■ daily activities, in the following: https://nakamura89.exblog.jp
2020年４月23日 →4月30日→5月14日オンライン開催
April,2020@Kyoto City University of Arts →
創造のためのリサーチプレゼンテーション ３
Research Presentation for Music Creation through Analysis
Nakamura lab,Kyoto City University of Arts
主催：京都市立芸術大学音楽学部大学院音楽研究科
Tel.075-334-2363 nakamura@kcua.ac.jp
本学作曲指揮専攻学生全員が楽曲分析クラスで
まとまった音楽研究は、
本学学生と欧米圏研究留学生・交換留学生の
これから共に刻[とき]を作ってゆく若い作家音楽家を探しに
KCUA all composition & conducting students present each researches on Analysis class.
Concentrated researches accompany and light musicians’ lives and creations.
For searching new creators musicians to co-working together.Please experience
and oversea research & cultural exchange students from EU and U.S.A.
2020年４月23日 →4月30日→5月14日オンライン開催
April,2020@Kyoto City University of Arts →14th May,2020 Online Presentation !
棚橋佑羽[指2] クリストフ・ペンデレツキ
＊回生は新年度で表記しています。
司会：中村典子
Ishikawa Kohei : Contemporary music histories and Regionalities –
from Own Work“Regional Horizon” for Flute,Clarinet,Violin and Cello
Tanaka Shinya：The Structure of “Variations on a theme of Paganini”
Tanahashi Yu : Study of Time Structure on Tension and Relaxtion
on “Duo Concertante for Violin and Double Bass” by Krzysztof Penderecki
Ishii Isana：Luciano Berio's composition, Sequenza and Chemin II:
Overview of the relationship between solos and concerto
Ishii Isana : Bartok Composition Orchestra Concerto First Movement: E
Toyofuku Hayato: The structure of Symphony No. 2 by Arthur Honegger
Senoh Reina : Study of The Planet for Large Orchestra Op. 32 by Gustav Holst
Terada Daiki : Rethinking of "Tension and Relaxation" in Musical Works Based on
Morita Takumu: Six capriccios for the violin composed by Salvatore Sciarrino
Ben Bisogno: Composer speaks own work - String Quartet
Annders Hannevold：Composer speaks own work -
“Wind-flower-moon-snow” for Koto [Postponed by Lock Down in Norway]
Itou Keisuke:Composer speaks own work –“Cosmos,hug”
About grades,these are shown as new spring semester (April,2020).
Moderator：Nakamura Noriko
2020年5月21日(木)創造のためのオンラインリサーチ 1
21 May 2020 14:40-16:10
Online Horn Micro Piece Trial@Nakamura-lab,KCUA
HORN：EGUCHI Iyo TSUKIYAMA Mika
New Piece!!!
HIJIKATA Nagisa：漢
Kohei ISHIKAWA：AQUA
TAKAKA Shinya：PUYO PUYO
Hijikata Nagisa [Composition2] : The Orchestral Sound Structure and Rhythmic Analysis of "The Rite of Spring" by Igor Stravinsky
https://www.youtube.com/watch?v=Fu9FbAYwL98
Thank you so much for your online presentation watching !
Nakamura Noriko is a Japanese composer.She was born in Kusatsu,Shiga prefecture Japan.She graduated fromNotre Dame Jogakuin High School and Kyoto City University of Arts,and Graduate school of KCUA,summa cum laude.She received Music Association Award and Graduate School Award. While studying at autumn winter semester, she studied as cultural exchange student at Hochschule für Künste Bremen. She studied under Hirose Ryohei, Kitazume Michio, Fujishima Masahisa, Maeda Shuichi,Tajima Wataru, H.J. Kauffmann, G. Amy, and others. Her works have been performed and lectured at Festivals,Opera House,Conservatories,Universites, Broadcasting Stations,Halls in Japan, Korea, China, Taiwan, Germany, France, Italy, Switzerland, Austria, Spain, Norway, Sweden,U.S.A, Mexico, Russia, Lithuania, and Israel.She charged theme music and radio drama at NHK Broadcasting Station and her works broardcasted at NHK-FM.She lectured at Heidelberg University in 1991 (Japanese female composers). In 1993, the Tokyo Festival Ballet performed “SAKURAMetamorphosis” at the Kongo Nohgakudo Theater and nine cities U.S.A tour as “Flower Metamorphosis”. Her debut work NOLI performed consecutively at the San Francisco War Memorial Opera House as a representative Japanese dance performance at the United Nations Chartered 50th Anniversary Commemorative 50th Anniversary UNITED We Dance [Ishii Jun choreographied Tokyo Festival Ballet NOLI]. This work also coreographied and staged various stages as Korean traditional dance continuously for many years on the dance stages also [KURITA]. She received the 1st Ogura Risaburo Music Scholarship in 1997 for the researches about Japanese and Korean Tradititonal Music.She received Kyoto City New Artist Award in 2001. She stayed at Syke,Northen Germany as Artist in Residence of Die Höge and presened International Women Composers Conference (Germany). Claudia Birkholz Europe premiered her piano suite AQUA on the Cologne National Broadcasting Station in Germany.She was a member of the Kyoto Arts Center Steering Committee from 2008-17. She also received Shiga Cultural Encouragement Prize in 2010. Claudia Bilkholz Europe premiered Schlaflied am Flussufer for toy piano in Kunstverein Arteschmieden in Australia and CD included on the same work in Germany. Marimbist in New York Makoto Nakura performed as world premiere of “Onjoh-fu” for Solo Marimba and Marimba Ensemble with the members of the Kyoto City University of Arts in 2010, followed by the New Jersey City University Percussion Ensemble and the US premiere in 2011, and in 2012 Conservatory of Padova “M. Pollini” Art Percussion Ensemble. In addition, in 2015, ''Sky Eyes Groud Ears'' for Marimba Solo and 9 percussionists, first performed in KCUA percussion and Kyoto, and in 2016, premiered in Padova M. Pollini Conservatory in Italy, 2017. ''Sky Eyes Groud Ears'' also performed at Central Florida University Festival Art Week (North Florida Orlando Walt Disney Theater Dr. Phillip Center) and performed ''Sky Eyes Groud Ears'' at Makoto Nakura Marimba Recital ''Classical Revival of the Modern Times'' Matsukata Hall, Kobe Shimbun.This Marimba Concerto with Percussion Ensemble were performed in four cities around the world in two years since its premiere in Kyoto.Her percussion works and piano work were selected for ACL Conference & Festival (2009 Tongyeong, Seoul, Korea) (2011 Taiwan) (2012 Israel). A grand stage theater piece "Ship of Life" text in Japanese, Chinese and Korean and a music stage for mixed chorus and east-west orchestra with electronics and video projection[text & composition] [producted by Shiga Prefectural Cultural Promotion Agency] received Shiga Prefecture Cultural Encourage Award,Opera Jianzhen GANJIN,and Nagahama municipal Shimokusano Elementary School children, teachers and 400 local residents "Kashinoki The Oak Tree Story" [text / composition / conductor], Mandala and percussion, dance, electronics Conceptual performance "August light prayer" [visual text writing design / composition], Koto and Western musical instruments, chamber orchestra, electronics "Dialogue with the sky" [Composition, text writing design / composition], "Dream for Peace" [composition, text, visual, writing design, and composition] with old and new chants with images, paintings, dyeing and weaving, On a comprehensive stage such as, she embarked on everything from text, visual, composition, and conductor. 2013 Daegu International Contemporary Music Festival in Korea (vox animum soul voice performed by Hanada Wakako [Ensemble Contemporary α]) Hong Kong International Contemporary Music Festival MUSICARAMA 2014 (Sakura performed by Kim Hong Joon, Yo Hyo Jun [Ensemble Eclat]). She lecture ed and performance at Universtät Mozarteum Salzburg (hokahi:Physical Understanding and Graphic Notation 2014) (As 21st century Piano Song - reconstruction through acoustic transition by visual phenomenon fusion 2016). Mozarteum in both AQUA = Shikyo / okunohosomichi / Zen /Zhuangzi/ between flowing water 2014 and 21st Century Piano Song -Retrospective and Encounter - Omote / Winter Journey to Longing Spring 2016 .She held four exchange professor recital concerts with.students works and professors works and performances in Kyoto City University of Arts and Universtät Mozarteum Salzburg.She is a member of the Japanese Society for Contemporary Music, The Japanese Federations of Composers,The Society for Research in Asiatic Musicand International Council for Traditional Music. International Contemporary Music Festival “Koto,Present in Asia” International Contemporary Music Festival “Asian Orchestra 2013, 2014, 2015, 2016, 2017, 2018”, International Festival “Asian Dance Today 2013, 2015, 2016, 2018 ”. Seven solo exhibitions. Includes two DVDs of ten Japanese and German CDs. She was sterring committee member of Kyoto Art Center [2008-2017].Nakamura Noriko, Shimizu Yoshihiko, and Masuda Mayu are clumusica collaborative supervisor (2007-). Kochi no Kai, Tofu (2009-). ensemble clumusica has been set up in the Nakamura laboratory, and has been held International Contemporary Music Festivals. 2012 International Contemporary Music Festival《Koto,Present in Asia》(International Exchange House event hall). Since the 2013 International Contemporary Music Festival “Present of Orchestral Asia” International Festival “Music & Dance,Present in Asia”,OE International Alternative Festival, a series encounter project, and others.Currently,International Festivals have been held mainly at the University Hall,KCUA every year between Kyoto and various parts of the world. She is Judge of the NHK School Music Competition (2011-), a chorus contest organized by NHK and the All Japan Music Education and Study Group. She was a Judge of the 21st Century Japanese Music Project International New Music Composition Contest (2015). She was Jury President of Solo Division on International Composition Competition “CONCORSO INTERNAZIONALE DI COMPOSIZIONE 2019 International Competiton for Composers“ Unique Forms of Continuity in Space ” (2019). Lectures and performances at overseas universities,institutes: Heidelberg University (Germany 1991), Künstlerinnenhof die "Höge"(2000,Germany),Universtät Mozarteum Salzburg (Austria 2014,2016), Bacilica of San Domenico Imola(Italy,2013), Cattedrale Santa Maria Matricolare Duomo di Verona(Italy,2013), Daegu Art Factory(Korea,2016) ,Sookmyung Women's University (Korea,2018), Guangxi University of Arts (China,2018) .She is also a member of “Le jardin du temps et d'espace”. Most of early works, including debut works, have become various traditional and modern dance stages that transcend countries, and have been performed continuously around the world. After theater pieces and operas, Recently,she was composing her concerto for solo Japanese traditional instrument and Orchestra series as like sequenza [solo] and Chemin [concerto] by Berio.These are shakuhachi concerto, sho concerto,taiko concerto,shamisen concerto, Yanagawa-shamisen concerto, shamisen concerto, 25-stringed koto concerto,17-stringed koto concerto, four koto concerto[koto,20-stringed koto,25-stringed koto,17-stringed koto, concerto for chamber orchestra, flute concerto,bassoon concerto, trombone and tenor concerto, soprano and choral concerto, piano concerto, violin concerto, oratorio for soprano,tenor and mixed chorus.Currently she is an associate professor at Kyoto City University of Arts, Faculty of Music and Graduate School of Music,KCUA.
中村典子[作曲]滋賀県草津市出身。ノートルダム女学院高等学校と京都市立芸術大学を卒業、同大学院音楽研究科作曲専攻首席修了。京都音楽協会賞。大学院賞。在学中ブレーメン芸術大学へセメスター派遣留学。故廣瀬量平、 北爪道夫、藤島昌壽、前田守一、田島亘、故H.J.カウフマン、G.アミ等の各氏に師事。日本、韓国、中国、台湾、ドイツ、フランス、イタリア、スイス、オーストリア、スペイン、ノルウェー、スウェーデン、アメリカ、メキシコ、ロシア、リトアニア、イスラエル17カ国各地の音楽祭、歌劇場、音楽堂、音楽院、大学、放送局などで作品上演・講演されている。NHK大阪放送局で テーマ音楽制作。NHK-FM現代の音楽で作品放送。NHKオーディオドラマ制作担当。1991年ハイデルベルク大学で講演（中村典子：ノリ、日本の女性作曲家達）。1993年金剛能楽堂で世界初演の「花變容」を東京フェスティバルバレエが全米9都市で《桜・メタモフォシス》巡演。1995年国連憲章50周年記念UNited We Dance[世界舞踊フェスティバル]で日本代表舞踊作品としてサンフランシスコ戦勝記念オペラハウスで連続公演（石井潤振付:東京フェスティバルバレエNOLI"）。舞踊家李周護煕と日韓で舞踊舞台[Noli]と[KURITA]を多年に渡り連続公演。1997年第1回小倉理三郎音楽奨学金受給者。2001年京都市芸術新人賞。Artist in Residence in die& Hoegeで滞在制作(Syke,北ドイツ)。国際女性作曲家会議（ドイツ）。ケルン国営放送局でクラウディア・ビルクホルツがAQUAをドイツ放送初演。2008年より京都芸術センター運営委員。2010年平成22年度滋賀県文化奨励賞受賞。2009年クラウディア・ビルクホルツが トイピアノのためのSchlaflied am Flussuferをクンストフェラインアルテシュミーデウィーンでオーストラリア初演。同作品CD収録。ニューヨークのマリンビスト名倉誠人が2010年京都芸大打楽器研究室メンバーとソロマリンバとマリンバアンサンブルのための「遠聲譜」世界初演後、2011年ニュージャージー市立大学パーカッションアンサンブルとアメリカ初演、2012年イタリアパドヴァ”M.ポリーニ”音楽院でアートパーカッションアンサンブルとヨーロッパ初演。さらに2015年《眼天地耳 Sky Eyes Groud Ears》マリンバ独奏と9人の打楽器奏者のための、をKCUAパーカッションと京都初演後、2016年にはイタリアのパドヴァM.ポリーニ音楽院でヨーロッパ初演、2017年アメリカのセントラルフロリダ大学祝祭芸術週間(北フロリダオーランド・ウォルト・ディズニーシアターDr.フィリップセンター)と名倉誠人マリンバリサイタル2017《現代によみがえる古典》 神戸新聞松方ホールで初演以来2年で世界4都市上演。ACL Conference & Festival(2009統営・ソウル、韓国)(2011台湾)（2012イスラエル）入選。東西アンサンブルと混声合唱のためのエレクトロニクス・映像によるステージ・シアターピース「生命の舟」[滋賀県文化振興事業団]、長浜市立下草野小学校 小学生・教員・地域住民400人によるシアターピース「かしの木物語」[テキスト＆作曲]、日中韓三カ国語によるテキストと東西管絃楽のための楽舞台「鑑真」[テキスト・作曲・指揮],マンダラと般若心経とパーカッション、ダンス、エレクトロニクスによるコンセプチュアルパフォーマンス「８月の光の祈り」[ヴィジュアル・テキスト・ライティングデザイン・作曲]、 箏と西洋楽器、室内管弦楽、エレクトロニクスによるステージ「宙（そら）との対話」[構成・テキスト・ライティングデザイン・作曲]、映像・絵画・染織・能楽・声楽・東西伝統楽器との新旧聖歌による「平和への夢」[構成・テキスト・ヴィジュアル・ライティングデザイン・作曲]など総合的舞台でテキスト、ヴィジュアル、作曲、指揮に至る全てに乗り出す。2013年韓国大邱国際現代音楽祭（雛鳥詞 soul voice 演奏：花田和加子[ Ensemble Contemporary α] ）国際現代音楽祭 Musicaranma 2014で香港初演(櫻花 sakura 演奏：キム・ホンジュン、ヨ・ヒョジュン[Ensemble Eclat])。ザルツブルグ・モーツァルテウム大学講演・演奏（ホカヒ：身体と図譜 2014）(流動リズムと音響的推移を通したアジアの風景-21世紀クラヴィーアリートとして-視覚現象融合による音響推移を通した言語的構造体再統合[夜色樓臺雪萬家] 2016) 。《AQUA=詩経・奥の細道・禅・荘子・間を流れる水＝2014》、《21世紀クラヴィーアリート 遡及と邂逅 -面・冬の旅から春への憧れ-2016》の両プログラミングで、モーツァルテウム大学と京都市立芸術大学学生教員作品によるプロフェッサーコンサートをソプラノ＆クラヴィーアリサイタルとしての交流演奏会を京都とザルツブルグ間で4度開催。日現代音楽協会、日本作曲家協議会、東洋音楽学会、国際伝統音楽学会会員。国際現代音楽祭「アジアの箏の現在2012」国際現代音楽祭「アジアの管絃の2013,2014,2015,2016, 2017,2018」、国際フェスティバル「アジアの音舞の現在2013、2015,2016, 2018」開催。7回個展。日独CD十作DVD二作収録。コチの会・東風同人(2011-)。京都芸術センター運営委員[2008-2017]。清水慶彦、増田真結とclumusica協同主宰(2007-) 。コチの会・東風同人（２００９-） 。中村研究室にensemble clumusicaを置き、国際現代音楽祭を常設展開。2012年国際現代音楽祭《アジアの箏の現在》(国際交流会館イベントホール)開催。2013年国際現代音楽祭《アジアの管絃の現在》国際フェスティバル《アジアの音舞の現在》開催以来、毎年国際音楽祭を主に大学会館ホールで、大枝インターナショナルオルタナティヴフェスティバル、series邂逅プロジェクト等も加えて京都と世界各地を結んで常設開催。NHKと全日本音楽教育研究会が主催する合唱コンクールのNHK学校音楽コンクール審査員(2011-)。21世紀邦楽プロジェクト21st Century Japanese Music Project International New Music Composition Contest審査員(2015)。国際作曲コンクール《CONCORSO INTERNAZIONALE DI COMPOSIZIONE 2019 International Competiton for Composers“Unique Forms of Continuity in Space”》独奏部門審査委員長(2019)。海外大学等講演・自作演奏はハイデルベルク大学(ドイツ,1991)、クンストレーリンネンホフ・ディー・ヘーゲ(2000,ドイツ)、イモラサンドメニコ教会(イタリア,2013)、ヴェローナ大聖堂(イタリア,2013)、モーツァルテウム大学(オーストリア,2014,2016)、大邱アートファクトリー(韓国,2016)、淑明女子大学(韓国,2018)、広西芸術大学(中国,2018)など。時之會同人(2013-)。初期作品群は国を超えた伝統現代の種々の舞踊舞台となり世界各地で連続上演。シアターピースやカンタータ、オペラを経て、近年は十七絃協奏曲、四面箏協奏曲、笙協奏曲、柳川三味線協奏曲、二十五絃協奏曲、三味線協奏曲、尺八協奏曲、太鼓協奏曲、室内管絃楽のための協奏曲、トロンボーン・テノール協奏曲、ソプラノ・合唱協奏曲、ピアノ協奏曲、ファゴット協奏曲、ヴァイオリン協奏曲、オラトリオ天聲地韻などの日本やアジアの伝統楽器とオーケストラ・合唱の音楽に取り組む。現在、京都市立芸術大学音楽学部・同大学院音楽研究科准教授。
2020 Nakamura Noriko Works
2020年1月18日（土）一心寺シアター倶楽 OSAKA DANCE SHOWCASE Vol.1
ホカヒ 舞踊；小川珠絵 パーカッション；宮本妥子 作曲；中村典子
2020年2月29日[土]豊中市立文化芸術センター小ホール TRANCE MUSIC FESTIVAL 2020 -the body-
◉人体のTRANCE「人体音楽祭～身体なき声なき身体～」13:00
◉ピアノとパーカッションのTRANCE「in search of the Lost ( )」15:30
Nakamura Noriko ：hokahi （perc,pf初演）パーカッション：宮本妥子 ピアノ：中川賢一
◉声のTRANCE「◎」18:30
[＊新型コロナウィルス感染防止のため中止]
2020年3月22日[日]14:30 ヒビキミュージックサロンリーヴス
SPRING STORM Maria Storm & Emiko Sato Nakamura Noriko：Kashi No Ki no Uta
[＊2020年11月8日に延期]
Violin Piano Duo Nakamura Noriko: The Oak Tree
佐藤洋嗣コントラバスリサイタル 2020年3月31日[火]19:00 豊中市立文化芸術センター多目的室
日本現代音楽協会 演奏家作曲家コラボレーションシリーズ 中村典子：雛鳥詞 soul voice
[＊2021年2月12日に延期]
2020年4月12日[日] フィガロホール 音楽に魅せられた５人のアフロディーテ
中村典子：かしの木のうた
伊藤 直美 (ソプラノ)宮本 妥子 (打楽器･マリンバ)藤野 亮子 (ピアノ)田中 良美 (ファゴット)林 育子 (メゾソプラノ] ピアソラ 「アヴェマリア」(マリンバ) オズボーン 「ラプソディ」(ファゴット) ヒナステラ「アルゼンチン舞曲集 Op.2」(ピアノ) 本居長世 「七つの子」(メゾソプラノ) グノー オペラ「ファウスト」より宝石の歌(ソプラノ)
[＊2020年9月13日に延期]
中村典子：艸馨 spatium[世界初演]
[新型コロナウィルス感染防止 Cancelled]
6月28日に延期
2020年9月9日[水]豊中文化芸術センター小ホール
声の迷宮 Atessa 諸橋玲子 南川弥生 小里明子 近藤浩平 中村典子
[延期]
Interantional Competition for Composers
FORME UNICHE DELLA CONTINUITÀ NELLO SPAZIO
UNIQUE FORMS OF CONTINUITY IN SPACE
EDITION 2019
Category C by ensemble clumusica and Nakamura Noriko on Nakamura lab.
DOCUMENT
19th edition of the week of the Italian Language in the World Under the
High Patronage of the Republic of Italy
FORME UNICHE DELLA CONTINUITÀ NELLO SPAZIO
UNIQUE FORMS OF CONTINUITY IN SPACE
EDITION 2019
GENERAL PROGRAM
Rehearsals
Bruno Baderna Ensemble
Auditorium Villè
Wednesday 30th October 2019
12.00 noon to 6.00 pm
(Benatti - Navarro - Ishikawa)
Finalist composers will be present
Thursday 31st October 2019
General Rehearsal
Electric music - 11:30 am
Chamber music - 3:00 pm
The Director of the Conservatory of Fermo,
Professor Nicola Verzina,will welcome
all the finalist composets during the rehearsal days
Finalist’s Concert
Announcement of Prize Winners
Jury：Claudio Ambrosini,Nicola Verzina,Italo Vescovo,
Carlo Forlivesi,Roberta Silvestrini,Tonio Tees,Paola Roast
Jury President：Claudio Ambrosini
Category A - Bruno Madera Award (Chamber music)
Luca Benatti,Stte esercizi
for violin,viola and cello (2019)
Ishikawa Kohei,Regional Horizon
for flute, clarinet,violin and cello (2019)
José Rodrigo Nqvqrro Belbruno;L que nadie sabe II
for flute, clarinet,violin,cello and piano (2019)
Bruno Madera Ensemble
fl/piccolo/fl in sol:Luisa Curinga - cl/bass cl:Fabio Battistelli-
piano：Fabrizio Viti -violin：Luca Martiali - viola：Clara Camp -
cello：Federico Bracalente
Conductor：Gabriele Bonolis
Category B - Luigi Nono Award (Electric music)
Toby Sichuan Umm,Wtovot (2019)
Stefano Chelotti,Pepi.La tore di Babele
(Parole,musica,animali) 2019
Misaki Yang,metaorphose_1(2019)
Lena Meinhardt,Rosa stellata(2019)
Sound projecttion - Andrea Verzulli
THURSDAY 31st OCTOBER 2019
5:30 AUDITORIU BILLE’
Via dell’Università 16 - 63900 FERMO
Category C - Giacomo Leopardi Award (Solo Instrumment)
Jury:Fabrizio de Rossi Re,Doi Hideyuki,Carlo Forlivesi,Nakamura Noriko,Nicola Verzina
Jury President：Nakamura Noriko
GENERAL PROGRAM
Reheasals
Koto：Oe Miyako Saxophone：Fukuta Ayano
Violin：Hemmi Yasutaka Percussion：Miyamoto Yasuko
Igakukan 2 Hall Kinugasa Campus Ritsumeikan University 56-1 Toji-in Kitaamchi,Kita-ku,Kyoto 603-8577 Japan
Monday 21st October 2019
10:30.am-8.00.pm
(Hannevold - Ferrante - Okamoto - Ricci - Kodama)
Finalist & Jury mention composers will be present
Tuesday 22nd October 2019
General Rehearsal
10.00 am-12.30 pm
President of Jury Associate Professor Nakamura Noriko welcome finalist &
Jury mention composers during rehearsals days
Jury：Fabrizio de Rossi Re,Carlo Forlivesi,Doi Hideyuki,Nakamura Noriko,Nicola Verzina
Jury President：Nakamura Noriko
Finalist’s & Jury mention’s and Jury’s Concert
Announcement of Prize Winner
TUESDAY 22nd OCTOBER 2019
1.00 pm
Igakukan 2 Hall Kinugasa Campus
Ritsumeikan University
56-1 Toji-in Kitaamchi,Kita-ku,
Kyoto 603-8577 Japan
Category C - Giacomo Leopardi Award (Solo instrument)
Alessio Ferrante
L'ultimo orizzonte. Rituale per l’Infinito(2019)
for percussion
Kodama Masako
Il Confine inspired by Giacomo Leopardi’s “L’infinito”(2019)
for Violin
Okamoto Shinsuke
Strophe II 《Spirale 》(2019)
for saxophone
Luca Ricci
Studio per la sopranvivenza immateriale (2019)
for Violin
Jury mention
Anders Hannevold
kumo no Ito ni… På kingelvevstrenger (2019)
for koto
Koto：Oe Miyako
Saxophone：Fukuta Ayano
Violin：Hemmi Yasutaka
Percussion：Miyamoto Yasuko
July works
Fabrizio de Rossi Re
Vampr
for Alto Saxophone
Nakamura Noriko
Hokahi
for Percussion
Carlo Forlivesi
Silenziosa luna
for Koto
Koto：Oe Miyako
Saxophone：Fukuta Ayano
Percussion：Miyamoto Yasuko
Announcemment of Prize Winners
Category A Winner – Bruno Madera Award
Chamber music
Fermo(Italy) 31st October 2019
Ishikawa Kohei
Regional Horizon
for flute,clarinet,vlolin,viola and cello
Category B Winner– Luigi Nono Award
Electronic music
Fermo(Italy) 31st October 2019
Misaki Yanagihara
Metamorphose_1
Category C Winner – Giacomo Leopardi Award
Solo instrument
Kyoto(Japan) 22nd October 2019
Alessio Ferrante
L'ultimo orizzonte. Rituale per l’Infinito
for percussion
Special Award
Okamoto Shinsuke
Strophes II – Spirale
for alto saxophone
https://nakamura89.exblog.jp/28682881/
http://www.conservatorio.net/concorso-internazionale-di-composizione-forme-uniche-della-continuita-nello-spazio-2019-vincitori-delle-tre-categorie/
World Premiere & Japan Premiere-
[Graduate School KCUA students & KCUA students and guest professional performers]
UNDER CONSTRUCTION only recent years!
PAIK Byungdong：Broken Column [String Orchestra] JP
YOSHIMATSU Takashi：Threnody of Toki
K.Penderecki：from String Quartet No.2
N.Slonimsky :from String Quartet
A.Kosciow : from String Quartet No.10
D.P.Hefti：From Guggisberg-Variationen String Quartet No.2
S.Christensen：From The Whistle Quartet
W.Blecharz:from Liminal Studies [String Quartet]
R.Munakata：from Pleats [String Quartet]
A.Popov：Electronics String Quartet
Joshua CHAN：A journey accompanied [Erfu,Koto] WP
Joshua CHAN：Sprinkling [Volin,Koto,17gen] WP
WAKABAYASHIi Chiharu：TAMAYURA [Solo Koto] WP
ROKUDAN * * * * * * *
