる前に」(2019) 翁優子(クラリネット)Clarinet OU,Yuko 出田敬三作曲 「春はあけぼの」(清少納言<枕草子>より)他 MakeranoSoshi(1984) Über Der Jahrrezeiten for Soprano und Klavier 中川詩歩 Soprano NAKAGAWA,Shiho 伴谷真知子 Piano TOMOTANI,Mchiko 伴谷晃二作曲「ヒロシマの詩 II 」(2006)TOMOTANI Koji The Poem of Hiroshima II for Solo percussionist 荻原里香(パーカッション) Percussion OGIHARA,Rika「ヒロシマの語り部:被爆時の助産師 益田小蝝(ますだ こえん)の足跡」A midwife at the A-Bomb in 1945 on the footprint of Ms.MASUDA,Koen 被爆証言 朴南珠(広島)/益田 遙(広島)[特別企画] <被爆時の助産師 益田小蝝(ますだ こえん)足跡>を取り 上げて、被爆証言者の朴南珠さんにより、広島県認定助産師第 1 号として 活躍された益田小蝝さんの被爆時の活動を紹介。益田 遙さんは家庭の母 としての姿や地域での活動の様子を回想。MASUDA,Koen PARK,Namjoo MASUDA,Haruka[演奏] 伴谷晃二作曲「ヒロシマの詩VII、ヴァイオリンとピアノと明珍火箸のために」(2019;世界初演)TOMOTANI,Koji The Poems of HiroshimaVII,for Violin ,Piano and Myouchin-Hibashiヴァイオリン 金原ジラール・ソフィー絢子 ピアノ 伴谷麻依子 KANEHARA-GIRARD Sophie Ayako(Violin) TOMOTANI,Maiko(Piano) <レクチャー&コンサートII>Lecture&Concert 日本の伝統音楽(1)OntheJapaneseTraditionalMusic(1) 「六段」より、Rokudan 「千鳥の曲」Chidori-no-kyoku アマト ジョセフ(箏) 麻植美弥子(箏) Koto AMATO,Joseph /OE,Miyako 伊藤高明作曲「いのり」(2019;世界初演) ITOU,Komei INORI 福田輝久(尺八) 麻植美弥子(箏) Shakuhachi FUKUDA,Teruhisa Koto OE,Miyako 日本の伝統音楽(2)尺八 On theJapanese Traditional Music 尺八本曲「真虚霊」「虚空」福田輝久(尺八) Shakuhachi FUKUDA,Teruhisa 陳明志作・編曲「一念、独奏尺八のために」(2014-2019;改訂初演)CHAN,Ming-Chi A Thought for Shakuhachi solo 福田輝久(尺八) Shakuhachi FUKUDA,Teruhisa CHENG,Shiang-Fu After Mirage (2016) MarimbaCHENG,Shiang-Fu 中村典子作曲「禱響」(2019;世界初演) NAKAMURA,Noriko Oratio for Rin metal percussion 宮本妥子(打楽器)Percussion MIYAMOTO,Yasuko San Gregory,Paul ObservingPeace(2019;World premiere) 松田亜希子(マリンバ)Marimba MATSUDA,Akiko 本間雅夫作曲「ピアノとマリンバによる交錯」(1992) HONMA,Masao Intersection forPiano and Marimba荻原里香(マリンバ) 小林知世(ピアノ) Marimba OGIHARA,Rika Piano KOBAYASHI,Tomoyo 伴谷晃二作曲「カーラ・チャクラの風III、 尺八とパーカッションアンサンブルのために」(2017)TOMOTANI,Koji The Wind of Kãla-CakraIII, for Shakuhachi and Percussion Ensemble 福田輝久(尺八)ShakuhachiFUKUDA,Teruhisa Succession Percussion Group(3 Marimbas) 2019年10月15日(火)滋賀大学林睦先生研究室来訪 図形楽譜 胎蔵曼荼羅 2019年10月20日(日)武田病院コンサート オーボエ:呉山平煥 箏:福原左和子 川のほとりのこもりうた 2019年10月22日(火) International Competition for Composers Unique Forms Continuity in Space Category C -Giacomo Leopardi Award (SoloInstrument) The State Conservatory of Music Giovanni Battista Pergolas of Fermo in partnership with The Italian Cultural Institute -Osaka Place:Igakukan II Hall Kinugasa Campus Ritsumeikan University Finalists:Alessio Ferrante Masako Kodama Shinsuke Okamoto Luca Ricci JulyMention:Anders Hannevold Works of Judgers:Fabrizio fr Rossi Carlo Forlivesi Nakamura Noriko Judges:NicolaVerzina Doi Hideyuki,NakamuraNoriko,Carlo Forlivesi official competition performer:Oe Miyako Fukuta Ayano Hemmi Yasutaka Miyamoto Yasuko 2019年10月25日(金)-10月29日(火)日本中国文化交流協会 日本音楽家訪中団[団長:馬込勇[日本中国文化交流協会常任委員、平成音楽大学教授、日本モーツァルト青少年管弦楽団音楽監督、ファゴット奏者]団員:小泉惠子[国立音楽大学教授、声楽家(ソプラノ)] 団員 中村典子[京都市立芸術大学准教授、作曲家] 団員:佐々木駿[平成音楽大学講師、日本モーツァルト青少年管弦楽団事務局長、トランペット奏者] 秘書:倉本理査子[日本中国文化交流協会事務局長補佐] 北京 & 成都訪問 中村旅程 10/ 25(金) 北京 首都師範大学[受入:高平教授] 中央音楽学院 [李嵐松教授他] 10/26 中央音楽学院大学院二胡修士演奏10/27(日)四川音楽学院[受入 作曲:毛竹副教授 電子音楽:郭元教授]中村典子 講演と発表地球的地域性の音楽 25-29 October 2019 Japanese Musician Group for Visiting China [Beijing,Chengdu] by the invitation of Chinese MMusician Group NakamuraNoriko:glocalmusic developments throughregional sound creation(Lecture & Presentation) Beijing Capital Normal University [class ofProfessorGao Ping] Sichuan Conservatory of Music [Asoociate Professor Mao Zhu,Professor Duo Yuan] 青羊宮 Guqin master player Zhan Tingting 2019年11月12日(火)4講時 教育課程クラス 林睦先生 学生による りん群・弦弓による即興 2019年11月9日(土) 京都コンサートホール会議室 令和2年度文化芸術活性化パートナーシップ事業パートナー団体第一次選考委員会選考委員:加藤小夜子(劇団京芸)阪田真己子(同志社大学教授)中村典子(京都市立芸術大学准教授)川本悟(公財)京都市音楽芸術文化振興財団事業管理部長) 福川潤(京都コンサートホール)松本光生(京都コンサートホール)遠藤香織(京都コンサートホール) 2019年11月16日(土) 山内利一レクチャーコンサート(京都) Reach YAMAUCHI PRO MISICA NIPPONIA Lecture Concert レクチャーコンサート言及曲目山内利一;Feint 狂詩曲 皮算用 風火 四面楚歌 門限破り 長唄囃子;獅子 長沢勝俊;玉桂 北爪道夫:螺旋 中村典子;翼 pinnae 山内利一;Crazy Elephant Dance 山内利一;ぽ 上中あさみ 重松歩 主催;ensemble clumuisca 京都市立芸術大学音楽学部・同大学院音楽研究科作曲専攻中村研究室 2019年11月29日(金)中国音楽家協会代表団日本伝統音楽研究センター来訪{新韓安中国音楽家協会副首席 高雁武漢音楽学院副院長(古箏) 劉英上海音楽学院副院長(チャルメラ)于紅梅北京中央音楽学院副院長(二胡)貴程超中国音楽家協会対外連絡部職員 吉野彩美日本中国文化交流協会職員) (所長室)渡辺信一郎日本伝統音楽研究センター所長 大嶋義実京都市立芸術大学副学長 藤田隆則日本伝統音楽研究センター教授 武内恵美子日本伝統音楽研究センター准教授 齋藤桂日本伝統音楽研究センター講師 中村典子京都市立芸術大学音楽学部准教授 3-7 December 2019 VOX FEMINAE 2019 A lot of thanks to Alona Epstein and T¥am Karni,Inbar Solomon,Hadas Fabricant,Aliena Lubenberg andSara Minelli !!! VOX FEMINAE 2019 7th edition in memory of Prof.Mira Zakai Wax Femina Festival 2019 7th edition In memory of our dear Prof. Mira Zakai3-7.12.2019 Festival program: 3.12.2019 - Ran Baron Hall, Israeli Conservatory of Music 19.00 - "Basic Colors" string quartets and musical instruments. Works by: Carmel Curiel (Primer), Roni Reshef, Irena Svetova, Ruth Alon, Jasmine Wagner, Emma Shifrin, Mia Brenner, HadasGoldschmidt Performers: Natasha Sher, Hadas Fabricant (Violin), Miri Manchrove (Viola), Yoni Etzion (Cello) The concert with the support of the Israel MusicInstitute 21.30- "Dream in a Dream" Works by: Todia Shandowitz, Hila Tamir-Ostrover, Alona Epstein, NorikoNakamura (Japan), Rona Israel-Kolat Performers: Rona Israel-Kolat, Naomi Kolat (soprano), Inbar Solomon (flutes), Hadas Fabricant (violin), Aliena Lubenberg (viola) 4.12.2019- Bar Ilan University, Department of Music 12-18.00 - "Women's Poetry", a seminar dedicated to women's poetry in the communities andthe Diaspora in Israel and selected aspects of the use of voice in classical, contemporary and popular music. Participating with meis Ben Zaken,Rona Israel-Kolat, Dr. Shai Cohen, Anat Pick, Mika Dani and more. The conference will include a concert-lecture by singer and singer Mimi Shaffer. Mimi will talk about her unique project to commemorate womenmurdered in the infamous Ravensbrook Women's Camp, will sing prayers written or written by women among them: Rosie Wertheim,DeborahGinsburg, Helen Madwodf-Greenberg, Hannah Szenes, and a work by Anna Bargal 19.00 - "Eti Ben Old and the Modalius Ensemble" Contemporary music in dialogue with folk music. The concert will feature works by Etti BenZaken, Hagar Kadima, Naama Pearl Tzadok,Sarah Shoham, Maayan Tzedaka, and arrangements by Eitan Steinberg for Israeli DiasporaSongs. 5.12.2019 - Buchman Mehta School, Tel Aviv University 10.00-17.00 - Symposium on "Clara Schumann and Composers of Dora" on the occasionof Clara Schumann's 200th birthday.10.00-13.00 - Clara Schumann and her daughters Dora, the theoretical part.Lecturers: Dr.Edith Zack, TaliaIlan 12.00- "Clara Schumann and Dora Composers Competition"For the first time in Israel, there will be an outstanding performance competitionfor works by Clara Schumann and composers of her generation. The competition is open to students of theBuchman Mehta School VocalDepartment. 19.00 - "Creating From Here", a concert by the Vocal Department conducted by Prof. Sharon Rostorf. Works by Israeli ComposersGreeting Pewter, Stella Lerner, Bat Merom, Hani Haran Smith, Yael Levy. Free admission for theseminar and concert of the Vocal Department 6.12.2019 - Ran Baron Hall, Israeli Conservatory of Music 11.00- RESPIRO Sarah Minnelli's solo flute recital (Italy-England) Works by: Hana Ajashvili, Todia Shandovich, Alona Epstein, Gene Hee Khan(Cora-USA), Karin Rhenkoist (Sweden), Noriko Nakamura (Japan) The concert with the support of the Israel Music Institute 13.00 - TrioAlexander Concert (Nitai Tsuri, Ella Toby, Michal Tal) Works by: Clara Schumann, Lily Bologna, Dina Smorgonsky 7.12.2019- Studio Bank, 71Ben Yehuda Street, Tel Aviv 20.00 - Mini Opera Cell / "Limbo" A minor opera booth raises the opera limbo made up ofmusical, cinematic andstory fragments. Limbo juxtaposes original works by contemporary composers Hadas Pari and Sirin Elias with jazz parade jazz music and anEnglish song. The work comes out of, and is built on, a section of Hirokazu's Kora-Ada Afterlife film and deals withmemory, barely reminiscing,inability to revive it, and the exuberance of its potential to create unity or meaning for a lifetime. Director and Artistic Management: MichalGrover-Friedlander Stage Design: Eli Friedlander Music: Hadas Pari, Sirin Elias, Barbara Strozzi, folk song,New Orleans jazz Story section:Amar Friedlander, Memory section: Rio Tecnoshita Creating Promotions: Rio Tecnoshita (Performer), Tam Karni (Conductor), Doron Schleifer(Contra Tenor), Rona Shrira (Contralto), Noam Sharet (Flute), Inbar Sharet (Clarinet), Neta Maimon(Cello), Ziv Kaplan (tapping) DramaturgicalCounseling: Yelena Novak Editing Program: Venus Three, Translation: Lila Halak Free entry, pay as many as you want. After the show, a conversation with the artists andreception Ticket Reservation: 03-6201185 info@fmbc.co.il Prices: Single Concert - NIS 50 Daily ticket - NIS 80 Entrance to all festival events - NIS 170 Free admission toall festival events for composers and executive forum members registered in the system. Festival staff: Tam Karni - the artisticdirector of thefestival, Alona Epstein - Chairman of the Composers Forum. Dr. Oded Erez Academic Counseling at the Women Poetry Conference in Bar Ilan Hadas Goldschmidt-Halfon steering 2019年12月3日(火) Israel Vox Faminae Festival[Conservatory of Israeli] Nakamura Noiko:Per Somnium somnium [Dream within Dream] RecorderImbar Solomon Violin Hades Fabrikant Viola Eliana Lovenbenberg 2019年12月6日(金) Israel Vox Faminae Festival Israel Conservatory of Music{Conservatory of Israeli] Nakamura Noriko:Inspirare(Israel Premiere)flute:Sara Minell 2019年12月4日(水)ピアニスト佐藤恵美子氏研究室来訪 Dr.Emiko Sato visited Nakamura lab,KCUA 2019年12月13日(金)ファゴット奏者・リコーダー奏者高島翔大氏研究室来訪 Takashima Shota visited Nakamura lab,KCUA 2019年12月13日(金)Professor Zhang Tingting & Ms.Zhou Qiuhwa and Professor Pang Jun visited Nakamura lab,KCUA Guqinl Lecture Wine Mania酒狂 Flowing Water 溢水 2019年12月14日(土) Hochschule für Musik Freiburg Kammersaal 久保菜々恵 宮本妥子 岡部亜希子 Kubo Nanae Miyamoto Yasuko [Schlagzeug] OkabeAkiko[Klavier] Nakamura Noriko:Hokahi(Germany Premiere) 2019年12月19日(木)中国星海音楽学院陳明志教授中村研究室来訪 新作尺八協奏曲<一瓣心香> 楽譜制作チェック:豊福隼人(2) 中村典子(教員) 2019年12月20日(金)チャン・ミンチ自作を語る [中国星海音楽学院陳明志教授によるマスタークラス] 小合奏室 [京都市立芸術大学音楽棟] レッスン受講(作曲専攻):池内奏音(4):カリソメユートピア [オーケストラ] 影近舞帆(4):紅掛空色[オーケストラ] 石川康平(1) Halo[室内楽] 土方渚紗(1) 黄色い鳥 [室内楽] レクチャー: チャン・ミンチ[陳明志]:一瓣心香 尺八と弦楽オーケストラのための協奏曲 [世界初演]尺八独奏:福田輝久[邦楽聖会代表]受講(作曲専攻+指揮専攻)豊福隼人(2) 棚橋佑羽(1) 2019年12月22日(日) 国際現代音楽祭 アジアの管絃の現在 大枝international alternative festival series 邂逅 encounter Project VI 協奏 あわいの翼〈国際現代音楽祭アジアの管絃の現在・大枝インターナショナルオルタナティヴフェスティバル 2019-20 series 邂逅〉京都市立芸術大学 講堂 主催:京都市立芸術大学音楽学部・大学院音楽研究科作曲専攻中村研究室 ensemble clumusica音響:西村千津子[本学教員]舞台:京都市立芸術大学音楽学部・大学院音楽研究科作曲専攻中村研究室 出演本学大学院音楽研究科学生・音楽学部学生・卒業生・教員[作曲理論研究・音楽学演習I・ 楽曲分析・作曲法クラス履修院生学生]曲目と出演• 別宮貞雄:日本組曲第一番 フルート:伊藤亜希子 オーボエ:森はるかクラリネット:福岡裕子 ホルン:村上哲[本学准教授] • 寺田大紀:雨と言の葉 テノール:三好一輝 ピアノ:出口青空 • 松村禎三:ギリシャに寄せる子守歌 1 ピアノ:大塚昭花 • 岡本伸介:ストローフェII《スピラーレ》 サクソフォン:福田彩乃• 向井響:鶯あけの明星に 2 ピアノ:藤井夢音 • 酒井健治[本学専任講師]:モノポリフォニー・デフィギュラシオン チェロ:大西泰徳 • 松村禎三:ギリシャに寄せる子守歌2 ピアノ:村尾美咲 • 影近舞帆:これほど空があをくて ソプラノ:小林奈里 ピアノ:出口青空 • 増田真結[京都教育大学専任講師・本学教員]:時花|榊 ピアノ:佐藤恵美子• 伊福部昭:七夕 ピアノ:古谷華梨 •ユン・イサン[尹伊桑]:エチュード 3 フルート:伊藤亜希子 • 中村典子[本学准教授]:艸楽 curatio[世界初演] 太鼓独奏:山内利一 ensembleclumusica 指揮:中村典子・ チャン・ミンチ[陳明志][中国星海音楽学院教授]:一瓣心香 [世界初演] 尺八独奏:福田輝久 ensembleclumusica 指揮:棚橋祐羽• 吉松隆:朱鷺に寄せる哀歌 ensemble clumusica* ピアノ:島田優美 指揮:豊福隼人 *ensemble clumusica:高麗みなみ 米井遥香 下宮早葵 山森温菜 岩崎朱里 加納あゆり 澤井杏 清水絵理 筌口和実 落合真悠子 近藤彩月 須藤遥 福井優希 山田周 都呂須七歩 山之内真梨 江川菜緒 小森奏 舘野真梨子 塚本ひらき 名田卓麻 岩田小桃 高井梨緒 西口之威 上中あさみ[本学教員] "Wings of time & space"International Contemporary Music Festival “Present of Orchestral Asia 2019-20″ [collaborative research presentation byComposition Theoretical Research,Musicology Seminar i,Analysis,Composition Method] 22nd Dec. 2019 13:30 Start (13:00Open)Auditorium,kyoto City University of Arts Organiser:Nakamura lab, Faculty of Music, Kyoto City University of Arts & Graduate School of Music, KCUAensemble clumusica Recording,Acoustics:NISHIMURA Chizuko,Stage Staffs:Nakamura lab,KCUA Composition&Performance:Students and Professors of Graduate School of Music,KCUA & Kyoto City University of Arts Program:SadaoBEKKU:Japanese Suite Flute:ITO Akiko Oboe:MORI Haruka Clarinet:FUKUOKA Yuko Horn:MURAKAMI Satoshi TERADA Daiki:Raindrops and Kotonoha Tenor:MIYOSHI Kazuki Piano:DEGUCHI Aozora MATSUMURA Teizo:Deux Berceuses à la Grace 1 Piano:OTSUKAHaruka OKAMOTOShinsuke:Strophe II 《Spirare 》Saxophone:FUKUDA Ayano MUKAI Hibiki:The Drawing of Kanagawa 2 Piano:FUJII Yemene Kenji SAKAI:Monopolyphonie Défiguration Cello:ONISHI Yasunori MATSUMURA Teizo:Deux Berceuses à la Grace 2 Piano:MURAO Misa KAGECHIKA Maiho:I did not know how blue sky is,,,,,,[Tape] Soprano:KOBAYASHI Nari Piano:DEGUCHI Aozora MASUDA Mayu:Time / Space Piano:SATO Emiko IFUKUBE Akira:Takabata Piano:FURUTANIKarin YUN Isang:Etude III Flute:ITO Akiko NAKAMURA Noriko:Curatio [World Premiere] Taiko solo:Reach YAMAUCHI ewnsembleclumusica Conductor:NAKAMURA Noriko CHAN Ming-chi:Yi bien xin Xiang [World Premiere] Shakuhachi :FUKUDA Teruhisa ensembleclumusica Conductor:TANAHASHI You YOSHIMATSU Takashi:Threnody of Toki ensembleclumusica* Piano:SHIAMDA Yumi Conductor:TOYOFUKU Hayato KOURAI Minami YONEI Haruka SHIMOMIYA Saki YAMAMMORI Haruna KANOU Ayuri SAWAI Anzu SHIMIZU Eri UKEGUCHI Nagomi OCHIAIMayuko KONDO Satsuki SUDO Haruka FUKUI Yuki YAAMDA Amane TOROSHU Nanaho YAMANOUCHI Mari EGAWA NaoKOMORI Kanade TACHINO Mariko TSUKAMOTO Hiraki IWATA Komomo TAKAI Rio NISHIGUCHI Noi Kaminaka Asami
Prof.LIM Jiesun,Younsei University,Korea & Foreign Visiting Fellow,International Research Center for Japanese Studies & Mr.Mauricio Martinez Roderiguez[Japanese Stage Music & Dance Studies,Visiting Scholar,Internaitonal Research Conter forJapanese Studies]
12/16 慈音季如 vox affectio sicut tempora [shamisen,chamber orchestra] Ritto,Shiga WP
国際現代音楽祭アジアの音舞・管絃の現在 2018-19《汲響》 International Contemporary Festival “Music &Dance,Present in Asia & Present of Orchestral Asia 2018-19 《汲響 vox caelum et terram》いのりの京都 prayer for peace from Kyoto modernisation 150 anniversary & clumusica 10 anniversary clumusica subscription concert 30 & 31[clumusica friendship charity 31,32] 大学院 作曲理論研究 I II III IV 作曲法研究 音楽学演習i前期合同研究発表 collaborative research presentation of composing theoretical research I II III IV, composing method & musicology seminar I 日時 2019年1月6日[日曜日]オープニングセレモニー13:00開演[12:30開場,大学会館ホール] オープニングコンサート14:00開演[大学会館ホール] オーケストラコンサート 17:00開演[講堂]
会場 • 京都市立芸術大学大学会館ホール University Hall,Kyoto City University of Arts • 京都市立芸術大学講堂 Auditorium,kyoto City University of Arts
料金 入場無料 entrance free
主催 京都市立芸術大学音楽学部音楽学科・大学院音楽研究科作曲専攻中村研究室 organizer : ensemble clumusica & vocal ensemble clumusica@Nakamura lab,composition,Graduate School,Kyoto City University of Arts
曲目
◆オープニングセレモニー Opening Ceremony 1/6[日曜日]13:00-14:00 大学会館ホール *University Hall,KCUA 〇エレクトロニクス electronics 山口友寛 : PoV Accelation Swing – by in 3D Spiral orbit [2018,世界初演] エレクトロニクス:山口友寛 Yamaguchi Tomohiro : PoV Accelation Swing – by in 3D Spiral orbit [2018,World Premiere] electronics :Yamaguchi Tomohiro 〇一管 flute solo 近藤春恵 : シギラの月 [2003-2018改訂] フルート:伊藤亜希子[M4] Kondoh Harue : The moon of Shigira [2003-2018revision] flute:Ito Akiko 〇一絃一舞 sanshin & Ryukyuan dance 琉球古典音楽独唱『ぢゃんな節』(ぢゃんなぶし) Ryukyu classical music vocal solo “Janna Bushi” 琉球古典音楽独唱『十七八節』(じゅうしちはちぶし) Ryukyu classic music vocal solo “Ju-shichi-hachi-bushi” 琉球古典舞踊女踊『諸鈍』(しゅどぅん) Ryukyu classical music female dance “Shudun” 舞踊:西村綾乃 三線:山内昌也 燈籠 :日下部雅生 dance:Nishimura Ayano sanshin:Yamauchi Masaya light : Kusakabe Masao
◆ロビーインターリュード Lobby Interlude 1/6[日曜日]16:30-16:45 京都市立芸術大学大学会館ホール University Hall,KCUA ベン・ビソニョ:天辺の唄[2018,世界初演] Ben Bisogno:Teppen - a song for koto [2018,World Premiere]
◆オーケストラとピアノ&室内楽コンサート Orchestra,Piano & Chamber Music Concert 1/6[日曜日] 17:00-19:00 Auditorium,Kyoto City University of Arts 京都市立芸術大学構堂 小林聡 : フルートコンチェルト [2008] フルート独奏:鎌田邦裕 ensemble clumusica 指揮:佐々木奏平 Akira Kobayashi:Flute Concerto flute solo:Kamata Kunihiro ensemble clumusica. conductor:Sasaki Sohei 金眞珠 : 私の子供の目の中で [2000] ピアノ:村尾美咲 Jinsoo Kim: In the Eyes of My Child [2000] piano: Murao Misa 大慈弥恵麻 : Temperatureless 2. R&C [2010/2014] ピアノ:金井亜沙美 Ojimi Emma:Temperatureless 2.R&C [2010/1014] piano:Kanai Asami ジャン=ドニ・ミシャ : 心 [2015] サキソフォン :福田彩乃 Jean-Denis Michat : Kokoro [2015] saxophone : Fukuta Ayano 酒井健治:青のスパイラル[2016] フルート:後藤田裕仁子 オーボエ:泉佳穂. クラリネット:岡本昇大 バスーン:高島翔大 ホルン:村上哲 Kenji Sakai:Spiral in Blue [2016] flute:Yumiko Gotouda oboe:Kaho Izumi. Clarinet:Shota Okamoto bassoon:Shota Takashima horn:Satoshi Murakami 高平:天光云影 [2007] ヴァイオリン1:江川菜緒 ヴァイオリン2:柳楽毬乃 ヴィオラ:水野万裕里 チェロ:西村まなみ Gao Ping:Bright Light,Cloud Shadow [2007] violin1:Egawa Nao violin2:Yagira Mario viola:Mizuno 清水慶彦:付喪神成仏譚 [2018,世界初演] トランペット:小渕真実 柏原朱 ホルン:江口倭世 竹谷天音 トロンボーン:上原早貴 田中功平 バストロンボーン:山中望未 テューバ:竹林優生 Brass Octet KCUA 指揮:松川創 Shimizu Yoshihiko:Suite “The tale in which TUKUMOGAMI’s soul to rest in peace”[2018,World Premiere] trumpet:Obuchi Mami Kashiwara Aya horn:Eguchi Iyo Taketani Amane trombone:Kaminara Saki Tanaka Kohei bass-trombone:Yamanaka Nozomi tuba:Takabayashi Yuki Brass Octet KCUA conductor:Matsukawa So 石丸基司 : 日本の幻想IV [2003,先行出版発表] ピアノ:大倉卓也 Yssimal Motoji: Fantasia Nipponica IV [2003,published] piano: Okura Takuya
徳山美奈子: ムジカ・ナラ [2005] ピアノ: 島田優美 Tokuyama Mianako : Musica Nara [2005] piano : Shimada Yumi 近藤春恵 : Moh-Ashibi II 三線と弦楽の協奏曲 [2018,世界初演] 三線独奏:山内昌也 ensemble clumusica 指揮:近藤春恵 Kondoh Harue :Moh – Ashibi II [2018,World Premiere]sanshin : Yamauchi Masaya ensemble clumusica conductor:Konhoh Harue
New! Noriko NAKAMURA:NAVI 20171020 flute:Tomoko UEMURA percussion:Arnault Malgat Live recording & film by E.S.R.A @ Chapelle du Conservatoire de Rennes https://www.youtube.com/watch?v=3dbfQ3p9XMk
*在外研修1 期間:2018年4月24日(火)-30日(月) アジア作曲家連盟コンフェレンス・フェスティバル[韓国]2018 韓国ソウルアーツセンターリサイタルホール 淑明女子大学校音楽大学オペラワークショップ Asian Composers League -Korea International Conference & Festival 2018 Internaitonal Conference & Festival Seoul Arts Center Recital Hall Sookmeung Women's University,Collage of Music Opera Workshop Room 4/25(水)Neo Quartet Concert [Poland] Seoul Art Center Recital Hall Michael Sidney Simpson:Singularities Yang Ji-sun:Les Accordeons Kang Dong Kyu :VOYAGE des Eaux Park Eun Kyung:A Modest,Ordinary days Jun Hyun-Suk:NALDA Kzysztof Penderecki:String Quartet No.2 NAKAMURA Noriko:Kasanhuhi (1991) NEO String Quartet(Poland) 4/26(木) Conference I Sookmyung Women's University College of Music Opera Workshop Room theme :The worldview through own works, Japanese Contemporary Music lecturer:Nakamura Noriko (Japan,invited Composer) 4/29 Succession Percussion Group Concert[Taiwan] Concert III Seoul Art Center Recital Hall Choi Jeong Hun :Resonanz I Chung Hyun Sue:Split Hong Ji Min:Roll,Jordan,Roll Nakamura Noriko:Kata Chen Yi Chen:Cun Cheng Shiang Fu:Mu Guiying performance Succession Percussion Group(Taiwan) *在外研修2 期間:2018年5月31日(木)-6月5日(火) China- Asean Music Week in Nannning Asean Music Festival 2018 中国廣西芸術大学美術学院サミットフォーラム 6/1(金)Painting School Art Center Summit Forum Lecture: Nakamura Noriko(Japan):Physical understanding and Graphical notation (lecture with own performance of metal percussion)Guangxi Art University 2018年6月3日(日)中国廣西芸術大学コンサートホール Japanese Instrumental Music Recital,concert hall, Guangxi Art University Ishii Maki:Hitenseido ryuteki:Tsunoda Mami sho:Miura Remi hichiriki:Suzuki Eri Tanaka Satoshi Voices ryuteki:Tsunoda Mami sho:Miura Remi hichiriki:Suzuki Eri Nakamura Noriko:禱響 vox cordis:Sho:MIURA Remi male voice:Ma Xingzi Liu Changrui Metal percussion:NAKAMURA Noriko] Chan Ming-chi:Pure Land II ryuteki:Tsunoda Mami sho:Miura Remi hichiriki:Suzuki Eri drum:Su Huangren male voice:Liu Changrui Ma Xingzi bo lie:Jia Along sheng: ChenXiaoqi Zhao Bo per cussion : Huang Baoming Zhang Jinfei zheng;Luo Chongyao metal percussion:Nakamura Noriko
2018年6月3日(日) China-Asean Music Week Concert Hall,Guanxi University of Arts,Nanning Nakamura Noriko:禱響 vox cordis (2018,世界初演) sho:Miura Remi voice: male voice:Ma Xingzi,Liu Changrui percussion:Nakamura Noriko
2018年6月1日(金) China-Asean Music Week ,Guanxi University of Arts Physical understanding & Graphical thought lecture & performance :Nakamura Noriko
2018年5月19日(土) 宮本妥子 打楽器 マリンバ20周年記念リサイタル 京都府民ホールアルティ 中村典子:ホカヒ (2010) 打楽器:宮本妥子 舞踊:河合ロン 中村典子:汲響 vox caelum et terram (2018,世界初演) [ヴィヴラフォン・ピアノ・マリンバ] ヴィヴラフォン・マリンバ:宮本妥子 ピアノ:稲垣聡 演出・舞踊:河合ロン
2018年4月26日(木) ACL International Conference & Festival2018 Nakamura Noriko Lecture & Perfformance “The perspective of Japanese Contemprary Music through the world of own works" Sookmyung Women University,Seoul,Korea
2018年4月25日(水) Asian Composers League International Conference & Festival2018 Concert I NAKAMURA Noriko:KASANUHI Neo quartet (Poland) Seoul Art Center Recital Hall NeoQuartet[Poland]
2018年1月11日(木)《渡響vox expectat》 大枝international alternative festival 京都市立芸術大学大学会館ホール 中村典子:渡響 vox expectat (2018,世界初演) 玄琴:Hong Seung Ji[洪承志]
2018年12月2日(日) National Center for Korean Traditional Performing Arts Gyeonggi Gayagum Ensemble Subscription Concert 中村典子:尋響 simhyang Gyeonggi Gayagum ensemble
New!
Asian Composer League International Reference and Festival 2018
25th April,2018 Concert I Seoul Art Center Recital Hall
Michael Sidney Simpson:Singularities Yang Ji-sun:Les Accordeons Kang Dong Kyu :VOYAGE des Eaux Park Eun Kyung:A Modest,Ordinary days Jun Hyun-Suk:NALDA Kzysztof Penderecki:String Quartet No.2 NAKAMURA Noriko:Kasanhuhi (1991)
26th April 2018 Conference I Sookmyung Women's University College of Music Opera Workshop Room theme :The worldview through own works, Japanese Contemporary Music lecturer:Nakamura Noriko (Japan,invited Composer)
27th April 2018 Concert II iLSIN Hall You Young Woo: Dreamscape Michael Stubblefield:East Shin Yuk Jin Dance d'Amour Park Jung Eun:Allegro Larry Alan Smith:Wind Quintet No.2 Three Bas-Riefs Robert Carl:Search Ensemble Wins(Korea)
28th April,2018 Conference II Hanyang University College of Music Paik-nam Music Hall theme:The Orchestral and Vocal Music of Larry Alan Smith lecturer:Larry Alan Smith (U.S.A.invited Composer)
29th April,2018 Concert III Seoul Art Center Recital Hall Choi Jeong Hun :Resonanz I Chung Hyun Sue:Split Hong Ji Min:Roll,Jordan,Roll Nakamura Noriko:Kata Chen Yi Chen:Cun Cheng Shiang Fu:Mu Guiying Succession Percussion Group(Taiwan)
30th April,2018 Conference III Sookmyung Women's University College of Music Ceremonial Performance Building theme Taiwan Traditional Percussion and Contemporary Music Technique lecturer:Succession Percussion Group [Taiwan]
りんごの朝の歌 NEW! festival visual report photograph:ARAKI Maho lighting:WATANABE Kana recording:NISHIMURA Chizuko video shooting:NAKAI Totmonori stage:Nakamura lab,KCUA
2018年4月19日[木]20:00- Tue 19 April 2018 20:00- University Hall,Kyoto City University of Arts京都市立芸術大学大学会館ホール
research presentation 1 [analysis] research presentation 2[song of mother tongue Japanese text Klavierlied] 主催:京都市立芸術大学音楽学部・大学院音楽研究科作曲専攻中村研究室 organizer:Nakamura Lab,composition,Faculty of Music,Graduate School of Music,KCUA
創造のためのリサーチプレゼンテーション 2 日本語のうた 母国語のうた Japanese Songs trial Mother Tongue X Klavierlied
2018年4月19日[木]20:00- Tue 19 April 2018 20:00- University Hall,Kyoto City University of Arts京都市立芸術大学大学会館ホール 主催:京都市立芸術大学音楽学部・大学院音楽研究科作曲専攻中村研究室 organizer:Nakamura Lab,composition,Faculty of Music,Graduate School of Music,KCUA
楽曲研究発表 Research Presentation for Music Creation through Analysis 創造のためのリサーチプレゼンテーション 1 Nakamura lab,Kyoto City University of Arts 京都市立芸術大学音楽学部中村研究室 本学作曲指揮専攻2,3,4回生が専攻楽曲分析クラスで各年度末に取り組んでいる各個人楽曲研究発表を 研究室のみならず、公開ホールプレゼンテーションいたします。どなたでもご参加ください。 まとまった音楽研究は、作家音楽家の一生に随伴してその創造を照らす源となります。 これから共に時をつくってゆく若い作家音楽家を探しに、 この機会に是非ご来場ご来聴くださることをこころより願っております。 Specialized composition and conducting students of KCUA, they have the presentation of each researches by the analysis for music creation in KCUA. The researches in young days accompanies and lightens each composer’s and conductor’s life and creation.Please come on for searching creative partners. [nakamura@kcua.ac.jp office :075-334-2363 mobile:090-8754-4805]
2018年4月19日[木]17:00-20:00 Tue 21 April 2017 17:00-20:00 University Hall,Kyoto City University of Arts 京都市立芸術大学大学会館ホール
妹尾怜奈[1回生] G.マーラー作曲交響曲第9番第1楽章の構造について SENOH Reina: Colorgraphied structural researches of Mov.1,Symphony No.9 by Gustav Mahler 高橋祐智[1回生] J.シベリウス作曲交響曲第4番の構造—調的・旋法的・拍子的・合奏形態的相関 TAKAHASHI Masatomo;Structural researches -- tonal,modal,time,formative correlation of Symphony No.4 by J.Sibelius 寺田大紀[1回生] M.ラヴェル作曲ボレロのエレメント分布構造 TERADA Daiki:Elemental distribution mapped orchestration researches of “Bolero”by M.Ravel 森田拓夢[1回生] C.ドビュッシー作曲《海》のエレメント分布による構造 MORITA Takumu:Structural researches by elemental distribution of “La Mer” by C.Debussy 池内奏音[2回生] R.ワーグナー作曲トリスタンとイゾルデの前奏曲におけるグラデーション展開 IKEUCHI Kanon:Gradational development on endless melody from Prelude,Tristan & Isolde by R.Wagner 影近舞帆[2回生] J.ブラームス作曲ヴァイオリン協奏曲二長調の要素的展開について Elemental development researches of Violin Concerto D major by J.Brahms 宮ノ原綾音[2回生] A.ブルックナー作曲交響曲第7番第2楽章の研究 MIYANOHARA Ayane:Researches about the birth of Symphony No.7 Mov.2 by A. Bruckner 松川創[2回生]感性的緩急によるL.v.ベートーヴェン作曲交響曲第7番第1楽章の重力分析2 MATSUKAWA So: The Gravity of KANSEI -2 Time Analysis,Mov 1,Symphony No.7 by L.v.Beethoven 岩井美沙[3回生] D.ショスタコーヴィチ作曲:チェロ協奏曲第1番変ホ長調作品107におけるテーマ分布と音高変化の分析 IWAI Misa:Colorgraphied structural researches of Cello Concerto No1.by D.Schostakovich 三原寛志[3回生] 三善晃作曲混声合唱組曲地球へのバラードの研究 言葉と音楽の脱構築の観点から MIHARA Hiroshi:Researches from the viewpoint of deconstruction of Words and Music, Chiku e no Ballade by A.Miyoshi & S.Tanigawa 山川和也[4回生] D.ショスタコーヴィチ作曲交響曲第5番第3楽章の構造について Structural researches on themetic position and grand tonal relation of Mov.3 Symphony No.5 by D.Schostakovich 司会:中村典子[moderator] NAKAMURA Noriko
[予告] 三味線レクチャーコンサート 創造のためのリサーチプレゼンテーション 3 三味線現代作品 講師:本條秀慈郎 北爪作品、藤倉作品、中村作品など 2018年11月17日(土)14:00- [開場13:30] 京都市立芸術大学大学会館ホール Sat 17 November 2018 14:00- University Hall,Kyoto City University of Arts
clumusica presents:Uploaded Now ! & coming video of Nakamura work Now !
Noriko Nakamura:AQUA
Tali Morgulis - piano
Vox Feminae International Music Festival Israeli Women Composers and Performers Forum 26th April, 2017 Hateiva - Tel Aviv Sound recording: Assaf Kacholi Videography: Shali Boharon
Jinsoo KIM:Ari Ari 出演 森田拓夢 [comp.1] 廖 婉婷 [M1,Japanese Traditional Music Research,Taiwan] 森田拓夢 [comp.1) MORITA Takumu 矢野百華 [M1,pf.] 柳楽毬乃 [M1,vn.] 朴優栄 [M1,fl.] 高島翔大 [M1,fg.] YANO Momoka NAGIRA Marino PARK Wooyoung TAKASHIMA Shota 小渕真実 [M1,tp.]白石尚美 [M1,sax.]中村文香 N [M1,trb.] OBUCHI Mami SHIRAISHI Naomi NAKAMURA Fumika 原田菜奈 [M1 sop.] 藤居知佳子 [M1 alt.] 廣田雅亮 [M1,bar.] HARADA Nana FUJII Chikako HIROTA Masaaki 江川菜緒 [M2,vn.] 鎌田邦裕 [M2,fl.]平川奈津美 mi [M2,cl.] 藪野巨倫 [M3,vn.] EGAWA Nao KAMATA Kunihiro HIRAKAWA Natsumi YABUNO Kirin ホン・スンジ HONG Seung JI [ 洪承志] [geomungo,Dankokk University,Korea] アンヌシュ・ハンヌヴォルトAnders HANNEVOLD [comp,pf.Bergen University,Norway] 志賀俊亮 SHIGA Shunsuke [M2.pf.] 東山洸雅 HIGASHIAMA Koga [Doctral Cource pf.] 遠藤隆明 ENDO Takaaki[alumnus.comp.] 西薗千智 NISHIZONO Chisato [alumna,pf.] 宋和映 SONG Hwayoung [alumuna,pf.] 足立恵理 [M1,musicology] 田淵宏幸 TABUCHI Hiroyuki [alumnus vn.comp.]足立恵理[M1,musicology] ADACHI Eri TABUCHI Hiroyuki 野夕梨 Noyuri [dance] 富久田治彦 FUKUDA Haruhiko [fl.principal Nagoya P.O.] 大嶋義実 OSHIMA Yoshimi [fl.prof.dean,music faculty,KCUA] 渡辺佳奈 WATANABE Kana [M1.Nihonga] 中井友路 NAKAI Tomonori [4,conscept & media planning] 西村千津子 NISHIMURA Chizuko [recording,University Hall] 荒木真歩 ARAKI Maho [alumuni,Kobe University Graduate School] 影近舞帆 KAGECHIKA Maiho [2,comp.] 中村典子 NAKAMURA Noriko [associate prof,music faculty & grad school,KCUA comp.]
2017年12月22日(金) 19時開演[18時30分開場] Friday 22 December 2017 19:00 Start [18:30 Open] 共響 vox maiorum series 邂逅encounter Project IV VOX MAIORUM series encouter project IV 東アジア文化都市 長沙[中国]大邱[韓国]京都[日本] East Asia Cultural City Changsa[China] Daegu[Korea] Kyoto[Japan] 東西協奏曲新作の夕べ clumusica 28th concert[clumusica 30th friendship charity] 京都市立芸術大学大学会館ホール University Hall,Kyoto City University of Arts 京都市立芸術大学音楽学部京都市立芸術大学大学院音楽研究科作曲専攻中村研究室 clumusica Organizer: Nakamura lab,Faculty of Music, Kyoto City University of Arts,Graduate School of KCUA clumusica ピアノ独奏:代博 ピアノ独奏:森本美帆 piano solo:DAI Bo piano solo:MORIMOTO Miho ヴァイオリン独奏:キム・ジヒェ ソリ独唱:オ・ヨンジ violin solo:KIM Jihye sori solo:OH Younji 二十五絃箏:横山佳世子 25 gen koto:YOKOYAMA Kayoko 指揮:高昌帥[大阪音楽大学教授] 中村典子[京都市立芸術大学音楽学部准教授] conductor:KOH Changsu NAKAMURA Noriko アンサンブル・クラムジカ: カオ・ユーハン[長沙出身]キム・ジヒェ[大邱] 中村公俊 水野万裕里 柳原史佳 古味亜紀 江口純子 大藪英子 南條聖子 三上さくら 木田奏帆 小高睦 孫工恵嗣 西村まなみ 古味寛康 池田源輝 上中あさみ ensemble clumusica [string orchestra]: CAO Yuan[Changsa-Beijing,China] KIM Jihye [Daegu,Dr.St.Peterburg] NAKAMURA Kimitoshi MIZUNO Mayuri YANAGIHARA Fumika KOMI Aki EGICHI Junko OYABU Hideko NANJO Seiko MIKAMI Sakura KIDA Kaho KOTAKA Mutsumi MAGOKU Keishi NISHIMURA Manami KOMI Hiroyasu IKEDA Genki KAMINAKA Asami [marinba] ダイ・ボ[北京,中国]:ピアノ協奏曲(2017,世界初演) DAI Bo [Beihing,China]:Piano Concerto(2017,World Premiere) キム・ジュンヒ[大邱,韓国]:《公無渡河歌》 ヴァイオリンとソリと弦楽の協奏曲(2017,世界初演) KIM Joonghee [Daegu,Korea]:GONG MU DO HA GA Concerto for Violin & Sori and String Orchestra (2017,World Premiere) 中村典子[京都,日本]:《未跡》二十五絃箏と弦楽の協奏曲(2017,世界初演) NAKAMURA Noriko[Kyoto,Japan]:”Signa” Concerto for 25gen koto and String Orchestra (2017,World Premiere) イム・ジソン[韓国]:《希望は羽のある小鳥》 ピアノ独奏とマリンバを伴う弦楽の協奏曲(2017,世界初演) LIM Jiesun [Seoul,Korea]:”Hope,A Little Birds with Feathers” Concerto for Piano solo and String Orchestra with Marimba(2017,World Premiere)
2017年11月18日(土)14:00-15:00-16:30 University Hall,KCUA 尺八奏法+スウェーデンの民族音楽ヴァイオリン奏法レクチャーコンサート Shakuhachi + Sweden folk music violin lecture concert 講師:寄田真見乃[Yorita Mamino,Kinko shakuhachi master player](琴古流大師範) パウラ・ヘドヴァル[Paula Hedvall,violin] +東摩耶 桑原香矢 西村まなみ
Nakamura Noriko 's SHAKUHACHI EXPLANATION OF SYMBOLS 【analog pitch shifting,function of analog soundspectrum operation】 ◆breath + angle 【減り】メリ
 MERI get dawn jaw 【張り】カリ
 KARI get up jaw 【戻し】モドシ
 MODOSHI get ordinary jaw 【落とし】オトシ
 OTOSHI at the end of tone,get down and up jaw 【振り切り】フリキリ FURI-KIRI
 at the end of tone,get down and up jaw 【萎やし】ナヤシ NAYASHI
 return to the starting pitch after lowered [or highered] with fingering 【萎やし揺り】ナヤシユリ NAYASHI-YURI
 free vibrato after NAYASHI 【廻し揺り】 マワシユリ MAWASHI-YURI
 rolling vibrato with circular swinging of neck 【縦揺り】タテユリ TATE-YURI
 relaxing vibrato by vertical swinging of neck 【横揺り】ヨコユリ YOKO-YURI
 sentitive vibrato with horizontall swinging of neck 【竹揺り】タケユリ TAKE-YURI
 vibrato by shaking instrument 【押し揺り】オシユリ OSHIYURI
 vibrato from the accelerando of open & shut Instantly during shuting hole 【息揺り】イキユリ IKI-YURI
 vibrato by wavy motion of diaphragm 【斑息】ムライキ MURA-IKI
 slow strong breath or overblow to a mouthpiece with multiphonic random noise 【空音】ソラネ SORA-NE
 sharp short tone by blowing strong breath to a mouthpiece 【込み】コミ KOMI
 staccato made by beath control of fastening intermittently in the inner part of a throat 【玉音】タマネ TAMA-NE flutter-tonguing ◆breathing ◆tonguing 【束音】タバネ TABA-NE flutter the uvula ◆fingering 【擦り】スリ SURI portamento by sliding finger to neithbor tone higher or lower 【押し】オシ OSHI open & shut instantly during shuting hole 【打つ】ウツ UTSU hit the first or second hole 【刻み】キザミ KIZAMI beat hole by finger repeatedly 【乾乾】カラカラ KARAKARA the trill by hiting on first hole [the effect as like singing a plover] 【転転】コロコロ KOROKORO the trill by special playing[only two kinds of c2&des2,cis2&d2] 【揺る】ユル YURU continuous open & shut instantly 【当り】アタリ ATARI add grace note lowered or same pitch in front of the starting long tone 【小節】コブシ KOBUSHI add peculiar grace notes from the sense of Japanese traditional music on the pentatonic scale
2017年4月12日(火) Walt Disney Theater,Dr.Phillips Center for Performing Arts, Orlando,Central Florida Noriko Nakamura:眼天地耳Sky Eyes,Ground Ears [concerto for marimba solo & 9 percussionists] (2015,Americas Premiere) solo marimba:Makoto Nakura UCF Percussion [Prof.Thad Anderson and his students] students,University of Central Florida]
2017年4月21日(金) 中川日出鷹ファゴットリサイタル @東京Concerts Lab. 中村典子:眞聲 vox verum (2013)
2017年4月26日(火) VOX FEMINAE INTERNATIONAL MUSIC FESTIVAL Tali Morgulis Piano Recital,HaTeiva Jersalem Blvd,Jaffa,Israel Noriko Nakamura:閼伽Aqua (1994)
2017年5月18日(木)YOON DONG JU 100 anniversary concert YONSEI University YONSEI Sinfonietta, Manabe Naoyuki(sho) KUMHO ARTHALL YONSEI,Seoul South Korea Nakamura Noriko:海煥草木川花奏鳴 hae hwan cho mog cheon hwa ju myeong [concerto for sho and string orchestra](2015)
2017年5月21日(日) 国際現代音楽祭アジアの音舞の現在2017《観聲》 @京都市立芸術大学大学会館ホール 八橋:北村敏則 古箏:戴茜 箏:福原左和子 ] 楽箏:中川佳代子 倭琴・十七絃:麻植美弥子 打楽器:宮本妥子・陶山美輝 指揮:中村典子 中村典子:しづのまなかひ time in your eyes,space in my ears(2017,世界初演)
2017年6月24日(土) 14:00 国際フェスティバルアジアの音舞の現在2017 《如聲》vocaliseこゑのごとく@京都市立芸術大学大学会館ホール 中村典子:如聲 sicut vocem(2017,世界初演)[electronics]
2017年9月16日(土)音楽学部「音楽学演習c2」 特別レクチャーコンサート@京都市立芸術大学大学会館ホール レクチャー・エレクトロニクス:有馬純寿 中村典子:眞聲花如 vox verum quasi flos x[bassoon,electronics] エレクトロニクス:有馬純寿バスーン:中川日出鷹 2017年9月17日(日)箏が洋楽器と紡ぐ音楽 FUSION OF KOTO HOZIZONS: NEW MUSIC FOR KOTO京都文化博物館別館ホール 企画・構成 時田アリソン・中村典子 2017年10月8日(土) 本條秀慈郎三味線リサイタル@青山音楽記念館バロックザール 中村典子:慈音 vox affectio [三味線](2017,世界初演)
2021 BARTOK WORLD COMPETITION 1st Prize(2020) string quartet work semi final assigned piece
2020 BARTOK WORLD COMPETITION 1st Prize [Category Composition] Special Award [String Quartet] [Budapest] 2020 第37回現音作曲新人賞 入選 [東京] 2019 FORME UNICHE CONTINUITÀ SPAZIO 2019 Giaccomo LeopArdI Special Award [Solo Instrument] [FERMO,ITALY-KYOTO] 2015 21st Century Japanese Music Project :New Music Composition Contest Encouragement Prize [TOKYO-YOKOHAMA]
Portrait of IKEJIMA Risa 《ディア》 "Dear" for violin and piano(2013) violin:野原 菜帆 piano:吉田 成美 《マリンバとピアノのための二重奏曲》 "Duo" for Marimba and Piano(2012) marimba:OKAMURA Ayami 岡村 彩実 piano:YOSHIDA Narumi 吉田 成美 《コッツウォルズの鐘》 “Bell of Cotswolds” for Flute and Piano (2011) flute:YAMAGISHI Chinatsu 山岸 千夏 piano:YAMASHITA Ryo 山下 諒 《トランスファー》 "Transefer" for String Quartet (2011) violin: KONISHI Karin TAKESHITA Yoshino 小西 果林 竹下 芳乃 viola:YAGI Noriko 八木 紀子 cello:NISHIMOTO Keiko 西本 慶子 《響》 "HIBIKI" for Piano (2010) piano:YOSHIDA Narumi 吉田 成美
小松蘭 作品集 KOMATSU Ran portrait 《螺旋》 "Spiral" for accordion and piano (2013) accordion:NAGASAKA Norimichi 長坂憲道 piano:GOTOU Maria 後藤真里亜 《宙粒》 “Quoke” for 2 flutes,obe and clarinet(2012) flute1:TSUTSUMI Ayumi 堤あゆみ flute2:KAMATA Kunihiro鎌田邦裕 oboe:NAGASHIMA Kana 長島加奈 clarinet:OZAKI Kana 尾崎加奈 《黒震》 “Black quake” for piano(2012) piano:GOTOU Maria 後藤真里亜 フルートとピアノのための《増4度と減5度》 “Augument fourtn and diminish fifth” for flute and piano(2012) flutes:TSUTSUMI Ayumi 堤あゆみ piano:TANAKA Sakie田中咲絵 《Rose Tango》 "Rose Tango" for piano,violin and violoncello(2010) piano:NII Erina 新居絵里奈 violin:MASUNAGA Kyoto 増永響子 viloncello:MAGOKU Keishi 孫工惠嗣 Cafon:NISHIMOTO Satoshi西本諭史 《影》(詩:小松蘭) “Shadow” for tenor and piano(2010) tenor:SASAKI Shousei 佐々木荘生 piano::MAIZUMI Yo 今泉洋 《紺碧》 “Azul” for piano(2010) piano:IMAIZUMI Yo 今泉洋 《花筏》 “fiower boat” for violin and piano(2010) violin:piano:KOMATSU Ran 小松蘭 《会いたくて》(詩:工藤直子) “Because I would like to meet you” for tenor and baritone(2009) tenor:KAWASAKI Shinichiro 川崎慎一郎 baritone: 《八素材の叫び》 “Shout of Eight Elements” for soprano and computer music(2009) soprano:UMEMURA Kayo 梅村佳代 《クラースヌーイ》 “красный”(Crimson) for piano(2009) piano:IMAIZUMI Yo 今泉洋
Nakamura Noriko 's shakuhachi
EXPLANATION OF SYMBOLS
【analog pitch shifting,function of analog soundspectrum operation】
◆breath + angle
【減り】メリ MERI get dawn jaw
【張り】カリ KARI get up jaw
【戻し】モドシ MODOSHI get ordinary jaw
【落とし】オトシ OTOSHI at the end of tone,get down and up jaw
【振り切り】フリキリ FURI-KIRI at the end of tone,get down and up jaw
【萎やし】ナヤシ NAYASHI return to the starting pitch after lowered
[or highered] with fingering
【萎やし揺り】ナヤシユリ NAYASHI-YURI free vibrato after NAYASHI
【廻し揺り】 マワシユリ MAWASHI-YURI rolling vibrato with circular swinging of neck
【縦揺り】タテユリ TATE-YURI relaxing vibrato by vertical swinging of neck
【横揺り】ヨコユリ YOKO-YURI sentitive vibrato with horizontall swinging of neck
【竹揺り】タケユリ TAKE-YURI vibrato by shaking instrument
【押し揺り】オシユリ OSHIYURI vibrato from the accelerando of open & shut Instantly
during shuting hole
【息揺り】イキユリ IKI-YURI vibrato by wavy motion of diaphragm
【斑息】ムライキ MURA-IKI slow strong breath or overblow to a mouthpiece
with multiphonic random noise
【空音】ソラネ SORA-NE sharp short tone by blowing strong breath to a mouthpiece
【込み】コミ KOMI staccato made by beath control of fastening intermittently
in the inner part of a throat
【玉音】タマネ TAMA-NE flutter-tonguing ◆breathing
◆tonguing
【束音】タバネ TABA-NE flutter the uvula
◆fingering
【擦り】スリ SURI portamento by sliding finger to neithbor tone higher or lower
【押し】オシ OSHI open & shut instantly during shuting hole
【打つ】ウツ UTSU hit the first or second hole
【刻み】キザミ KIZAMI beat hole by finger repeatedly
【乾乾】カラカラ KARAKARA the trill by hiting on first hole
[the effect as like singing a plover]
【転転】コロコロ KOROKORO the trill by special playing[only two kinds of c2&des2,cis2&d2]
【揺る】ユル YURU continuous open & shut instantly
【当り】アタリ ATARI add grace note lowered or same pitch
in front of the starting long tone
【小節】コブシ KOBUSHI add peculiar grace notes from the sense of
Japanese traditional music on the pentatonic scale
2017年4月12日(火) Walt Disney Theater,Dr.Phillips Center for Performing Arts,
Orlando,Central Florida
Noriko Nakamura:眼天地耳Sky Eyes,Ground Ears [concerto for marimba solo & 9 percussionists]
(2015,Americas Premiere)
solo marimba:Makoto Nakura UCF Percussion [Prof.Thad Anderson and his students]
students,University of Central Florida]
2017年4月21日(金) 中川日出鷹ファゴットリサイタル @東京Concerts Lab.
中村典子:眞聲 vox verum (2013)
2017年4月26日(火) VOX FEMINAE INTERNATIONAL MUSIC FESTIVAL
Tali Morgulis Piano Recital,HaTeiva Jersalem Blvd,Jaffa,Israel
Noriko Nakamura:閼伽Aqua (1994)
2017年5月18日(木)YOON DONG JU 100 anniversary concert YONSEI University
YONSEI Sinfonietta, Manabe Naoyuki(sho) KUMHO ARTHALL YONSEI,Seoul South Korea
Nakamura Noriko:海煥草木川花奏鳴 hae hwan cho mog cheon hwa ju myeong
[concerto for sho and string orchestra](2015)
2017年5月21日(日) 国際現代音楽祭アジアの音舞の現在2017《観聲》
@京都市立芸術大学大学会館ホール
八橋:北村敏則 古箏:戴茜 箏:福原左和子 ]
楽箏:中川佳代子 倭琴・十七絃:麻植美弥子
打楽器:宮本妥子・陶山美輝 指揮:中村典子
中村典子:しづのまなかひ time in your eyes,space in my ears(2017,世界初演)
2017年6月24日(土) 14:00 国際フェスティバルアジアの音舞の現在2017
《如聲》vocaliseこゑのごとく@京都市立芸術大学大学会館ホール
中村典子:如聲 sicut vocem(2017,世界初演)[electronics]
2017年9月16日(土)音楽学部「音楽学演習c2」
特別レクチャーコンサート@京都市立芸術大学大学会館ホール
レクチャー・エレクトロニクス:有馬純寿
中村典子:眞聲花如 vox verum quasi flos x[bassoon,electronics]
エレクトロニクス:有馬純寿バスーン:中川日出鷹
2017年9月17日(日)箏が洋楽器と紡ぐ音楽 FUSION OF KOTO HOZIZONS:
NEW MUSIC FOR KOTO京都文化博物館別館ホール
企画・構成 時田アリソン・中村典子
2017年10月8日(土) 本條秀慈郎三味線リサイタル@青山音楽記念館バロックザール
中村典子:慈音 vox affectio [三味線](2017,世界初演)
Do not forget yesterday
Do not afraid tomorrow
Today embraces you
When I was born
Yesterday and Tomorrow
have embraced you
Until all resonance
Until all resonance
Someday all resonant with you
Someday all resonant with you and you
Until all resonance
Until all resonance
Someday all resonant with you
Someday all resonant in the earth
Someday all resonant in this space
When my space resonant
Tomorrow space embrace
Tomorrow embrace you in tomorrow
Today,I embrace all this space
Space ask you
When yesterday and tomorrow
embrace today
resonant all
this space
共振するまで
中村典子
昨日のことをわすれない
明日のことをこわがらない
今日がわたしを抱きしめる
わたしが生まれたところでは
わたしが生まれたそのときの
ふたりのうでが包んでいる
共振するまで
共振するまで
いつかあなたと共振するまで
いつかふたりが共振するまで
共振するまで
共振するまで
いつかあなたが共振すれば
いつかみんなが共振する
いつか宇宙が共振する
わたしの宇宙が共振すると
明日の宇宙が抱きしめる
明日のあなたを抱きしめる
今日のわたしが抱きしめた
宇宙があなたを求めている
あなたとわたしのうでで
今日を抱きしめれば
共振するよ昨日と明日も
宇宙のすべてが
공진할 때 까지
나카무라노라코
어제가 내일과 상의해
오늘 나를 껴안아 말린다
내가 태어난 곳에서는
내가 태어난 그 때의
두 사람의 팔에 싸여져
공진할 때 까지
공진할 때 까지
언젠가 누군가와 공진할 때 까지
언젠가 둘이서 공진할 때 까지
공진할때 까지 공진할때 까지
언젠가 누군가가 공진하면
언젠가 모두가 공진한다
언젠가 우주가 공진한다
나의 우주가 공진하면
누군가의 우주가 손을 넓혀
어제의 나를 껴안아 말린다
오늘 내가 껴안아 말린 우주를
누군가가 껴안는다
누군가와 나의 팔이
오늘을 꼬옥 껴안고 공진한다
어제와 내일과 우주의 전부가
[2012@nakamuranoriko-kimsoohyun]
Kim Soo Hyun studied with Nakamura Noriko,at KCUA in 2010-2014.
clumusica presents:Uploaded Now !
尹伊桑:間奏曲A ピアノ:宋和映
Isang YUN(1917-1995):Interludium A (1982)
piano:SONG Hwayoung
International Contemporary Music Festival
"Present in Orchestral Asia 2017"
21 May 2017 University Hall,KCUA
recording:NISHIMURA Chizuko
24 September 2017 Auditorium,KCUA https://www.youtube.com/watch?v=6WGAJAZChIo
20171004@nakamuranoriko
中村典子:夜色樓臺雪萬家 与謝蕪村聲十景
デュオ・コザト [声:小里明子 アデーレ・ダロンツォ]
Duo Kozato [Akiko KOZATO Adele D'Aronzo]
NAKAMURA Noriko(1965- ):Looking at Covering Snow to All Houses
in the Night Balcony with Great Roof YOSA Buson inner voice by ten landscapes (2013-2014) https://soundcloud.com/naga226/yosa-buson-inner-voice-by-ten-landscapes-2013-2014
21 December,2014 Osaka South Port Sunset Hall
Labyrinth of Voice Vol.V
20171015@nakamuranoriko
坪能克裕:Celestial-Vib ヴィブラフォン:宮本妥子
TSUBONOH Katsuhiro:Celestial-Vib
vibraphone:MIYAMOTO Yasuko
International Contemporary Music Festival
"Present of Orchestral Asia 2016"
video shooting:NAKAMURA Noriko
3 October 2016,University Hall,KCUA https://www.youtube.com/watch?v=C-Fv5FYTTYY
20161004@nakamuranoriko
Opera《聲馨樂傳 vox sanctae indica in anima》University Hall,KCUA
Trial [overture,finale] 31 January,2017
Premiere,Grand Trial[1-4 act] 22 December,2018
World Premiere 24 March,2019
A lot of thanks for grand cross on Bremen,Florida,Tokyo,Tel Aviv,April 2017
1 April,2017 Bremen,Germany
"Riverside Lullaby" [toy piano] Claudia BIRKHOLZ,Kräholm Scheune
11 April 2017 "Sky Eyes,Ground Ears" Orlando,Florida,U.S.A
Makoto NAKURA with UCF Percussion [Prof.Thad Anderson]
UCF Celebrates The Arts Percussion Festival Concert
Walt Disney theater,Dr. Philipps Center for Performing Arts
21 April 2017 "vox verum" [fagotto] Tokyo,Japan
NAKAGAWA Hidetaka,Tokyo Concerts Lab.
26 April 2017 "Aqua" [piano] Tel Aviv,Israel
Tali MORGULIS, HaTeiva,Jerusalem
Vox Feminae International Contemporary Music Festival
A lot of thanks for double festival on Seoul and Kyoto,May,2017
January,2017 production
暁馨 xiaoxin for electronics (2017,World Premiere) [ 5 min. ] New!
12 January,2017 University Hall,KCUA
Revision :海煥草木川花奏鳴 hae hwan cho mog cheong hwa ju myeong (2015/2017)
for sho and string orchestral [30 min.→15min.] New! opera 聲馨樂傳 vox sanctus indica in anima こゑのかをりがくのつたへ
trial for Opera (2017) [67 min.]
finale recording [20160522] overture recording[20170131] new!
31 January,2017 University Hall,KCUA
February,2017 production
青渡絲韻 qing du xi yun for 17gen duo
with metal percussion (2011-12,revisioned 2017) [10 min.] New!
24 February,2017 南海道紀伊國古謡弦楽組曲
Namkai-do Kii-koku ancient folk songs suite
for 6 cello ensemble (2016-2017) [each pieces several min.] New!
1.田植唄 New! 2.鯨踊 New! 3.風流踊 4.神楽踊
March,2017 production
しづのまなかひ time in your eyes space
in my ears for tenor,zheng player,
gakugoto,koto,yamatogoto,17gen(3 koto players)
and round metal percussion(2 players)
[天聲地韻 vox caelum terra rithimus II ]
(2017,World Premiere)
21 May,2017 University Hall,kyoto City University of Arts
International contemporary music festival
"present of orchestral asia 2017"
観聲 しづのまなかひ"time in your eyes, space in my ears" New !
April,2017 production
大百足退治(2017,World Premiere)
Text & Music by Nakamura Noriko
From Shrine Maiden Fairly Tales
Hayashi Ikuko,alto Miyamoto Yasuko,percussion Takeda Yumi,piano
"Conquest of Gigantic Centipede" [10 min.] New!
音の扉プロジェクト 5th,,6th,7th,8th,9th tJune,2017
Shiga Prefectuhama municipal 5 Elementary School 滋賀県長浜市立長浜南小学校、長浜市立浅井小学校、 長浜市立高月小学校、長浜市立塩津小学校、長浜市立小谷小学校
May,2017 production
如聲 sicut vocem (2017,World Premiere) electronics [3.5 min.]
24 June,2017 International Festival"Music & Dance,Present in Asia 2017"
University Hall,Kyoto City University of Arts
ZEAMI Project
June,2017 production
伴聲 vox amicae (2017,World Premiere) [6 min.]
Akiko KOZATO,mezzo soprano [Duo KOZATO Adele D'ronzo]
10 September,2017 Osaka South Port Hall
共響 vox maiorum Project
July,2017 production
慈音 vox affectio (2017,World Premiere) [10 min.]
Honjo Hidejiro,Shamisen
8 October 2017 Barock Saal,Kyoto
箏が洋楽器と紡ぐ音楽
FUSION OF HOROIZONS:NEW MUSIC OF KOTO Project
雛鳥詞soul voice for violin solo [revised version]
18 November 2017 University Hall,KCUA [6 min.]
August,2017 production 鳳凰県苗族歌掛作譜Project (2017)
箏が洋楽器と紡ぐ音楽
FUSION OF HOROIZONS:NEW MUSIC OF KOTO Project
September,2017 production
未跡 signa (2017,World Premiere) [10 min.]
未跡 signa for orchestra version (2017,World Premiere)[10 min.]
Yokoyama Kayoko,ensemble clumuisica,
22 December 2017,University Hall,KCUA
Nakamura Noriko[25gen,string orchestra]
KCUA OPEN SCHOOL research Project
[flute orchestra]
連聲 vox benedictus (2016,World Premiere)
Aulos Flute Ensemble
4 December,2016 Rohm Theater South Hall
[solo voice(mezzo soprano with metal percussion)]
満天星 stellae universum caelum (2016,World Premiere) mezzo soprano:Akiko Kazato
[oratorio (soprano solo,tenor solo,mixed chorus, koto ensemble, percussion duo)]
天聲地韻 vox verum terra rithimus (2016,World Premiere)
Yatsuhashi Kengyo(tenor):Yang Xueyuan Spiritual Voice(soprano):Ueno Yoko
chorus:vocal ensemble clumuisica koto:Fukuhara Sawako Yokoyama Kayoko Nakagawa Kayoko Oe Miyako
metal percussion:Miyamoto Yasuko Kaminaka Asami
22 May,2016 University Hall,Kyoto City University of Arts
[piano concerto (chamber orchestra with koto & metal percussion 2 sets) ]
眞聲水如 vox verum quasi aqua (2016,World Premiere)
piano solo:Takeda Yumi KEIBUN Sinfonietta conductor:Nakamura Noriko
31 July,2016 SHIGAGIN Hall
[bassoon duo&electronics]
眞聲天如 vox verum quasi caelum(2016,World Premiere)
bassoon:Tamashima Shota bassoon [tape]:Nakagawa Hidetaka electronics:Nakamura Noriko
24 June,2016 University Hall,Kyoto City University of Arts
[bassoon solo]
地馨 dixin (2016,World Premiere)
bassoon:Nakagawa Hidetaka
19 November,2016 University Hall,Kyoto City University of Arts
[bassoon concerto(large orchestra with metal percussion 3 sets) ]
暁環 annulus aurorae (2016,World Premiere)
bassoon:Nakagawa Hidetaka L'ensemble du temps conductor:Nakamura Noriko
10 November,2016 Kyoto Art Center Free Space
clumusica 24thconcert [clumusica friendship charity26]
series邂逅Project III
御継《みつぎ》の語り Inheritance of Traditional Singing
本年度京都市芸術文化特別奨励者林美音子氏を迎えて
Hayashi Mineko,Yanagawa shamisen
Recipient of the Kyoto City Special Bounty Program for Arts and Culture 2016
with ensemble clumusica, Nakamura lab, Faculty of Music, Kyoto City University of Arts
主催 : ensemble clumusica 京都市立芸術大学音楽学部作曲専攻中村研究室
nakamura@kcua.ac.jp phone : 075-334-2363
Organizer:ensemble clumusica Nakamura lab, Faculty of Music, Kyoto City University of Arts
協力:京都市立芸術大学日本伝統音楽研究センター
Collaboration:Research Centre for Japanese Traditional Music, Kyoto City University of Arts
2016.12.22[木] 19:00開演[18:30開場]京都市立芸術大学大学会館ホール
University Hall, Kyoto City University of Arts 入場無料 Admission Free
レクチャーコンサート
Lecture Concert
《第1部 同時代音楽》
Part I Music of the Same Age
ヨハン・パッへルベル 《カノン》
Johann Pachelbel (1656-1706) : Canon (ca.1680)
パブロ・ブルーナ 《聖母の連禱》
Pablo Bruna (1611-1679) : Tiento de Falsas 2 tono (17C)
柳川検校 《早舟》 [作詞不詳] (抜粋)
Yanagawa Kengyo ( ?-1680 ) : Hayafune (17C) [extract]
《第2部 語りの御継》 一部録音より*
Part II Inheritance of Traditional Singing * includes recording
代博 (1988- )[中国] 《空谷幽兰》より*
Dai Bo(1988- )[China] : KONG GU YU LAN (2008)
パンソリ (伝承曲)[韓国] 《春香伝》より*
Pan’Sori (traditional) [Korea] : from”Chunhyangga”(18C)
金重希 (1963- )[韓国] 《夢なり》より*
Kim Joonghee (1963- ) [Korea] : 꿈이로다”Dream”(2015)
中村典子 (1965-)[日本] 《御通木》 柳川三味線と弦楽の協奏曲 (2016,世界初演)
Nakamura Noriko:“MITSUGI”
Concerto for Yanagawa Shamisen and Strings (2016, World Premiere)
柳川三味線:林美音子 Yanagawa Shamisen : Hayashi Mineko
お話:久保田敏子 [京都市立芸術大学名誉教授・元日本伝統音楽研究センター所長]
Lecture:Kubota Satoko [Professor emeritus, Kyoto City University of Arts,
Ex-Head of Research Centre for Japanese Traditional Music] 弦楽:アンサンブル・クラムジカ
中村公俊 江口純子 水野万裕里 大藪英子 北條エレナ 柳樂毬乃 三上さくら
大西泰徳 孫工恵嗣 村田静菜 井上大貴 池田源輝
ご案内・指揮:中村典子 [京都市立芸術大学音楽学部准教授]
Strings:ensemble clumusica
Nakamura Kimitoshi Eguchi Junko Mizuno Mayuri
Oyabu Hideko Hojo Elena Yagira Marino Mikami Sakura
Onishi Yasunori Magoku Keishi Murata Shizuna Inoue Hiroki Ikeda Genki
Presenter & Conductor : Nakamura Noriko [associate professor,
Faculty of Music, Kyoto City University of Arts]
確固としたものが揺れ動くより、
揺れ動くものがしっかりあるほうがいい。
如何美輝暁星&暁環
Multiple singing firmly with elasticity on time frame,
than slight waving of perfect completion by time grid.
Nakamura Noriko:"Wie Schön leuchtet der Morgenstern" für Kammerorchester(2013)
& Nakamura Noriko:"annulus aurorae" concerto for bassoon and orchestra(2016)
Nakamura Noriko:眞聲 vox verum 2013 - 地馨 dixin 2016 with Nakagawa Hidetaka[bassoon]
graphic notation ⇆ proportional notation
2013 bassoon solo 眞聲 vox rerum
bassoon solo:Nakagawa Hidetaka
[Nakagawa Hidetaka bassoon contemporary technique lecture & short concert]
2013 shakuhachi solo 伊福 inspirare
shakuhachi solo:Fukuda Teruhisa
[2013 East Asia Contemporary Music Festival (Hiroshima)]
2013 viola solo 雛鳥詞 soul voice
viola solo:Hanada Wakako [ensemble contemporary α]
[2013 Daegu International Music Festival (South Korea)]
2013 orchestra 2013如何美輝暁星 Wie schön leuchtet der Morgenstern
flute solo:Morimoto Hideki viola solo:Samoto Hiroko
bassoon solo:Nakagawa Hidetaka percussion:Minamoto Yasuko,Goto Yuriko
17gen:Oe Miyako orchestra:L'ensemble du temps conductor:Nakamura Noriko
[Ogata Korin's death & Ito Jakuchu's birth 300 anniversary
Le jardin du temps et d'espace no.0 concert]
2014 trombone & tenor concerto 韻禱 yundao
trombone:Go Shinichi tenor:Yang Xueyuan
orchestra:ensemble clumusica conductor:Nakamura Noriko
[2014 International Contemrapory Music Festival "Present of Orchestral Asia II(Kyoto) ]
2014 electronics 花如 quasi flos
electronics:Nakamura Noriko
[la musica è sacra music is sacred" flower blooms the garden of spirit"
spirituality through the mysticism of early works and the visionary spirit of electronic music
sasso morelli-Chiesa del Morelli (Italy)]
2014 percussion solo 斎 jae
percussion solo:Miyamoto Yasuko
[HEIWADO foundation 25 anniversary concert,Biwako Hall (Otsu,Shiga)]
2014 soprano & pianoforte 2014 夜色樓臺雪萬家-与謝蕪村聲十景 mezzo soprano:Akiko Kozato piano:Adele D'Aronzo
[labyrinth of voices Vol.IV A journey to explore the possibilities of contemporary music,
Osaka South Port Sunset Hall]
2015 koto with singing solo 斎 chai koto solo:Yokohama Kayoko
[series encounter "strings for encounter" empty note & ensemble clumusica
Kyoto Art Center,Auditorium]
2015 soprano saxophone solo "聲愈 audible
soprano saxophone:Hirata Eiji
[Hirata Eiji Saxophone Recital,Japanese Society for Contemporary Music,Dolce Artist Salon,Osaka]
2015 眞聲花如 vox verum quasi flos
bassoon solo:Nakagawa Hidetaka electronics:Nakamura Noriko
[OE international contemporary festival "contribute Rin-pa 400 anniversary"]
2015 soprano & orchestra 永九 yongjiu
[text:Pan Jun & Nakamura Noriko,article 9,The Constitution of Japan]
soprano:Hishiki Emi orchestra:ensemble clumusica conductor:Nakamura Noriko
2015 marimba concerto 2015 眼天地耳 sky eyes,ground ears
marimba solo:Makoto Nakura percussion:KCUA percussion
[International Festival"Music,Dance,Present in Asia II 2015]
2015 sho & string orchestra 2015 海煥草木川花奏鳴 hae hwan cho mokgcheon hwa ju meong
sho:Manabe Naoyuki orchestra:ensemble clumusica
conductor:Nakamura Noriko
[series encounter:50th Anniversary Japan-Korea Diplomatic Relations-
Hwaum Project Festival "Chosen Tongsinsa"]
2016 violin & 2 percussion 響 resonare
violin:Sanada Aya percussion;Miyakoto Yasuko,Nakamura Noriko
[series encounter Daegu Art Factory"Suchon Hall,South Korea
"響律動夢 禱櫻命運" clumusica & empty note]
2016 oratorio 2016 天聲地韻 vox caelum,terra rithimus
spiritual voice [soprano]:Ueno Yoko Yatsuhashi Kengyo [tenor]:Yang Xueyuan koto:Fukuhara Sawakokoto:Yokohama Kayoko koto:Nakagawa Kayoko 17gen:Oe Miyako
percussion:Minamoto Yasuko Kaminaka Asami
chorus:vocal ensemble clumusica conductor:Nakamura Noriko
[International Music Festival "Present of Orchestral Asia IV 2016]
2016 bassoon duo 眞聲天如 vox verum quasi caelum
bassoon:Takashima Shota basso:Nakagawa Hidetaka[tape]
electronics:Nakamura Noriko
[International Festival "Music,Dance,Present in Asia" III 2016"
2016 piano concerto 眞聲水如 vox verum quasi aqua
piano:Takeda Yumi orchestra Keibun Sinfonietta conductor:Nakamura Noriko
[Waterland composers Collection of Nakamura Noriko & Wakabayashi Chiharu"]
2016 [inatani_yusuke: basson duo 双樹 sohju
bassoon:Takashima Shota,Suyama Suyama Saki,Auditorium,KCUA]
2016 bassoon concerto 2016 暁環 annulus aurorae
bassoon solo:Nakagawa Hidetaka
orchestra:L'ensemble du temps conductor:Nakamura Noriko
[300 anniversary Ogata Korin's death & Ito Jakuchu's birth
Le jardin du temps et d'espace no.1 concert Kyoto Art Center]
2016 bassoon solo 地馨 dixin
bassoon solo:Nakagawa Hidetaka
[Hidetaka Nakagawa Lecture & Short Concert, University Hall,KCUA]
NAKAMURA Noriko:連聲 vox benedictus (2016,World Premiere)
conductor:AWATSUJI So,Aulos Flute Ensemble
premiere:4th December,2016 Rohm Theater South Hall
commissioned work for 30th Kyoto Art Festival & 110th Subscription Concert
by Aulos Flute Ensemble,conductor SHIRAISHI Takako
composer's note:
Introduction of eastern percussion Kane and western instrument flute orchestra,
and starting harmonization of homeland folk song of Omi.
It continues to counter point of the folk songs of Inaba and Izumo,and
turn to summons choral with folk songs melodies Miyagi and Kumamoto and Toyama.
Yamato's melismatic melodies flow and flow.At last, it turned to flying with spinning one beat,
and it reaches to rhythmic shamisen expression of Kii.
At final climax, it starts canonic fugue with Naniwa,Sanuki and Awa with dancing,
they hold spiritual songs of Yi dynasty,Kokuryo and Qing dynasty highly on their shoulder,
with Sakura Sakura's and Magenta's melodies of Musashi,and Ise & Omi,
at last, on the obstinato of Gionbayashi,it reaches to Kyo,Yamashiro.
中村典子:連聲 vox benedictus [聲への祝福](2016)
故郷近江の民謡を起点に因幡出雲を廻り宮城熊本富山の眼差しをうけて、
大和出雲紀伊を廻り難波讃岐阿波を廻りに廻る踊り手達が渦となり、
東アジア民謡を神輿しつついざやいざやと武蔵伊勢山城を廻り、 祇園囃子の京へと達する。
On the first day of concerts,it was heavy raining.
I reached almost 20:00 by this condition,and
I heard there was a leak in the roof in concert place.
On the second day,it was fine,although
a female composer who was only one existence on
the program by the almost male composer,
she was not appeared to the concert.
running up directly KAWAKAMI,he was on the halation
as the strong contrast of his visual on the
back of cathedral's organic curves.
About the first day's program,
ISHIBASHI 's trembling firmly on the first day,
HASHIZUME's complement, balancing firmly
with ARIMA'sleft-handed piano by his eyes.
About the second day's program,
KADOTA's symbolism and TSUBOI's Whole spatial continuity.
On these crossing roads,there are existing
a window for diverse organic lights.
from the shadow of classic to the future of classic
Organiser:Les Pois Music Office Co-organizer:Kyoto Art Center
中村典子:奈備
Noriko Nakamura:Navi
flute:Sarah Hartong AlexandrosD.Fragislatos [U.S.A.]
hargerger Institute for design and the arts,school of Music,Arizona state university https://m.youtube.com/watch?v=i5suBs-2xL8
(Traditional Korean Folk Song)
Doraji, doraji, doraji!
I walk over the pass
where doraji flowers bloom. It is a path
that is familiar to me. Hey-ya, hey!
Doraji, doraji, doraji!
I look at these white flowers
that remind me of my mother, in the evening
with the twinkling stars. Hey-ya-hei!
Doraji, doraji, doraji!
When I wear these
white flowers on my hair,
it reminds me of my young days and my dreams.
Hey-ya, hey!
hǎo yī duǒ měilì de mòlìhuā hǎo yī duǒ měilì de mòlìhuā fēnfāng měilì mǎn zhīyá
yòu xiāng yòu báirén rén kuā ràng wǒ lái jiāng nǐ zhāi xià sòng gěi bié rénjiā
mòlìhuā ya mòlìhuā ya
JASMINE FLOWER
(Traditional Chinese Folksong)
Here is a beautiful jasmine flower;
Here is a beautiful jasmine flower.
Perfumed blossoms fill the branch,
Fragrant and white for everyone's delight.
Let me come and pick a blossom
To give to someone,
Jasmine flower, oh jasmine flower.
Multiple singing firmly with elasticity on time frame,
than slight waving of perfect completion by time grid.
Nakamura Noriko:"Wie Schön leuchtet der Morgenstern" für Kammerorchester(2013)
& Nakamura Noriko:"annulus aurorae" concerto for bassoon and orchestra(2016)
Nakamura Noriko:
眞聲 vox verum 2013 - 地馨 dixin 2016
graphic notation ⇆ proportional notation
bassoon solo 2013眞聲 vox verum
shakuhachi solo 2013伊福 inspirare
viola solo 2013雛鳥詞 soul voice
orchestra 2013如何美輝暁星 Wie schön leuchtet der Morgenstern
trombone & tenor concerto 2014 韻禱 yundao
electronics 2014 花如 quasi flos
percussion solo 2014斎 jae koto with singing 2015斎 zhai
bassoon&electronics 2015 眞聲花如 vox verum quasi flos
soprano & orchestra 2015 永九 yongjiu
marimba concerto 2015 眼天地耳 sky eyes,ground ears
sho & string orchestra 2015 海煥草木川花奏鳴 hae hwan cho mokgcheon hwa ju meong oratorio 2016 天聲地韻 vox caelum,terra rithimus
bassoon duo 2016 眞聲天如vox verum quasi caelum
piano concerto 2016 眞聲水如 vox verum quasi aqua
[inataniyusuke: bn duo 2016 双樹 sohju]
bassoon concerto 2016 暁環 annulus aurorae
bassoon solo 2016 地馨 dioxin
Do not forget yesterday
Do not afraid tomorrow
Today embrace you
When I was born
Yesterday and Tomorrow
hace embraced you
Until all resonance
Until all resonance
Someday all resonant with you
Someday all resonant with you and you
Until all resonance
Until all resonance
Someday all resonant with you
Someday all resonant in the earth
Someday all resonant in this space
When my space resonant
Tomorrow space embrace
Tomorrow embrace you in tomorrow
Today,I embrace all this space
Space ask you
When yesterday and tomorrow
embrace today
resonant all
this space
共振するまで
中村典子
昨日のことをわすれない
明日のことをこわがらない
今日がわたしを抱きしめる
わたしが生まれたところでは
わたしが生まれたそのときの
ふたりのうでが包んでいる
共振するまで
共振するまで
いつかあなたと共振するまで
いつかふたりが共振するまで
共振するまで
共振するまで
いつかあなたが共振すれば
いつかみんなが共振する
いつか宇宙が共振する
わたしの宇宙が共振すると
明日の宇宙が抱きしめる
明日のあなたを抱きしめる
今日のわたしが抱きしめた
宇宙があなたを求めている
あなたとわたしのうでで
今日を抱きしめれば
共振するよ昨日と明日も
宇宙のすべてが
공진할 때 까지
나카무라노라코
어제가 내일과 상의해
오늘 나를 껴안아 말린다
내가 태어난 곳에서는
내가 태어난 그 때의
두 사람의 팔에 싸여져
공진할 때 까지
공진할 때 까지
언젠가 누군가와 공진할 때 까지
언젠가 둘이서 공진할 때 까지
공진할때 까지 공진할때 까지
언젠가 누군가가 공진하면
언젠가 모두가 공진한다
언젠가 우주가 공진한다
나의 우주가 공진하면
누군가의 우주가 손을 넓혀
어제의 나를 껴안아 말린다
오늘 내가 껴안아 말린 우주를
누군가가 껴안는다
누군가와 나의 팔이
오늘을 꼬옥 껴안고 공진한다
어제와 내일과 우주의 전부가
[2012@nakamuranoriko-kimsoohyun]
クラシックの日陰から
未来のクラシックへ
from the shadow of classic
to the future of classic
Shadow of left,Halation of right
Nakamura Noriko
On the first day of concerts,it was heavy raining.
I reached almost 20:00 by this condition,and
I heard there was a leak in the roof in concert place.
On the second day,it was fine,although
a female composer who was only one existence on
the program by the almost male composer,
she was not appeared to the concert.
running up directly KAWAKAMI,he was on the halation
as the strong contrast of his visual on the
back of cathedral's organic curves.
About the first day's program,
ISHIBASHI 's trembling firmly on the first day,
HASHIZUME's complement, balancing firmly
with ARIMA'sleft-handed piano by his eyes.
About the second day's program,
KADOTA's symbolism and TSUBOI's Whole spatial continuity.
On these crossing roads,there are existing
a window for diverse organic lights.
(Traditional Korean Folk Song)
Doraji, doraji, doraji!
I walk over the pass
where doraji flowers bloom. It is a path
that is familiar to me. Hey-ya, hey!
Doraji, doraji, doraji!
I look at these white flowers
that remind me of my mother, in the evening
with the twinkling stars. Hey-ya-hei!
Doraji, doraji, doraji!
When I wear these
white flowers on my hair,
it reminds me of my young days and my dreams.
Hey-ya, hey!
hǎo yī duǒ měilì de mòlìhuā hǎo yī duǒ měilì de mòlìhuā fēnfāng měilì mǎn zhīyá
yòu xiāng yòu báirén rén kuā ràng wǒ lái jiāng nǐ zhāi xià sòng gěi bié rénjiā
mòlìhuā ya mòlìhuā ya
JASMINE FLOWER
(Traditional Chinese Folksong)
Here is a beautiful jasmine flower;
Here is a beautiful jasmine flower.
Perfumed blossoms fill the branch,
Fragrant and white for everyone's delight.
Let me come and pick a blossom
To give to someone,
Jasmine flower, oh jasmine flower.
On the date of 8th February 2014,
I went to concert by wheel chair alone with SHINKANSEN,
because it seemed to keep safety myself
both way to concert hall the nearest next station.
Wheel chair is my nessesary by sciatica from last summer,
in addition to,it was hard by strong pain
to close and open key at high positioning key hole
on the entrance door,
I tried to go to concert in a lot of snow.
To concert hall at the between mid west area
and mid east erea in Japan,
it is in one of the ordiance designated city.
I write about my thinking during concert.
About first programme.
It was so excellent through expression of humanity
on one of the most famous anti-war songs
by the combination with modern Japanese language
and western pop song,
because they were helping each other
on the each blind spots on the combination of
half and half with professional chorus
with university active amatuer chorus.
About second programme.
On one of the most excellent theater piece
by the synthesis of the comprehensive,clashed
and overcoming comments
,the foundation that truth flower
by combitnation with Japanese language and Music
before the Maiji Restration,and
conflict by the break off of new Japanese langage between music from western culture after the Meiji Restration,
voices were calling really Japanese instrument and
staring for making comments for the expression facing whole the world,by themselves.
About third programme.
The world famous daily look for four seasons
by the woman author following the spirits independently
on the both way from Chinese langage to Japanese langage and from Japanese langage to Chinese langage
as the elite on privileged class,
it became the expression by the synthesis
of self-awakening minute comments by
so young man composer of western cultural sphere,
and premired delicately and naturally very much.
About fourth programme.
The Japanese songs fantastic arrangements,consist of
four pieces in different ages,it was perfomed as musical highlight with composers' unpararelled wonderful piano three performances
as this concert hall's general music director.
The rhythm research on Japanese medieval children song,and
The change on fantastic color coordination on lyrics,
Made-in-Japan blues by the fusion of modern Japanese langage and
black spirituals,work song and white oral narrative,and
The arrangement on the one sort of Katarimono narrative of early modern age in Japan,the sparkling poem of social hymn to life in peace age that tradition works by the wife of master narrator,
at last,it had reached to unaccompanied chorus with the singing of traditional instrumental solmization without piano.
Japanese professional chorus,
professitonal shakuhachi player and
young generation conductor who is working
in western cultural area,
their works was all active and excellent.
And about ancore piece.
Japanese important famous modern children song
written by Chirstian poet on most greatest modern
children literature magazine was sung.
This song was composed also Christian musician
who is first symphony composer in Japan,
and conductor said this song's composer is the
just same name.
This song was sung all lyrics by sonorous voices
without meaning operation perfectly as like early opera,
and without sense for shadow perfectly.
This simple styled unaccompanied chorus piece
by great beautiful singing voice,
it was almost seemed in this concert to express
perfectly 3D from
this many sided lyrics on the histrorical
east-west-south-north globe,
but the one point was not reflected,
although it should be telling by meaning of lyrics
on the sequence of same melody line of strophic song.
It is so regrettable that music was not reached
the expression of truth from vanishing point's
original phrase of this lyric through poet
by the appearance of meaning context
as Japanese language.
This famous lovely transient red insect's titled
Japanese national folk children song was sung at once,
in the custum except third range by the reason of
including the almost lost social custum in this age.
On third range,the lyrics express concretely
the eyes from vanishing point,
the pain for the half of human as the social weak
who was carrying and raising up modern Japanese
and author,himself.
This is the emitting point of the true song,
I knew by the research,it was fifteen that mean most youngest age of marriage possible
in old law under constitution of the Empire of Japan
as like this very young woman carriers
of modern Japanese.
My windows got a view in heavy snowing.
I thank deeply for the invitation
from the general musical director of this hall.
I omitted all proper nouns for the appearance of structure,
in the sentence.
at the date of 1st Febubuary 2014,
I could listen to concert and heard symposium,
and in the place,I said to write comment in my blog
on this occasion.But I wrote this comment at the first,
because I had a lots of commissioned composition and reports at that time and I went to this impressive concert.
Even so,it is necessary to take time
It was passed away one month and half to report about the concert titled "Singing Asia" and Symposium on the date of 1st February,2014.
I found the names of my Korean friend composer and friend ensemble players in this concert and I was making effort to go to concert and and the attendance was unsettled under the condition of my lumbago starting to bring a lot of pain cause by February cold,as a result,I could listen to the concert and symposium and I am now writing report.
At that night,I spoke to comment on my blog about this concert and symposium,but I could not to start for accomplish lot of other writings and various several composition as the accountability and site responciibility,in this condition,it was becoming clear by MRI check about my heavy condition that my lumbar was not able to bear the body weight by walking around very much with stick in every place and having a lot of feverish pain,finally I was received prescription that reducing weight,inner mascle exercise and walking in the water before the operation in this summer.
It was hard training days with wheel chair for reduction of weight as occurance result of a lot of pain.If this training will achieve ideal success,by the result,it is able to image light operation or no opetation.
On the date of 8th February,I tried to go to concert by Shinkansen in heavy snow,I could listen to choral music,as the result,I could receive MRI check after two days after,and I wrote this report before"Singing Asia2concert and Symposium.
About the concert of 1st February,2014,it was held at the multi purpose space with 100 seats as also concert hall in art museum by the management of private railway in writer's living erea, and this line up was linking with the concert and symposium in modern art museum.
This activity was organized by art management section in national women university,and also cultural art promotion project by making use of university on government agency's projects.
This international famous ensemble group which based in the metropolitan erea,was announced the this concert as the first performance in this prefecture.
It was showing new development offering "the the view of critaizing "critics"by creators" and constructing by four musicolosists and emeritas professor moderator belonging national university or national research organization.
The concert audience was 40-50 persons,and symposium audience was 20-30 persons.
Panel members was concluding an almost non critic woman musicolosist.
The first,about concert.This concert program was consisted by five works by Chinese,Korean composers in East Asia erea, by the own composer's arrangement for western instruments of Japanese woman composer's work for eastern instruments by eastern music materials,and arrangemental composition on the Indonesian music materials.by Japanese player-composer.
After concert,it was known six programs on web announced Including Chinese American composer,conductor TAN Dun.
The first program,Chinese comporser 's work was on the expression as like GYO=SHUN period,but whole ensemble members were trying to one expression nearly,and it was remaining the feeling impatient and the performance was guessed that was not starting from the vanishing point,the essence of eastern origin.
It was should be high quality performance from this ensemble 's high revel super potential,but I felt it was not reached because they did not find the core, eastern expression form vanishing point.
About second program of my friend woman Korean composer,this ensemble was premiered her this work in Korea,but I could feel from the performance in this concert as like the explanation by ensemble director about this music,in spite of the same her music by same this ensemble.
In addition,about next third program of the composer's self-arrangement by ensemble director's commission to Japanese senior woman composer's work,it was nessesary to express eastern traditional SAWARIby western instruments in performing.
About eastern expression on the former half,I were satisfaied greatly with ensemble performance,if all players cathched the reversal aspect of eastern expression from western expression on the closing core by playing.
It was interesting phenomenon on the program,it was feminine on the former and it was masculine in latter,and this ensemble is strong at in latter half,clearly.
From this super revel ensemble's honesty,it was not good at former half,eastern expression,I felt that it was closing nearest core by the shortest way,not from core,vanishing point.
About the latter half program,the center of program by Pillipines
was only work with voice,it was great enthusiastic performance.
The critic was commented this piece as the core of this concert.
In this piece,the lyrics and translation were not including on the program note by ensemble director,audience could not to do active listening with meaning.As the result,it was almost presented to audience as the expression through vocal sound.
Though the integrity and high ability of this ensemble,
they have ithe weak in eastern expression in the latter.
I felt paradox that can not be emitted from your destination in order to approach the destination by fastest way.
From this viewpoint, it seems the unable condition to reach expression for going andcoming back on the meaning action as the unificated song by word and music.
For example,about operatic vocalization, the uniformitic beauty by taking target is important as science,athetetics and cluture.
Therefore,about the western utterance,it take straight line by catching the shortest distance to reaching point.
On the other hand,about eastern utterance,it take curved line by catching a lot of voices and it is almost unreaching operation.
It is understanding by substituting to the contrast of animal and votanical.
This ensemble's name means nomadic,wandering and drifting.
Consequently,they are good at western based expression and strong at animai and migratory.In according to,they have the strongness as maldistributiion by overcoming friction and collision by power.
Animal,it is mobile,but botanical,it is not mobile.The passive life,it is botanical.Great contrast between mobile and unmobile and passive destiny that take heavy responsibility in eternity.
From this thought,the target as eastern expression,it is the art to skillfull to look and catch the target of almost all voices in whole time and space.
As the result,it is the opposite side of the beauty by uniformity,and
It is the good by uniformity,and as the result,it is able to say individual only one true by uniformity and imbalance for sky and ground.
Even by the performance by voices or instruments,I felt keenly the nessesity strongly to change over from western way to eastern way or eastern way to western way between the both opposite sided eastern and western expressions.
How go slowing down by life for catching target,also having curved context for life, by starting such these consciousness,"singing" have expressive possibility for whole exsistence clearly in reaching the south and north,west and east points.
About the last program,it was arrangement on the Indnesian folk song by performer composer,it is successful in dry and cute good entertainments.
On the Simposium, from the view point for spreading listening ability through music,It was working a little to be narrow it.
It was including partial a little as like large media demerit side.
The statement by one musicolosit study jazz piano and reverves in every week lessons,it is effective attitude for standing on the bace to go and come back movement between creation and performance.
In the other hand,the viewpoint from non western music,it did not appear with spreading topics,at all.
Singer professor mentioned the seriousness of caliculation method to give high score for the performances at large and hall,or famous players and orchestras,as achievement of university and laboratory persons.
About the achievement of myself,it was not almost reaching to this opinion's viewpoint. I referred to for verification the following address. http://nakamura89.exblog.jp
Although I could not do anything at all, my activity is not from the view of the above. I am surviving from a depth of bosom of the place where I live. My town is Kyoto of academia.
Love it or hate it,by representing with responsibility,modern time starts.
Though I have no time to have spouse and child,my condition is like Bach having a lot of children.
It should say were able to write this report now as a great happiness.
Dawned in the middle of writing.
On the date of 5th February,2014,Ghost writer confessed that it had been composed instead the work of a composer.
About this topics,I spoke long time with musicolosist who moved to Kyoto,
on the date of 20th Feburuary and I perhaps write about this.
I appreciate to the providers of reciprocal viewpoint to this place.They consists of operators,performers,composers and critics.
The skillful expression thorough human body,or
the representation through images to solute hard problem =
the expression through miniature,
I pursue both way.(NAKAMURA,Noriko)
.
■NAKMURA Noriko [Composition]
1965 Born in Shiga prefecture,Japan.
1987 Graduated from Kyoto City University of Arts [KCUA],
faculty of Music
1990 Nov.-1991 Feb. as 1st exchange student in
Hochschule fuer Kuenste Bremen
1991 Received Master's degree from KCUA
1980-95 Studied under
R.Hirose,M.Kitazume,S.Maeda,M.Fujishima,W.Tajima,
H.J.Kauffmann (in Germany)and G.Amy(in Kyoto),and so on.
1985- Own works have been performed and introduced in
the each places of the following fifteen countries,
Japan,Korea,China,Taiwan,U.S.A,Mexico,Germany,
France,Italy,Swiss,Austria,Spain,Sweden,Norway,
and Israel.
■Awards & Scholarship
1987 Received Kyoto Music Association Award
1991 Received Master Course Prize for
Graduated School of KCUA
1991 Received Grant from Rohm Foundation for
Lecture about own work & Japanese
Women Composers and Participation for Festivals
1997 Received 1st OGURA RISABURO Music Schorlarship
for the reseach of western culture× eastern culture
[Japanese and Korean folk song,traditional dance & theatrical music]
2001 Received Kyoto City New Artist Award for
recent international and domestic activity
2010 Received Shiga Prefectural Encouragement of
Clutural Award for decade achivements
■Lecture & Forum
1991 Lectured about "Japanese Woman composers"
and introduced own work at the research centre of
Musicology in in Heidelberg University.
2001 Participated with Discussion Forum in the theme of
"Nicht Freiheit wovon,sondern Freiheit wozu…."
in Internationale Komponistinnentage für Neue Musik
2011 Country Report in Asian Composers League
Conference and Festival in Taiwan
2012 Moderated with composers in Japan,Korea,
Hong Kong,Italy in "KOTO,present in Asia"
2013 Moderated with Korean,Korean-Japanese and
Japanese composers and director[8 persons]
■Selecition
1997 Konzert deutsh-japanischer neuer Musik
(Goethe Institut Kyoto Kansai)
2001 Artist-in-residence at Kunstlerinnenhof
Die Höge(Syke,Germany)
2001 Konzert deutsh-japanischer neuer Musik
(Goethe Institut Kyoto Kansai)
2001 Internationale Komponistinnentage für
Neue Musik”(Syke,Germany)
2002 ISCM world Music Days in Yokohama
JSCM New Century Music Festival
2002 The 7th Evening of ACL・ISCM
JFC Exchanges concert"2002 Korea"
2002 The 25th ACL FORUM in Seoul Korea-Japan
Exchange Concerts
2009 Asian Paciific Contemporary Music Festival
in Korea(Seoul)
2011 Asian Composers League Conference & Festival
in Taiwan(Taipei)
2012 Asian Composers League Conference & Festival
in Israel(Tel.Aviv)
■Members
1991-1996 lecturer of Kyoto City University of Arts,
Faculty of Music
1995- The Japan Federation of Composers
1996- Japan Society for Contemporary Music
1996-2011 Full time lecturer of Kyoto City University
of Arts, Faculty of Music.
1999-2002 Project Committee of Kyoto Art Center
2007- The Society for Research in Asiatic Music
2007- International Council for Traditional Music
2008- Steering committee of Kyoto Art Center
2011- Associate Professor of Kyoto City University
of Arts,Faculty of Music
■Collections
2010- Own works for Japanese traditional instruments
collected in Library of Japan Traditional Music
Research Centre in KCUA
2011- Own works collected in Library of
Kyoto City University of Arts (2011- )
2013- Own works collected in Collection of
chamber music by women composers at
Felicja Blumental Music Centre & Library
(20131010-)
■Publishers & CD DVD
Mother Earth Publishing
The Japan Federation of Composers
Studio FLORE
Kuenstlerinnenhof Die Höge Internatioanl
Humanity Association Japan
International League of Artist Japan
■Thesis
Study of HIROSE Ryohei's Cello Concerto
[Master Thesis of KCUA]
Study of HIROSE Ryohei's Cello Concerto [1]
HARMONIA 28[KCUA]
Study of HIROSE Ryohei's Cello Concerto [2]
HARMONIA 30[KCUA]
■Orchestral works:
1993 “la fonte di luce光之泉”per flauti orchestra [9 min.]
2000 "Inner Lake内なる湖" for wind orchestra [17 min.]
2002 “Like a Water Ring水の輪のように”
for flute orchestra [7 min.]
2007 “Ode to Sky and Lake 天湖頌”
for flute orchestra [7 min.]
2009 …..goes in the river of light…..誰渡洸河
for 17gen & koto and string orchestra [10 min.]
2011 Sound for Crossing Voices on”SUZUKA MAGO UTA” 鈴鹿馬子唄による交聲譜 [5 min.]
2011 Concerto for Strings in East and West Voices
東西の絃の協奏曲 [12 min.]
2011 Symphonic Concertante for percussion and
17gen koto and orchestra”郷sato-hyang-xiang”
[12 min.]
2012 "水秘魚Segredo" la promesa bonita del cielo
y un lago y un pez para la orquesta de la flauta
[4 min.]
2013 "遥聲Voices from Sky and Ground" for flute solo
and strings with cembalo [ 6 min.]
2013 "揺韻Vibrating Rhythm" for 25gen,koto.20gen,
17gen and flute orchestra[ 12 min.]
2013 "如何美輝暁星Wie schoen leuchtet der Morgenstern "
fuer Kammerorchester [ 10 min.]
2014 "韻禱 YUNDAO rhymed prayer" for trombone solo,tenor solo
and chamber orchestra with electronics [10 min.]
■Ballet works
1994 Ballet “Sakura 櫻-Metamorphosis” [21 min.]
female voice 2 violinists
solo female ballet dancer
3 male ballet dancers
1995 Ballet “NOLI律” [26 min.]
female voicepianoforte percussion
solo female ballet dancer 3 male ballet dancers
■Theatrical works
1997-8 Trilogy "MANA” “HARU” “HANA”
[Kyoto International Exchange Festival
(Daitoku -jI temple)
Kyoto International Music Festival
(Kyoto Concert Hall)
Art Festival KYO
(The site of Meirin Elementary School) ]
[ 27 min.]
unaccompanied coloratura soprano
[with Noh-dance]
2003 Five Winter Songs by Haiku of YOSA Buson 与謝蕪村の五つの冬の歌 [ 16 min.]
[ Kyoto Art Center ]
coloratura soprano
Noh dance
2008 Music Story ”GIN NO NAMI ODORU
dancing silver waves 銀の波おどる” [ 19 min.]
[ Shiga Art Complex Creation Hall ]
story telling perccusionist
violinist
singing 17gen & koto player
2010 Theater piece ”Ship of Life 生命の舟” [ 60 min.]
[ Shiga Art complex Hall ]
flute & alto-flute player
17gen & koto player
5 percussionists 2 vocalists
electronics images dancers
2 child actors mezzo soprano counter tenor
mixed chorus members
2011 Theater piece “The Oak Tree’s Story
かしの木物語” [ 45 min.]
[Nagahama Manisipal Shimo-Kusano
Elementary School Gymnasium]
recitations group with percussion
shinobue solo & sinobue ensemble
17-gen koto soprano solo mixed chorus
visual image
2012 "Sand Prosody沙韻" for soprano,
flute Shamisen and Strings [ 6 min.]
2012 "八月の光の祈りPrayer of the light of August "
Light & Matrix 8×9 Sun & Moon
[TMPP studio]
2 percusionists
electronics
lighting
solo dancers with light & percussion
4 dancers with light & percussion
2012 Light Opera "Jian zhen 鑑眞" [ 50 min.]
[Haruta-san Jigen-in Saiho-ji Temple
Main Hall ]
dramatic Tenor light Soprano
lyric dramatic tenor lyric soprano
lyric doramatic soprano
baritone light tenor lyric tenor
flute & alto flute 17gen koto & koto
percussion piano strings
2013 Times' ringときのわ children's story
with both music and text by composer
[Kusatsu City Tokiwa Elementary School
Gymnasium]
narrator
shinobue 17gen koto &koto 2
piano 3 soprano
■Chamber works
1989 "Noli" foir female voce,pianoforte and percussion
[24 min.]
1991 “Kasanuhi” for violin,viola and violoncello
[18 min.]
1993 “Sakura” for 2 violinists [12 min.]
1994 “閼伽Aqua” for pianist [15 min.]
1996-7 "Mure邑" for 3 marimbists [ 22 min.]
1997 “Naga” for marimbist [11 min.]
1998 “Kusa” for 5 percussionists [ 13 min.]
1998 "Kata" for marimbist [ 5 min.]
2001 "Riverside lullaby" for guitar solo [ 4 min.]
2001 "朱雀抄Red sparrow's story" for harpist [ 8 min.]
2002 "Agata " for flute solo [9 min.]
2007 "Hata" for oboe and piano [12 min.]
2007 "川のほとりのこもりうたRiverside lullaby"
for toy piano [ 4 min.]
2007 "Kawa no hotori no komoriuta"
for yoshibue esemble [4 min.]
2008 "廉太郎の花die Blüte der Rentaro "
für zwei marimba mit zwei Spieler [ 10 min.]
2008 "りんごの朝の歌Alborada de la manzana"
del la para el violin y piano [ 6 min.]
2009 "GANJIN WAY " for trombone and marimba
[ 8 min.]
2010 "笠KASA Bach" for violin solo [ 6 min.]
2010 "草KUSA Bach" for violoncello solo [ 5 min.]
2010 "瀬SE Bach" for clarinet solo [ 5 min.]
2010 "玉TAMA Bach" for 17 gen koto solo [ 6 min.]
2010 "薙日Nagu-hi " for percussionist [10 min.]
2010 "ホカヒHOKAHi" for percussionist and
two partners [ 7 min.]
2010 "凛RlN" for solo percussionist and
percussion dance player [ 10 min.]
2011 "遠聲譜Onjo-fu”for marimba solo and
marimba ensemble [ 10 min.]
2012 "宙sola" for piano alone [ 6 min.]
2012 "つちのいのりPrayer from Ground"
for double base solo [ 5 min.]
2012 "巴月照Eddy Moon Shining"
for oboe solo [ 5 min.]
2012 "山月双Pairing Mountain and Moon"
for fagotto solo [ 5 min.]
2012 "暁天Dawn Sky " for violin solo [ 7 min.]
2012 "地韻Magna Mater” for percussionist [ 6 min.]
2013 "雛翠baby green " for three keyboard harmonica
[ 3 min.]
2013 "眞聲vox verum " for fagotto solo [ 6 min.]
2013 "雛鳥詞soul voice " for viola solo [ 6 min.]
2014 "眼天SKY EYES "
for three cellos and two double bases [ 13 min.]
2014 "地耳GOUND EARS"
for three cellos and double bases [ 10 min.]
2015""伊福inspirare " for flute solo [ 6 min.]
■Works for electronics
2014 "花如 quasi flos" for electronics [ 4 min.]
■Works with electronics
2012 "連壽litania " for 2 pianist on one piano
with electronics [ 7 min.]
2012 "Prayer of the light of August"
Light & Matrix 8×9 Sun & Moon
[TMPP studio]
2 percusionists electronics lighting
solo dancers with light & percussion
4 dancers with light & percussion
2013 "桃雲pink cloud "
for toy-piano&piano & breath & strings &
live-electronics [ 5 min.]
2015 "眞聲花如 vox verum quasi flos" for electronics and fagotto [ 12 min.]
■Works for Japanese traditional instruments
1998 "クリタKurita" for 2 koto players [ 10 min.]
2001 "妹背Imose " for Shakuhachi and 20 gen koto [ 11 min.]
2001 "如月Kisaraghi" 3 pieces for Shakuhachi solo [ 8 min.]
2008 "喜春楽幻想Kishun-raku fantasy " for Shino-bue,
17gen koto & koto [ 6 min.]
2008 "秋風楽幻想Shuhu-raku fantasy " for Shino-bue,
17gen koto & koto [ 5 min.]
2009 "明月楽弐之巻Bright Moon Music Vol.2 "
for 17 gen & koto player with vocalise [ 10 min.]
2010 "渡渡韻韻"DUDUYUNYUN " for two 17gen player
with metal percussion [12 min.]
2011 "Rengetsu- shin蓮月心" for koto solo [7 min.]
2012 "青渡絲韻QIINGDUSIYUN" for two 17gen player
with metal percussion [ 12 min.]
2012 "かしの木変奏曲The Oak Tree Variation"
for koto ensemble [ 8 min. ]
2013 "伊福inspirare " for shakuhachi solo [ 6 min.]
■Japanese traditional instruments & Western instruments
2004 "鏡海KAGAMI" for oboe and 20 gen koto [ 11 min.]
2008 "越天楽幻想Eten-raku fantasy " for violin,
17gen koto & koto, pianoforte and percussion[ 6 min.]
2008 "くさのおとKUSA NO OTO" for violincello and
17gen koto [ 5 min.]
2009 "明月楽壱之巻Bright Moon Music Vol.1 "
for alto flute and 17gen koto & koto [10 min.]
2010 "月下芙蓉Rotus under Moon"
for oboe,fagotto and koto [10 min.]
2010 "明月楽参之巻Bright Moon Music vol.3"
for violoncello and 20 gen koto [10 min.]
2012 "珠潭遺舟Forgotten Boat in Pearl Lake"
for Biwa and 17gen koto [12 min.]
2012 "一輪の花One flower" for koto solo [11 min.]
■Vocal works
1995 "Manaマナ" for coloratura soprano solo [ 9 min.]
1997 "Haruハル" for coloratura soprano solo [ 9 min.]
1998 "Hanaハナ" for coloratura soprano solo [9 min.]
2006 "Inoriいのり" for coloratura soprano solo [ 5 min.]
2007 "Riverside lullaby川のほとりのこもりうた" [ 3 min.]
2010 "UTSUKUSHII IMA美しい今"
(Lyrics:HOSHINO Tomihiro)[ 3 min.]
2011 "KASHI NO KI NO UTAかしの木のうた (The Oak Tree)"
(Original Lyrics:NAKAMURA Noriko) [ 3 min.]
[Portoguese,Spanish,English,Korean,Japanese language]
2012 "Akeshidaあけしだ"
for unaccompanied soprano solo [ 5"]
2014 "花FLORE" for voice and keyboard [ 8 min.]
2014 "夜色樓臺雪萬家 与謝蕪村聲十景
Das Anschauen von deckendem Schnee
zu allen Haeusern im Nachtbalkon
mit grossem Dach
YOSA Buson innere Stimme neben
zehn Landschaften
Guardando a corpire per neve per tutte le case
in balance note con grande tetto -
YOSA Buson voce interiore di dieci paessagi-
2015 "聲愈 audible"for soprano saxophone solo
■Choral works
2003 "Nanohana ya Tsuki wa higashi ni
Hi wa nishi ni" (Lyrics:YOSA Buson)
菜の花や月は東に日は西に[ 5 min.]
2003-4 "Four Seasons Songs of Buson"
for unaccompanied mixed chorus
(Lyric:YOSA Buson)[16 min.] 与謝蕪村の句による四季のうた
2008 "Mimizuka no Okuno
oku yori Mushi Shigure" (Lyrics:TAMORI Shizen)
耳塚の奥の奥より虫しぐれ[ 2 min.]
2006-10 "Cosmos Light Hug宇宙 光 抱容"
(Lyrics:NAKAMURA Noriko) [ 6 min.]
2010 "川のほとりのこもりうたRiverside lullaby" [ 3 min.]
2010 "蕪村のまなざしBuson's eyes"
for female chorus and 17 gen koto [15 min.]
2013 "行之家YUKINOYA"
Requiem for mixed chorus[ 7 min.]
2014 "あざいのまなごAZAI no MANAGO"
Cantata for chorus and orchestra [ 3 min.]
■Additional
2012 80 anniversary memorial work by Japan Society
for Contemporary Music from one attack materials
of 80 members
The Alumni Association of
Kyoto City University of Arts,Faculty of Music
Faculty of Music 60 Anniversary Memorial Conversation by faculty teaching staffs and alumni board members
"The visions and developments for the further of KCUA"
25th September,2012 at KCUA Universtiy Hall
NAKAMURA:I am just feeling of the sister's & brother's relations on art and music by my whole body,it is crossing on same ground that I have spent near 30 years in university since entering as a student.
As the viewpoint from this span,10 times 130 anniversary is
just 1300 京都市立芸術大学音楽学部同窓会真声会 音楽学部創設60周年学部創設記念座談会
息でうがつ点 points by breaking with breath
息で揺らす線 lines by swinging with breath
絃をはじく点 points by plucking strings
絃を震わす線 lines by vibrating strings
音のない空が air is tying with spreading
緊まり拡がる there is no sound
場のすべての音が air are filled by sounds
空を充たし here is no sound
関わる全てが all sounds in space
無音の楽をかたしろし these are figured
時となる it is time
(中村典子:2013.03.14) (NAKAMURA Noriko:2013.03.14)
眞聲 VOX VERUM
さかさはりつけの姿 figure of upside-down crucifixion
髪からしたたる血が地に注ぎ dripping blood from hair to the ground
鹿が鳥が虫が鳴く deers cry,birds sing and insects chirp 草木川花奏鳴 grass,woods,rivers and flowers vibrate
この世のすべての音は all sounds on the ground
この永遠から生まれる these are born from this eternity
(中村典子:2013.03.14) (NAKAMURA,Noriko:2013.03.14)
premiere 2013.04.22 at University Hall in KCUA
fg:中川日出鷹 NAKAGAWA Hidetaka
中村典子[作曲]
京都市立芸術大学を経て同大学院修了。京都音楽協会賞。首席修了により大学院賞受賞。在学中ブレーメン芸術大学へセメスター派遣留学。故廣瀬量平、北爪道夫、藤島昌壽、前田守一、田島亘、故H.J.カウフマン、G.アミ等の各氏に師事。日本、韓国、中国、台湾、ドイツ、フランス、イタリア、スイス、オーストリア、スペイン、ノルウェー、スウェーデン、アメリカ、メキシコ、イスラエルの15カ国各地の音楽祭・大学での公演や放送などで作品上演。NHK大阪放送局でテーマ音楽制作。NHK-FM現代の音楽で作品放送。NHKオーディオドラマ制作担当。1991年ハイデルベルク大学で講演(中村典子:ノリ、日本の女性作曲家達)。1993年金剛能楽堂で世界初演の「花變容」を東京フェスティバルバレエが全米9都市で《桜・メタモフォシス》として巡演。1995年国連憲章50周年記念UNited We Dance[世界舞踊フェスティバル]で日本代表舞踊作品としてサンフランシスコ戦勝記念オペラハウスで連続公演(石井潤振付:東京フェスティバルバレエNOLI")。舞踊家李周護煕と日韓で舞踊作品を度々連続公演[Noli][KURITA]。1997年第1回小倉理三郎音楽奨学金受給者。2001年京都市芸術新人賞受賞。Artist in Residence in die& Hoegeで滞在制作(Syke,北ドイツ)。国際女性作曲家会議(ドイツ)。ケルン国営放送局でクラウディア・ビルクホルツがAQUAをドイツ放送初演。2008年より京都芸術センター運営委員。2010年平成22年度滋賀県文化奨励賞受賞。2009年クラウディア・ビルクホルツがトイピアノのためのSchlaflied am Flussuferをクンストフェラインアルテシュミーデウィーンでオーストラリア初演。同作品CD収録。ニューヨークのマリンビスト名倉誠人が2010年京都芸大打楽器研究室メンバーとソロマリンバとマリンバアンサンブルのための「遠聲譜」世界初演後、2011年ニュージャージー市立大学パーカッションアンサンブルとアメリカ初演、2012年イタリアパドヴァ”M.ポリーニ”音楽院でアートパーカッションアンサンブルとヨーロッパ初演。ACL Conference & Festival(2009統営・ソウル、韓国)(2011台湾)(2012イスラエル)入選。東西アンサンブルと混声合唱のためのエレクトロニクス・映像によるステージ・シアターピース「生命の舟」[滋賀県文化振興事業団]、長浜市立下草野小学校小学生・教員・地域住民400人によるシアターピース「かしの木物語」[テキスト&作曲]、日中韓三カ国語によるテキストと東西管弦楽のための楽舞台「鑑真」[テキスト・作曲・指揮],マンダラと般若心経とパーカッション、ダンス、エレクトロニクスよるコンセプチュアルパフォーマンス「8月の光の祈り」[ヴィジュアル・テキスト・ライティングデザイン・作曲]、箏と西洋楽器、室内管弦楽、エレクトロニクスによるステージ「宙(そら)との対話」[構成・テキスト・ライティングデザイン・作曲]、映像・絵画・染織・能楽・声楽・東西伝統楽器との新旧聖歌による「平和への夢」[構成・テキスト・ヴィジュアル・ライティングデザイン・作曲]など総合的舞台でテキスト、ヴィジュアル、作曲、指揮に至る全てに乗り出す。国際現代音楽祭「アジアの箏の現在2012」国際現代音楽祭「アジアの管絃の現在2013,2014」国際フェスティバル「アジアの音舞の現在 2013」開催。7回の個展。9枚のCDと1枚のDVDが日本とドイツでリリース。2008年より京都芸術センター運営委員。2013年韓国大邱国際現代音楽祭委嘱作品世界初演(雛鳥詞 soul voice 演奏:花田和加子[ Ensemble Contemporary α] )国際現代音楽祭 Musicaranma 2014に招聘、香港初演(櫻花 演奏:キム・ホンジュン、ヨ・ヒョジュン[Ensemble eclat])。2014年ザルツブルグ・モーツァルテウム大学で講演・演奏(ホカヒ:身体と図譜)。東洋テキスト[詩経・奥の細道・禅・荘子・間]を水にかかわるプログラミングでまとめたモーツァルテウム大学と京都市立芸術大学学生教員作品によるプロフェッサーコンサートをソプラノ&クラヴィーアリサイタルとして交流演奏会を行う。日現代音楽協会、日本作曲家協議会、東洋音楽学会、国際伝統音楽学会会員。清水慶彦、増田真結とclumusica協同主宰。コチの会・東風同人。現在、京都市立芸術大学音楽学部准教授。
NAKAMURA Noriko is Japanese composer.She graduated from Kyoto City University of Art and received Kyoto music association award,and received master's degree from KUCA,and received master prize as the top of the year(music).She studied in Hochschle fuer Kuenste Bremen by clutural exchange student from KCUA.She studied with HIROSE Ryohei,KITAZUME Michio,FUJISHIMA Masahisa,TAJIMA Wataru,Hans Joachim Kauffmann,and Gilbert Amy and so on.
Her works have been performed and broadcasted in various festivals,in universities at the following countries:Japan,Korea,Taiwan,China,
Germany,France,Italy,Swiss,Austria,Spain,Norway,Sweden,Mexico,Israel
and U.S.A.Her all works concerts have been held seven times in the following: by all contemporary dance stage works,by all percussive works,by all Japanese traditional instrumental works,by concerning "water"works,and so on.
She lectured about "Japanese Women Composers"with own work in Heidelberg University at International Women Composers Festival.
Her ballet work"Sakura Metamorhosis"[coreographied by ISHII Jun,Tokoyo Festival Ballet] was performed in 9 cities in U.S.A.In addition,her debut work "Noli" was performed several times in San Fransisco War Memorial Opera House at an International Festival "UNited We dance" as the Chapter of United Nations 50 Anniversary.SanFransisco Ballet and Opera theater invited thirteen famous ballet companies from thirteen countries in the following:Holland National Ballet,Denmark Royal Ballet,Cuba National Ballet,Rambert Dance Company,Bolshoi Ballet,Australia Ballet,Shanghai Balllet Company,Leipzig Ballet,British Colombia,Tokyo Festival Ballet,and so on.
She and Korean traditional dancer LEE Juhee[Dr.prof.of Chung-ang University] have been performed their collaborative stages[Noli][Kurita] in Japan and Korea.She received 1st OGURA Risaburo Music Scholarship for the research of Japanese and Korean traditional music and the creation from these elements[the trilogy by unaccompanied solo voice "Mana","Haru","Hana".
She was invited as the resident artist from Kuentlerinnenhof die Hoege,
stayed in Syke[North Germany],summer of 2011,and participated in the International Women Composers Festival,and recorded for CD by Radio Bremen.She received Kyoto City New Artist Award in 2001.
Claudia Birkholz premiered in Europe "AQUA" ,and it was broadcasted from Radio Koeln,and premiered Schlaflied am Flussufer for toy-piano in Hochschule fuer Kuenste Bremen,and recorded CD,and performed in arte schmide kunstverein wien and various cities in Europe. She is a member of the steering committee of Kyoto Art Center since 2008.She received Shiga Prefectural Cultural Encouragement Award in 2010.
Marimbist Makoto NAKURA in New York commissioned her "Onjo-fu" for solo marimba and marimba ensemble,and he premiered with KCUA percussion laboratory members,and premiered in U.S.A. with New Jersey City University Percussion Ensemble in 2011,premiered in Europe with Art Percussion Ensemble at M.Pollini Conservatory Padva,Italy,in 2012.
Her works have been selected at ACL Conference & Festival[Tongyong & Seoul,2009][Taiwan,2011][Israel,2012],
In recent years,she starts to produce various comprehensive synthesised stages from the experience of composition for theater piece " Ship of Life" for east and west instruments,percussion ensemble,electronics,visual images,contemporary dancers,solo singers,mixed chorus
[director&conductor:TOMIOKA Ken,produced by Shiga Prefecure Foundation for Cultural Promotion]has been produced various stages by her own text[in several language of lJapanese,Korean,Chinese,and English and Latin],visual image,composition,conducting,and is working for holding International
Festival with Symposium in every time with clumusica members.
Her works have been recorded in 9 CD and 1 DVD in Japan and Germany.
She is a member of Japan Society for Contemporary Music,Japanese Federation of Composers,International Counsil for Traditional Music[ICTM],The Society of Research for Asian Music[TOG]
In present time,she is an associate professor in KCUA.
Born in Shiga,Japan(1965).
Graduated from Kyoto City University of Arts(KCUA)
faculty of Music, and
Received Kyoto Music Association Award(1987).
Received from master's degree from KCUA,and
Received Master Prise(1991).
Studied underR.Hirose,M.Kitazume,S.Maeda,M.Fujishima,W.Tajima,
H.J.Kauffmann and G.Amy,and so on.
Has been introduced own works on the 15 countries in
Japan,Korea,China,Taiwan,U.S.A,Mexico,Germany,France,
Italy,Swiss,Austria,Spain,Sweden,Norway,Israel.
Received Ogura Risaburo Music Scholarship for the research of
traditional east-Asian music(1997).
Artist-in-residence at Kunstlerinnenhof Die Hoege in Germany(2001).
Kyoto City New Artist Award (2001). ACL FORUM(2002)in KOREA(Seoul)[NAGA for marimbist(1997)] ACL Festival(2009) in KOREA(Seoul)[KATA for marimbist(1998)]
Shiga Prefectural Art Award(2010)[Theater Piece"Ship of Life"]. ACL Conference & Festival(2011) in Taiwan[Taipei]. ACL Conference & Festival(2012) in ISRAEL[Tel.Aviv].
A driving comittee of Kyoto Art Center(2008- ).
A member of Japan Society for Contemporary Music and The Japan
Federation of Composers.
A member of the Society for Research in Asiatic Music and International
Council for Traditional Music.
Present,an associate Professor of KCUA,Faculty of Music.
Collection:
Collection of chamber music by women composers at Felicja Blumental Music Centre & Library [Socre & CD]
Felicja Blumental Music Library
director Irit Schoenhorn
Chairwoman of Israeli Women Composers forum
On behalf of Israeli Women Composers Forum
Alona Epshtein
Four Seasons Songs on Buson for unacompanied mixed chorus
[publisher:Mother Earth]
”Natsu kawa wo kosu ureshisa yo te ni zo(u)ri”
conductor:KUWAYAMA Hiroshi Ensemble Academy Kyoto
The Oak Tree[Nagahama Manicipal Shimokusano
Elementary School Our song]
shinobue:II Akiko 17gen:OE Miyako
Riverside Lullaby [publisher:Mother Earth]
soprano:MIDOU Mai
violin:KISU Sumire violon:NAKAMURA Hitomi
viola:NAKAMURA Kimitoshi Cello:ONISHI Yasunori
Kusa no oto[Kusatsu Amika Hall presents]
Cello:Matsuzaki Ariko 17gen :OE Miyako http://www.youtube.com/watch?v=lUB1s6ciOPc
[autumn semester] Respighi:Pini di Roma Fontane di Roma Feste Romane Respighi:Siciliana Faure:Sicilienne Bach:Siciliano
作曲理論研究[大学院](前期) (後期)
Studies for theory of composition
for all speciality students in master course
[spring semester]
works of Dutilleux,Grisey,Berio and Sciarrino
[autumn semester]
Asian Composers and Composition for Asian instruments
on the keywords of folklore,tradition,oriental thoughts
for building and renewing identity
作曲法[学部]第1回、第2回、第3回、第4回提出、作品発表会、試験
Composition for all speciality students
[spring semester & autumn semester]
overview of the music on the Earth
variation from folklore & symphony from folklore
motif partial motif sentence theme
exposition development recapitulation coda
ordered and disordered structure
basic form[A AB ABA]
applied form[compound form Lied,dance suite,rondo,sonata ,fugue,variation]
twelve tone technique seriel music
from listening to nature concrete sounds for graphical notion
preparation of performance
presentation by performance
examination for completion of composition[90 min.]
[reference]
pitched instruments register
[relative expression from VOX HUMANA
A-f-f1-f2-f3] A0-C8
flute c1-c2-c3- c4
piccolo d2-c3-c4-c5
alto flute in G g-g1-g2-g3 [notation:c1-c2-c3-c4]
oboe b-b1-b2-g3
oboe d'amore gis-gis1-gis2-cis3 [notation:h-h1-h2-e3]
english horn in F h-h1-h2-f3 [notation:e-e1-e2-b2]
clarinet in B d-d1-d2-d3-b4 [notation:e-e1-e2-e3-c4]
bass clarinet in B D-d-d1-d2-d4 [notation:e-e1-e2-e3-g3]
[charge]
for composition,conducting and all speciality
Composition(undergraduate,master course,and doctoral course)
Analysis 1-8(undergraduate 1 2 3 4, speciality of composition)
Analysis 1-4(undergraduate 1 2,class of specialty of conducting)
Compositon(undergraduate,all speciality)
Analysis a1 a2(undergraduate,all speciality)
Composition(master course)
Study of composition (master course,speciality of composition)
Studies for theory of composition(master course,all speciality)
Studies for research (doctoral course)